2814 are one of the most innovative musical acts in recent memory. Blending breathtaking ambient soundscapes and futuristic downtempo experiments with a gorgeous sense of electronic melancholy and urban atmosphere, the ever-elusive duo’s sound is defined by their brilliant adoration for warped, hypnagogic nostalgia and the simultaneous outlook into a futuristic dystopian setting – a winning combination of loss and optimism translated through a heavily altered new age lens. Rain Temple, their third full-length album, represents a new chapter in 2814′s sound: sprawling synth drones, beautifully distant vocals, swirling percussion, and an ethereal sonic aura tie together a simply masterful record. HKE and t e l e p a t h have once again created a stunning artistic statement that exceeds expectation and goes far beyond most modern ambient music, reminding us that beyond our late night somber and eternal wonder, we all remain.
2Pacalypse Now is the debut studio album by 2Pac. The album is 2Pac's commentary on contemporary social issues facing American society such as racism, police brutality, poverty, black on black crime, and teenage pregnancy. It featured three singles; "Brenda's Got a Baby", "Trapped", and "If My Homie Calls". In celebration of the 25th anniversary of this classic UMe will be commercially releasing the album on vinyl (gatefold, 180 gram) for this first time here in the US.
7evenThirty and Gensu Dean. Rapper and producer. Mello Music Group stalwarts and Jackson, Mississippi natives turned Dallas denizens. Their working together was fated, rooted in shared soil before it was written in indelible ink. With 7evenThirty’s sophomore album, The Problem, the duo have committed their destined collaboration to wax, giving rap listeners an album that wrestles with the rapidly changing present and carves out a much-deserved space in the forever-uncertain future.Though 7evenThirty’s first solo effort, Heaven’s Computer, was written as a semi-autobiographical sci-fi narrative, he’s landed squarely on terra firma this time around. In fact, his previous interstellar retreat inward has resulted in an incisive outward gaze at his home planet. The city buildings might be crumbling, the bars and beats of other rappers and producers homogenized, but there’s hope.With his delivery sharper than ever, 7evenThirty is comfortable and confident no matter where Dean’s snares and kicks hit. He moves in and out of double time with deceptive ease. Furthermore, his styles are markedly varied throughout, ranging from rigid and rapid fire (“Russian Revolver”) to bouncy and playful (“Foot On the Ground”).Still, 7evenThirty’s dexterity behind the mic doesn’t supersede his thought provoking lyrics. Case in point, “Making of a Vigilante,” which deftly outlines a scorned and vengeful woman’s haunting and convoluted attempt to enact justice. 7evenThirty also tackles several other emotionally and sociologically rich topics. The perils and paranoia associated with our dependence on technology (“Off the Grid”), the problems facing the next generation (“Generation Why”) -- amidst the rubble, he leaves no stone unturned.Working solely with his preferred SP-1200, which only allows ten seconds of sample time, Gensu Dean has once again managed to modernize golden era aesthetics, crafting intricate and fluid beats through stringent composition. Favoring sonic diversity over claustrophobic cohesion, Dean’s banging suites are perfectly tailored to 7evenThirty’s wide-ranging subject matter. Wherever 7evenThirty goes Dean sidles up next to him, flipping lush soul (“Filthy Rich”), blues-rock (“The Problem”), Ukrainian pop (“Foot on the Ground”), and more.The sole feature comes from venerated New York MC Sean Price on “Hook Heavy.” Over Gensu Dean’s menacing production, Price’s gruff deadpan delivery proves the perfect counterpart for 7evenThirty’s energetic and elastic wordplay.With The Problem, 7evenThirty and Gensu Dean have cut all but the essential. The twelve tracks are clear and concise in execution, totaling slightly less than forty minutes. Not every question is answered, but the most important are explored. Listen closely for the answers.”
