Blu is the leader of West Coast Hip Hop. Since the days of Pharcyde, Freestyle Fellowship, and Jurassic 5, there have been few wordsmiths that have grasped the attention of listeners worldwide. Introduced to NWA and Public Enemy by his father, Blu later was captivated by the likes of Black Star, The Roots, and Common, creating a unique balance that is displayed in Blu’s personality and music.Blu’s first full length LP, “Below the Heavens” pairs Blu with producer Exile on the Sound in Color imprint. His first single, “Narrow Path” has rocked stages across the world, as fans begin to feel the impact of Blu’s music. His delivery flows flawlessly, while the content reflects the joy and pain of working class youth everywhere. Since the release of “Narrow Path,” Blu has performed alongside Slum Village, X-Clan, Platinum Pied Pipers, Lyrics Born, DJ Houseshoes, and many others, while participating in 3 high-profile nationwide tours alongside musical family members: Ta’Raach, Aloe Blacc, and Exile. The buzz has fans salivating for new music. Worldwide, people are looking to put hope into the ‘next’ emcee that will give them the same feeling when they first heard Black Thought, Common, or Slum Village. Blu fulfills this need, but maintains something that is entirely new, while not recycled.
Blu is the leader of West Coast Hip Hop. Since the days of Pharcyde, Freestyle Fellowship, and Jurassic 5, there have been few wordsmiths that have grasped the attention of listeners worldwide. Introduced to NWA and Public Enemy by his father, Blu later was captivated by the likes of Black Star, The Roots, and Common, creating a unique balance that is displayed in Blu’s personality and music. Blu’s first full length LP, “Below the Heavens” pairs Blu with producer Exile on the Sound in Color imprint. His first single, “Narrow Path” has rocked stages across the world, as fans begin to feel the impact of Blu’s music. His delivery flows flawlessly, while the content reflects the joy and pain of working class youth everywhere. Since the release of “Narrow Path,” Blu has performed alongside Slum Village, X-Clan, Platinum Pied Pipers, Lyrics Born, DJ Houseshoes, and many others, while participating in 3 high-profile nationwide tours alongside musical family members: Ta’Raach, Aloe Blacc, and Exile. The buzz has fans salivating for new music. Worldwide, people are looking to put hope into the ‘next’ emcee that will give them the same feeling when they first heard Black Thought, Common, or Slum Village. Blu fulfills this need, but maintains something that is entirely new, while not recycled.
The classic album from Immortal Technique now available for a limited time on red vinyl. Features Akir, C-Rayz Walz, DJ Roc Raida, Diabolic, Jean Grae, Lou Cipher, Mumia Abu Jamal, Poison Pen, Pumpkinhead & Tonedeff.
The name Will Sessions was born as a producer alias of trumpeter Sam Beaubien. After sharpening his keyboard skills and learning writing and arrangement from the accomplished David Van De Pitte (who arranged for countless Motown recordings including Marvin Gaye’s album What’s Going On) at Wayne State University, he decided to start a band. With classmates Tim Shellaberger (bass) and Bryan Arnold (drums) along with recruits Ryan Gimpert (guitar) and Eric Kacir (Percussion), the band was complete.T h e y helped to develop a nascent monthly funk music party called Motor City Funk Night, and three years later, the party has grown into one of the sta- ples of the Detroit scene, and Will Sessions were playing in front of crowds of up to 3000 people. The success of the Funk Night parties led to significant studio work with artists like Black Milk, Mayer Hawthorne, and Slum Village, and the hip hop sessions in particular led Beaubien to concoct the idea of Will Sessions recreating his favorite sample-based music in a live setting with the full band. His vision would be realized with three smash concerts in 2009 for Black Milk, Guilty Simpson, and Phat Kat, which left hip hop fans in awe of how the band stayed faithful to the original sampled and programmed beats, while creatively elevating the songs to new heights by recreating them live. It was the particular challenge of duplicating the unique beats of J Dilla that gave Beaubien the confidence to work on the emcee Elzhi’s anticipated project Elmatic. Elmatic had been initially planned and announced in 2008 as a tribute to the historic 1994 album Illmatic by Nas, but it wasn’t until early 2011 that Elzhi and his manager Jae Barber agreed that it would be best to recreate all of the beats from scratch--and there was clearly nobody who could do it better than producer Sam Beaubien and Will Sessions. Since it’s widely considered to be the holy grail of hip hop recordings, the prospect of du- plicating the music from Illmatic was daunting. By using the original sam- ple sources of the album’s tracks as a foundation, producer Beaubien and the band members managed to recreate both the sound and the mood of the classic album with stunning precision on Elmatic, exceeding lofty expectations set by loyal fans and skeptical critics alike. With an ever-increasing body of recorded work, a skyrocketing reputation within their hometown market, and their first tastes of national and international interest, Will Sessions are primed to be among Detroit’s hottest musical exports.