Digitally remastered and expanded edition housed in jewel case with special silver foil cover to commemorate the 25th Anniversary of this release. In celebration of the 25th anniversary of People's Instinctive Travels and the Paths of Rhythm, hip hop pioneers A Tribe Called Quest release the original album remastered from the original tapes by Grammy-Award winning engineer Bob Power with three exclusive new remixes by a few of today's biggest hip hop artists who have credited A Tribe Called Quest as a major creative influence. Featuring remastered versions of classic cuts like "Bonita Applebum", "I Left My Wallet in El Segundo", "Can I Kick It?" and more.
2016 release from the Harlem-based hip hop artist, a member of the A$AP Mob (along with A$AP Rocky and A$AP Yams). Always Strive And Prosper is the long-awaited follow-up to 2013's Trap Lord. The album features collaborations with Schoolboy Q, Future, Big Sean and others.
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At. Long. Last. ASAP (stylized as At.Long.Last.A$AP) is the second studio album by American hip hop recording artist A$AP Rocky. It was released on May 26, 2015, by A$AP Worldwide, Polo Grounds Music and RCA Records. The album serves as the follow-up to his debut album, Long. Live. A$AP (2013). At. Long. Last. ASAP features guest appearances from Joe Fox, Bones, Future, M.I.A., Schoolboy Q, Kanye West, Juicy J, UGK, James Fauntleroy, Lil Wayne, Rod Stewart, Miguel, Mark Ronson, Mos Def, Acyde and A$AP Yams. The production on the album was handled by producers such as Danger Mouse, Jim Jonsin, Mark Ronson, Emile, Mike Dean and Kanye West, among others, including Rocky himself, under the pseudonym LORD FLACKO. The album was supported by the release of three singles, "Lord Pretty Flacko Jodye 2 (LPFJ2)", "Everyday" and "L$D".
A-Trak is EVERYWHERE: a DJ hero who has spent years scratching his way through the world’s biggest festivals, sold out club shows, and even stadiums both solo and as half of disco house titans Duck Sauce. Along with his acclaimed remixes and original productions, he’s also co-founder of Fool’s Gold, the trendsetting independent record label. Fool’s Gold is proud to present a unique split color vinyl, double A-side 12” single featuring A-Trak’s biggest songs of the summer: “Money Makin’,” a feel-good, pool party electro anthem made in collaboration with rising star Dillon Francis, and “Piss Test,” a speaker-busting slice of bass heavy Parental Advisory rap, starring underground heroes Juicy J of Three 6 Mafia and Fool’s Gold’s own critically acclaimed MC Danny Brown. This 12” is a collectors’ item in the making, get yours now! - Limited edition, split color vinyl pressing - Contains vinyl exclusive edits + acapella tracks
We’ve all heard the phrase, “if you can’t measure it, it doesn’t exist.” Well, soul musician Aaron “Ab” Abernathy can measure his senior year in high school as one of the most important years in his life. It marked the year he became a man. Using this as the inspiration for his new LP Monologue, Ab allows listeners to follow along on his journey to manhood. Monologue plays out like a novel, where the Abernathy's expand the perception of family over Ab’s expansion of the stripped down Soul/R&B music we’re used to hearing. Whether he’s playing piano, wurlitzer, synths, guitar, programming drums, live drums, or arranging strings and horn lines, Ab’s mastery of musicianship is on full display through Monologue’s array of colorful, complex compositions, coupled with his rich, layered vocals. The album opens with him honoring his parents on the whimsical, Parliament-influenced selection “Son Of Larry,” followed by the melodic up-tempo “Favorite Girl.” On both records, he praises his father and mother and touches on their influence, words of wisdom and bold love. On the groovy “Bachelorette,” where we’re introduced to Ab’s pursuit of his high school love interest, the track gets an assist from long-time collaborators and hip hop heavyweights Phonte and Black Milk. Ab displays his sultry edge on the Prince-inspired soul-pop records “I See You” and “Pretty Kind,” which showcase his raw and playful vocal lead. Doubt creeps in on the soulful mid-tempo “Play It Cool,” where he questions if he should profess his love or take the approach of the track’s title. The landmark moment in his story comes from the wisdom in his father’s advice to be vulnerable, which leads us into the brilliant composition and standout ballad “I Need To Know.” Ab delivers his monologue on the title track, where he acknowledges his mistakes and revels in his spirituality and newfound wisdom in love. Monologue is a touching and refreshing album about family, love, purpose and music. Ab has the ability to make listeners feel connected, each song taking audiophiles on a trip back to their childhood and the nostalgic feeling of young love. Whether you’re a part of the Abernathy family or not, Ab opens the door for you to come in and visit. After visiting for a little while, you too might find your Monologue.
“The elixir is the essence of being able to control your future with elements of both the past and present. I live through my music only to progress towards a better day.”—Aaron Rose After shedding his former pseudonym of A La $ole, Pro Era member Aaron Rose dropped a number of noteworthy singles and killed every guest feature. But with the release of his new EP, ‘Elixir,’ the Brooklyn rapper has never sounded more focused or motivated, and it’s only a taste of what’s to come from the young artist. His tenacity becomes clear as soon as opener “The Root of Sole” hits your ear with its mad-scientist samples and production from J57 (he produced five of the EP’s seven tracks). And then in comes Rose to bring it all together, flexing his breathless flow and dizzying wordplay. From there, the BK native continues to rip apart the instrumentals, including the jazzier “Break It Down,” featuring Domo Genesis and the more militant “Parkside Ave.” More than just a rapper with incredible chops, Rose also reveals pieces of his personality and background on those same tracks. Like on “Break It Down” when he rhymes, ”’A black man who knows what his worth is, I’m off the circuits/ From this American horror story, we in the circus” Elsewhere, he eviscerates his critics on standouts “The Art of Sole” and “Swank Corleone,” the latter of which is produced by Latrell James. Rose also gets an opportunity to stunt alongside fellow Pro Era member Dirty Sanchez on “The Shift,” a slapper produced by The Audible Doctor. Amidst the variety in sounds, the project remains distinctly the work of its host emcee. And he drives that point home when speaking on ‘Elixir,’ saying succinctly: “I am Aaron Rose and this is my elixir.” ‘Elixir’ becomes available on December 16th through all major digital retailers and streaming platforms, and can be purchased on CD, via Coalmine Records.
Mr. Wonderful is the upcoming second studio album by American hip hop recording artist Action Bronson, scheduled to be released on March 24, 2015, by Atlantic Records and Vice Records. The album is Bronson's first for a major label after signing to Atlantic and Vice in August 2012. It was preceded by several mixtapes and EPs, including the Blue Chips series and Saaab Stories (2013). The album, recorded throughout 2014, was produced by several high-profile record producers, such as The Alchemist, Mark Ronson and Noah "40" Shebib. The album has guest appearances by Big Body Bes, Meyhem Lauren, Chauncy Sherod, Chance the Rapper and Party Supplies. It was supported by three singles, "Easy Rider", "Actin Crazy", and "Terry".
Saaab Stories is the second extended play by American rapper Action Bronson. The EP was released on June 11, 2013 and is entirely produced by American record producer Harry Fraud. The EP, which was released by Vice and Atlantic Records, serves as Bronson's major label debut project. It features guest appearances from fellow American rappers Wiz Khalifa, Prodigy and Raekwon.
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The debut 7” release from Hobo Camp and 2nd release as a label comes from Adam Chini from San Diego, California. Adam is the lead keyboard player in Brian Ellis’ Reflection, and this release is a solo journey into a world of synth-ed out modern funk with a tinge of psychedelic bliss. Made using all analog equipment and vintage drum machines, Chini channels the vibe of lo-fi boogie funk rarities and creates a private press style release that could have been released at any point in time (is this from 1982, 1994 or 2016?)