In the 4 years after Clipse dropped their sophomore classic Lord Willin’, the duo was able to build a legacy that had fans hungry for new material. After the smoke cleared and they hit the studio, the Virginia brothers recorded the confidently mature sophomore effort, Hell Hath No Fury. Best known for their unconventional radio smash “Grindin’,” Clipse are no strangers to taking risks with the boundary-pushing Neptunes, who return as trusted co-pilots for Hell Hath No Fury. As always the duo is right at home over The Neptunes crafted beats which perfectly embrace Pusha’s inventive drug-game metaphors and Malice’s soul-baring confessionals. From the bouncy lead single “Mr. Me Too” and the Slim Thug assisted “Wamp Wamp” to the oddly haunting "Keys Open Doors" to "Momma I'm Sorry", Hell Hath No Fury represents some of the duo’s best work. On the hypnotic “Keys Open Doors,” over the eerie mix of screwed-up angelic voices, chimes and congas, the brothers run circles around the competition, while the spine-tingling boom-bap of “Ride Around Shining” sets the stage for Pusha’s hilarious boasts. Whether rhyming over distorted, lo-fi guitar plucks (“Dirty Money”) or overblown 808s (“Trill”), the brothers come with colorful references and inventive word play that easily places them in a lyrical class of their own. Get On Down now proudly issues this Neptunes produced favorite on LP for the first time ever with the first run on white vinyl.
With the official follow-up to the classic "Operation Doomsday," MF Doom has hip hop heads foaming at the mouth. Cooked up with his special herbs and spices, get ready to devour "Mmm...Food," with the help in the kitchen from Count Bass D, Mr. Fantastik, and the good folks at Rhyme Sayers Entertainment.
Freddie Gibbs is the product of violent, drug-laden streets but unlike most rappers with similar resumes, he brings the block to the boothwithout inhibition or an exaggerated rap persona. Piñata, a 17 track collaboration with producer Madlib, is the best distillation yet of histransparent approach to making music, combining an at times stark honesty with electrifying talent as a lyricist and performer.Piñata is “a gangster Blaxploitation film on wax,” says Gibbs, who came up on the streets of Gary, Indiana, the disregarded city previouslybest known for producing Michael Jackson. Here he is joined by Mac Miller, Earl Sweatshirt, Raekwon, Scarface, Domo Genesis, Ab-Soul and a host of others in setting his soliloquies of the streets alongside film snippets and dusted funk, soul and prog musical tapestries. While this is the latest in a series of single-artist collaborations for Madlib, after Jaylib (J Dilla), Madvillainy (MF Doom) and the street-centric O.J. Simpsonwith Detroit’s Guilty Simpson, the pairing is unique as it is the first time for Gibbs working with just one producer.On Piñata, where Gibbs can shift from textbook lessons in robbing and drugging on trackslike “Scarface” and “Knicks,” to perhaps thealbum’s most personal song, “Broken,” a collaboration with Scarface, who, along with Tupac, DMX and 50 Cent, make up the rapper’s ownMount Rushmore of MCs (“You’re getting a hurricane of all those motherfuckers hitting you at once when you listen to Freddie Gibbs,” hesays). “Deeper,” a Gibbs favorite and the third single from the album after “Thuggin’” (2012) and “Shame,” (2013) is an ode to hip-hop inthe mold of Common’s “I Used to Love H.E.R.”; “High,” featuring Danny Brown, is self-explanatory and just what you would expect fromGibbs, Madlib and one of Detroit’s finest; while on “Real,” Gibbs addresses an old score just as Michael Corleone settled all family businesson baptism day.As a producer, Madlib, quite simply, is music, and ten years into his career—a time when other artists become comfortable—Gibbs remainsrestless, focused, with an eye on the competition and their position relative to his ascent. This is because mentally, he’s still on the cornerhustling, which would be the downfall of the average rapper. With Piñata, Gibbs confirms that he is anything but average.