In the four years, since the release of Adrian Younge's Something About April, he has been coined America's black genius: the evocation of analog vestige in a digital era. His majestic music has garnered him reverence, likened to Ennio Morricone's best work and the Beatles' tenacity to create new sounds. Fortuitously, Something About April has made an indelible impression on modern vinyl heads and producers alike, being sampled by DJ Premier, Jay-Z, Common, 50 Cent and more. The Something About April brand is an axiom to the modern "Breakbeat" and Linear Labs is happy to announce its successor: Something About April II. Recorded with Younge's collection of rare instruments, Something About April II advances his musical paradigm with enterprising concepts and grander compositions - it synthesizes the boundaries between dark American soul and classic European cinema. With effervescent conviction,Younge executes with an array of entrancing vocalists: Laetitia Sadier (Stereolab) and Bilal perform duets on "Step Beyond" and "La Ballade," reminiscent of Serge Gainsbourg and Jane Birkin; Raphael Saadiq blends "Black Jazz" vocals with psychedelic soul on "Magic Music;" Israeli star, Karolina, delivers haunting chants over concertos like "Hear my Love" and "Winter is Here;" Loren Oden croons as if the apparent ghost of Donnie Hathaway created one last love song, "Sandrine." Younge is the experimental spirit of the modernist vanguard, looking at the past to create the future. What this album extrapolates, from vinyl culture, will become further magnified by its sampling down the line. Something About April II will replace the former as a holy grail for producers and collectors alike.
Adult Jazz first appeared back in 2013, amid a flurry of praise surrounding their joyous and addictive debut single 'Springful'. Their unanimously acclaimed debut album Gist Is followed in 2014, self-released on their label Spare Thought, with The Sunday Times calling it "utterly riveting" and the NME and The Line Of Best Fit both naming it their album of the week. Gist Is was a startling and mesmerising voyage from start to finish, taking a labyrinthian, fragmented pop-not-pop path, incorporating songs within songs, while maintaining a sense of humour through some of its complex themes surrounding religion, gender and humanity. Following the release of Gist Is, the band went on to play sell out tours around Europe as well as festivals including Latitude, End of The Road, CMJ and Iceland Airways. The latter was attended by none other than Bjork, who was moved to write about Adult Jazz as ones to watch for Art In America Magazine. David Byrne followed suit and asked them to play at last year's Meltdown festival with Young Marble Giants, while further endorsements came from diverse remixes by Oliver Coates, Happa and a very rare re-work from Shabazz Palaces. Since then the band have been busy collaborating, including producing OKAY KAYA's recent single 'Durer' / 'Keep On Pushin'. Adult Jazz return with a new record 'Earrings Off!' released on May 6 2016 via TriAngle. Comprised of seven tracks, it experiments with sound and song structure as well as its themes and narrative. Harry explains: "The record is about masculinity. Embodiment, lust, idealisation, privilege, legitimacy and limitation. It's about acknowledging the weight, with a view to liberation from its past clout. It's about picking your ideal body, and playing with body language to achieve authenticity. It's about the possibility of authenticity."
The Nickel EP marks Red Apples 45's five year anniversary. It's only right for AG & Ray West to celebrate the label in the spirit it started. The Nickel showcases the duo's chemistry and growth while keeping to their essence. Special guests appearances that include Roc Marciano, L Fudge, John Robinson and Red Apples' own Superstar Dave Dar. With original water color art by world renown artist & Graffiti writer Cern1 of the Ymi crew. To all that have supported us: The red apples movement has been about the music from its inception and will continue to be. Our only goals are quality pieces and culture preservation. Thanks to all the great artists whom have contributed their various talents and energy to our projects along the way. Thank you to all the people who have listened, shared, purchased, blogged, downloaded, interviewed, wrote about & help spread the word of our movement. This EP is dedicated to the late Party Arty.
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A particular perceptive trance from Ahnnu focusing on the finer details - birth name Leland Jackson delivers “Perception” as his 2nd full length avant-garde masterwork for Leaving Records. First run of 300 cassettes wrapped in silver translucent O-Card. Cover collage from Ahnnu, Typography Jesse Moretti, mastered by Matthewdavid.
Airbird & Napolian is comprised of producers Joel Ford (Ford & Lopatin, Ejecta) and Ian Evans who have combined forces for a record on Cascine. The producers met while working on Napolian's Rejoice EP (Software) and an easy chemistry took shape. The debut Airbird & Napolian LP is inspired by west coast dreams and east coast nightmares. These worlds meld to create a gripping blend of American House, Cosmic Funk and Hip Hop. The producers' disparate environments are uniquely present in the material: New York sensibilities shine through in Joel's melodic bass lines, astral vocals and idiosyncratic song construction, while Ian, born and bred in LA, delivers consistently cool and heavy beatscapes, surrounded by psychedelic ambience and hard focus.
From the opening bars of their debut LP, you can tell AJ & The Jiggawatts came to play rough. In a world where mid tempo and middle of the road soul permeates the airwaves, this crew of G.E.D. Soul killers are drawing a line in the sand by making soul music that hits harder, faster and nastier than just about anyone in the game today. AJ Eason's gin soaked vocal howls drip with a carefree carousing not unlike that of a street smart hustler making moves to make ends meet. The band follows suit with highly syncopated melodics, often at breakneck speed, all while maintaining an almost inhuman tightness. Toss all of these elements into a highball glass and garnish with a pinch of rock n' soul and you've got the makings for a serious raw soul cocktail. AJ & The Jiggawatts' self titled full length debut eloquently captures the vibe of a high energy, no nonsense band. The entire album plays out like a wild night on the town with the band, and there is a good chance you're going to jail before the night's over. Tracks like Back Alley Beale Street andBrown Bottle Fever transport the listener to the many bourbon drenched juke joints of Memphis while tracks like Throw A Fitliterally explode with frenetic energy. Get Wild, The Drop, and Shake It For Me bring the raucous party element to the record and Once In A Lifetime and Typical Feeling get things nice and tender. In terms of attitude and straight up bad-assery, this is one of the hypest albums you are going to hear in 2014. Anyone who slept on the Jiggawatts digital EP is advised to not repeat this grievous misstep. The new record is a rough, tough, killer soul machine not to be missed! The Jiggawatts came to get wild, try to keep up. From the opening bars of their debut LP, you can tell AJ & The Jiggawatts came to play rough. In a world where mid tempo and middle of the road soul permeates the airwaves, this crew of G.E.D. Soul killers are drawing a line in the sand by making soul music that hits harder, faster and nastier than just about anyone in the game today. AJ Eason's gin soaked vocal howls drip with a carefree carousing not unlike that of a street smart hustler making moves to make ends meet. The band follows suit with highly syncopated melodics, often at breakneck speed, all while maintaining an almost inhuman tightness. Toss all of these elements into a highball glass and garnish with a pinch of rock n' soul and you've got the makings for a serious raw soul cocktail. AJ & The Jiggawatts' self titled full length debut eloquently captures the vibe of a high energy, no nonsense band. The entire album plays out like a wild night on the town with the band, and there is a good chance you're going to jail before the night's over. Tracks like Back Alley Beale Street andBrown Bottle Fever transport the listener to the many bourbon drenched juke joints of Memphis while tracks like Throw A Fitliterally explode with frenetic energy. Get Wild, The Drop, and Shake It For Me bring the raucous party element to the record and Once In A Lifetime and Typical Feeling get things nice and tender. In terms of attitude and straight up bad-assery, this is one of the hypest albums you are going to hear in 2014. Anyone who slept on the Jiggawatts digital EP is advised to not repeat this grievous misstep. The new record is a rough, tough, killer soul machine not to be missed! The Jiggawatts came to get wild, try to keep up.
The core purpose of this album was to celebrate the universal language that is Hip Hop which is felt globally from people of all sex, race, religious/nonreligious and cultural backgrounds and this is further reinforced by the diversity of the artists involved in the record as well as the lyrical content but it is also a creation born from the shared love of golden era boom bap.