SUPPLIES ARE VERY LIMITED, ORDER EARLY AND DON'T MISS OUT! Lost Tapes follows last year's Mahogani-housed Dillatroit, and crams a hefty 20 tracks onto two sides of vinyl. Although Dilla is best known as part of the hip-hop world - through his work as part of Slum Village, solo albums and productions for Busta Rhymes, Phat Kat and more - his connections to house music also run deep, and he worked with Moodymann, Andres, Amp Fiddler and more in his time. Produced by James Yancey aka J Dilla
Donuts began simply enough as an idea to turn a particularly good demo beat tape into a full-length release, and has since became a classic hip-hop album, one of the defining works of the artist's life. Completed during a year in which J Dilla spent mostly in a hospital bed at Cedars-Sinai Medical Center in Los Angeles, Donuts would gain particular poignancy when, only three days after it's release, February 10, 2006, the artist passed away, losing his battle with a rare blood disease. Announced in Fall 2005, the concept of a “rap album without rappers” struck some as minor novelty, but Donuts would prove to transcend the rigid definitions of what a hip-hop album could be. It plays part like a DJ mix, part like a hip-hop beat maker at work, its songs starting and stopping unexpectedly, like someone turning the dial on an imaginary radio station. But it's an unmistakably modern album, and one which perfectly encapsulated the artist's reputation among his peers and fans as a top-rated architect of soulful hip-hop.
L.A. rapper Blu burst onto the scene in the late 00s with the widely acclaimed Exile collaboration Below The Heavens, igniting a West Coast hip hop renaissance in the process. In the years since, the enigmatic emcee has released a steady stream of critically-acclaimed projects, from the love-themed concept album Her Favorite Colo(u)r to the genre-bending NoYork. Now, Blu is back with Good To Be Home, his first ever double album. Featuring a host of West Coast hip-hop luminaries, Good To Be Home is an unapologetic celebration of Los Angeles music and culture. “This is my most defining record ever,” says Blu. A cohesive collection with two discs and no filler, Good To Be Home is an important addition to Blu's already impressive catalog. Available on double disc CD, double cassette, and 2xLP vinyl. Translucent gold vinyl limited to 1000 units and available while supplies last. Artwork designed by famed contemporary artist Joseph Martinez.
Artwork by Jeff Jank featuring an original illustration by Ashkahn. In late 2011, producer Madlib and rapper Freddie Gibbs announced their forthcoming album with their debut EP Thuggin'/Deep. The 6-track record - released on Madlib's Madlib Invazion label - was hailed by the LA Times as "inspired:" - they said Madlib's "hypnotic samples warped by an underground hero" were "demolished by one of the best rappers breathing..." The duo's Shame/Terrorist EP follows where Thuggin'/Deep left off: with Gibbs effectively spooling street stories onto the Beat Konducta's wax. Shame, featuring singer B.J. The Chicago Kid, is Gibbs' honest appraisal of a one night stand; Terrorist is all killer, no filler - a short, terrifying rap offset by a cheeky fusion jazz sample. The duo's STILL as-of-yet untitled album is planned for release in the third quarter 2012. For Madlib, this marks another entry in an exciting series of collaborative albums that he has created with the likes of DOOM (Madvillainy), the late J Dilla (Jaylib) and Strong Arm Steady (In Search Of Stoney Jackson). For Gibbs, the album serves as somewhat of a departure: coming off the heels of his acclaimed Cold Day In Hell album, and before the release of the album he's finishing for Young Jeezy's CTE imprint, this project gives the Gary, Indiana-bred, LA-based rapper a chance to stretch out over the Beat Konducta's lush musical tapestry.