The new album from Boston hip-hop mainstay Akrobatik and follow-up to 2003's Balance, Absolute Value takes the listener on a journey through his diverse range, and he does not go at it alone. An impressive list of guest artists and producers that accompany Ak on Absolute Value include hip-hop legends, some of today's most powerful contemporary names, and members of the underground elite. It all comes off as if Akrobatik is conducting an orchestra of some of the most talented and respected artists in the game. After years of regional rap stardom and underground acclaim, Ak penetrated Hip-Hop's greater critical consciousness as one-third of The Perceptionists with Mr. Lif and DJ Fakts One. Their 2005 Def Jux release, "Black Dialogue," pitched some of music's most resounding criticisms of bandwagon pop culture and the Bush regime, and became the only indie rap project toregister on Rolling Stone's Top 50 Records of the Year list. With AV, Akro deals with issues both personal and socio-political, but never strays too far from his fist-pumping, party-inducing formula for bangers. The effects of life on the road, enlightening misguided youth, perseverance through the toughest of times, and the continuing struggle of Black America are among the issues Akro tackles on AV. And with production from the likes of J-Dilla, Illmind, Beatminerz, 9th Wonder, Hezekiah, J-Zone, and more, Akro has the perfect backdrops to get his points across while keeping the funk totally intact.The list of artists lending their vocal talents to Absolute Value is mind-boggling. Talib Kweli, Chuck D. of Public Enemy, Mr. Lif, Bumpy Knuckles, and Little Brother headline a guest list that would leave any true hip-hop fan brimming with excitement.
We are back again with the defining funky and soulful downtempo beat series Street Bangerz , welcoming in Volume 8 with a body of work by Akshin Alizadeh, the man from Azerbaijan. Taking his cue from his native country, this album sits at a crossroad between East and West incorporating the producer’s strong funk and nu jazz influences as well as his ability to combine funky groves with punchy hip-hop beats. Expect exotic flutes, sidewinding strings, and hypnotic horns accompanied by groovy guitar riffs and slick percussion from hi-hats, snares, claps, and sometimes castanets. Vocal chops and scratching accent select cuts. Like a set of sensational spices, this release is certain to leave a lasting trail of sweet aromatic memories in its wake.
All The Breaks V1 is an incredible addition to your sound library. This record features an impressive collection of 100 original & sought after breakbeats, sourced and remastered from the original records, and then cut down to the essential parts. Below is a sampling of what All The Breaks has to offer, 9 breaks available for preview. Buy All The Breaks now and get these 9 breaks PLUS 91 more classic breaks on vinyl. If you produce/make beats, this is a vital tool and will save you hours/days/years digging for all the original records/breaks this record compiles. HIGHLY RECOMMENDED!
All The Breaks Volume 2 is the second volume with 100 more drum break snippets. This record features an impressive collection of 100 original & sought after breakbeats, sourced and remastered from the original records, and then cut down to the essential parts.
All The Breaks Volume 3 is the third volume with 100 more drum break snippets. This record features an impressive collection of 100 original & sought after breakbeats, sourced and remastered from the original records, and then cut down to the essential parts.
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Joseph Abajian (DJ Jab) founded Fat Beats in 1994 with nothing more than a shoestring budget and an earnest obsession with the music, the culture, and the brotherhood of New York’s burgeoning rap scene. What began as a simple vinyl shop in Manhattan’s Lower East Side quickly became an integral hub for artists, both aspiring and established, to convene and collaborate on new projects. Joseph’s timing couldn’t have been more impeccable. When the 90’s cultural zeitgeist – and, in turn, the music industry establishment – chose hip-hop as its new arbiter of cool.
International tourists and touring artists alike flocked to Fat Beats for rare vinyl, kindred spirits, and exclusive in-store performances from Jay Z, Eminem, Gang Starr, Outkast, Slum Village, Mos Def, and more. One thing was clear: the Fat Beats phenomenon could no longer be contained in a single basement shop.
In the late nineties, Abajian proceeded to open new stores in Amsterdam, Tokyo, Los Angeles, and Atlanta. He further expanded the company’s profile to include global distribution and record label branches. Distribution has since proven to be the company’s strongest and most enduring enterprise. Today Fat Beats Distribution stands poised as one of the country’s pre-eminent distributors of vinyl & specialty item records: a proud survivor in an industry now famous for its mortality rate. Despite market fluctuations, technology innovations, and stylistic revolutions, Fat Beats has remained steadfast in its commitment to the timeless vinyl format and to the loyal community who keeps it spinning.
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