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When it comes to making great music, sometimes you have to take a leap of faith. Today’s 140-character absorbed music lover may not be used to the experience of sitting through an entire album, but that is about to change. The first full-length collaboration from Royce Da 5’9” and DJ Premier will be celebrated for its true Hip-Hop makeup and its overall purpose. This is one of the reasons they started making music in the first place, and this is why they formed the group PRhyme. Individually, DJ Premier and Royce Da 5’9” have long been established in hip-hop culture. PRhyme is the first full-length record from the duo and is comprised of nine tracks featuring the likes of today’s most prolific artists in the industry, including Common, Jay Electronica, Killer Mike, Ab-Soul, ScHoolboy Q, Mac Miller and Dwele. Sprinkled with classic hip-hop elements, the album is refreshingly contemporary, featuring the slick spitting of Royce Da 5’9 and vivid cuts and scratched hooks that have long been DJ Premier’s calling card. With the entire album composed of samples courtesy of psychedelic soul composer and producer Adrian Younge (Jay-Z and Ghostface Killah), the record stands apart, sounding like nothing else in the hip hop market today. With PRhyme, Royce Da 5’9 and DJ Premier raise the bar and present an unprecedented work of art, reminding listeners what hip-hop is supposed to sound like.
The original release of the Madlib and J Dilla collaboration, created between Los Angeles and Detroit in 2002-2003.
On the crime-infested east side of Lost Gates CA, there is a vinyl pressing plant whose brochure says, “we will do anything for a price.” Back in the 70s & 80s, they specialized in private press porno soundtracks, but these days Madlib is their only customer. Stones Throw took them a couple Quasimoto tracks and a drawing or two, and here’s what we got: a custom-shaped record, half picture disc, half clear, thick vinyl. One side is Quasimoto’s “Planned Attack” from the album Yessir Whatever, and the flip side is the previously unreleased “Talkin’ Shit,” a short track with Lord Quas doing what he does best. Both tracks are produced-by and featuring Madlib. Pictured below is the front, family-friendly side of the vinyl. The backside of the record, the “x-ray” portion, show’s Quasimoto disgusting insides. Artwork by Jeff Jank.
The quiet, prolific producer collaborated with everyone from Erykah Badu to Common to Janet Jackson to Prince. Dilla was just beginning to capitalize on his cult status when he sadly passed at age 32 due to Lupus-related complications. Jay Stay Paid is a 25 track collection of unreleased Dilla beats mixed and arranged by Pete Rock. While mostly instrumental, "J$P" also offers a few guests vocals from artists that Dilla worked with or admired including Black Thought of The Roots, MF DOOM, M.O.P., Blu and more. J$P is overseen by Maureen Yancey (aka Ma Dukes) along with the musical supervision of Dilla's only real musical idol, Pete Rock..."This album combines what he did in the beginning of his career, what he did in some of our early hospital stays, which was very deep, and some stuff pulled from old disks & DATs. Its mind blowing...this is like the missing links to Dilla's legacy." Now available with a bonus 7" with 2 instrumental tracks: Dilla Bot Vs. The Hybrid & 24K Rap!
Though they were together since high school, the Lootpack - Madlib, Wildchild and DJ Romes - first made their presence known in 1994 when the group’s beat conductor, Madlib, produced “Mary Jane,” a Tha Alkaholiks 12”. Later that year, Lootpack’s lyrical skills were heard on the song “Turn The Party Out” on the Alkaholiks’ debut LP “21 And Over,” and “WLIX” from the Liks’ second LP. The positive feedback from these collaborations led to the Lootpack’s own EP “Ill Psych Move” on Crate Digger’s Palace Records in 1996, a venture funded by Madlib’s father, soul-crooner Otis Jackson, Sr. It was through this poorly-distributed 12” that the group caught the attention of Stones Throw Records’ founder Peanut Butter Wolf, who heard the record on college radio and hunted the group down. The group eventually signed for Stones Throw, paving the way for the release of 1999’s “Soundpieces: Da Antidote”. Now, back in its original 3LP form, we have included a download card and bonus 7” record with an unreleased track.
The Unseen, released in 2000, was among the new decade's first sleeper hits, ranking on Spin's year-end list at a time when the producer and label were unknown outside of hip-hop DJ circles. Few could have known that this, Madlib's solo debut, would be just the first album in a rich catalog of music spanning from hip-hop to jazz, with wild experimentation and collaborations with MF DOOM & J Dilla. The identity of Quasimoto himself was a bit of a mystery - maybe he was Madlib, maybe he wasn't. Maybe it's none of our business. In fact, Madlib created Quasimoto as someone to rap on his beats for his own private listening while living in Oxnard and Santa Barbara in the 1990s. The Unseen was born out of Peanut Butter Wolf's convincing Madlib to release these recordings for the rest of us to hear.
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According to legend, when the Wu-Tang Clan formed like Voltron on their debut album in 1993, GZA happened to be the head—an appropriate place for a man also called "The Genius." Yet at the time few could have predicted that his 1995 masterpiece Liquid Swords would be considered "one of the most substantial lyrical journeys in hip-hop history" (Chicago Tribune). At the peak of his powers as a producer, Wu-Tang mastermind RZA crafted the album's distinctive soundtrack at his basement studio in Staten Island; a haunting landscape of dusty samples, sharp snares and menacing urban gloom, with frequent interludes of dialogue from the classic Samurai flick Shogun Assassin. Cerebral, strategic and precise with his words, GZA crystallizes a range of influences—from chess to kung-fu films to mob flicks and Eastern philosophy—into sharply delivered rhymes. The album features appearances by the entire Wu-Tang Clan, and includes the auspicious debut of Killah Priest on "B.I.B.L.E." Acknowledged as one of the "100 Best Rap Albums" (The Source) and "Top 100 Records of the 1990s" (Pitchfork.com), Get On Down is proud to present Liquid Swords as it was intended to be experienced, on double vinyl with audio remastered from the original source tapes.
Atmosphere, the prolific duo of Slug and Ant, return with their highly anticipated 6th official studio album When Life Gives You Lemons, You Paint That Shit Gold. With well over a million catalog units sold and an ever growing fanbase of Atmosphere faithfuls, When Life Gives You Lemons... finds Slug and Ant's storytelling, songwriting and musicality at its finest.
There are very few albums across any genre that stand the test of time better than 93 'Til Infinity, the classic debut record from the Hieroglyphics crew's very own Souls of Mischief. In an era where Gangsta Rap and G-Funk dominated the West Coast Rap scene, Souls broke ground on a completely unique and thoroughly west coast sound. While the Dr. Dre's and the Snoop Doggs were garnering much of the mainstream attention, Souls were quietly forging a charismatic, critically acclaimed, and cohesively shaped record that when categorized, sounded much closer to A Tribe Called Quest than N.W.A. The sound of their debut is characteristic of the distinct style explored by the collective, including a rhyme scheme based on internal rhyme and beats centered around a live bass and obscure jazz and funk samples. 93 'Til Infinity was propelled into success by its title track and lead single, which reached #32 on the Billboard Hot 100. It also featured singles "That's When Ya Lost" and "Never No More" which also reached the Hot Rap Singles. In 1998, the album was selected as one of The Source's 100 Best Rap Albums of All Time. Considered by many to be a text book "slept-on" classic Rap record, 93 'Til Infinity has only grown better with age. The album simply defines the Hiero golden age with a sound that would later be fine tuned with strong releases from MCs Del The Funkee Homosapien, Casual and Pep Love. It takes some serious bravado to name your album 93 'Til Infinity, but certainly the goal of creating a Hip Hop "classic" must have been on the collective minds of group members A-Plus, Tajai, Opio, and Phesto when recording this landmark moment in Hip Hop history. It's true, even seventeen years after the album's initial release many people are still discovering it, and with this re-mastered reissue on double vinyl, fans all over the world will once again discover the brilliance that 93 'Til Infinity delivers and will continue to deliver beyond infinity.
The debut album from the Wu-Tang Clan.
MF DOOM is the man in the iron mask. The most mysterious figure in hip-hop has also become one of the most popular, supplying beats and rhymes for Gorillaz, De La Soul, Madlib, Danger Mouse, and Wu-Tang Clan, and drawing praise from heavyweights like Just Blaze, Nas, and Mos Def. Since 2002, DOOM has released numerous volumes of Special Herbs, one of the longest-running instrumental series in hip-hop history. Now, the seventh and eighth volumes in the acclaimed series are available on vinyl for the first time in years. With obscure loops and dusty samples galore, Special Herbs Vol. 7 and 8 is a must-have for any DOOM fan or hip-hop head. Also includes a limited-edition bonus 7”.