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Run the Jewels released their sophomore album Run The Jewels 2 in October 2014, which went onto universal critical acclaim. The album went on to receive multiple year end accolades including: 2014’s #1 Album of the Year (Pitchfork, Stereogum, USA Today, Complex, London Evening Standard, etc), Album of the Year List (Billboard, Consequence of Sound, Rolling Stone, NME, NPR, Entertainment Weekly, Spin, Newsweek, etc), Song of the Year List (Spin, NME, Time, etc) and more! Their press coverage has extended to far beyond just music publications, with features running in Slate, Gizmodo, Fast Company, CNN, US Weekly, Huffington Post, etc. Since the album release, the duo has gone to finish a nearly sold out 45+ date Wolrld Tour. Furthermore, a kickstarter project based off of remixing the album with cat sounds, entitled “Meow the Jewels” went viral and raised over $65,000; this project is set to release later this summer. Due to an overwhelming high demand, the group will be re-issuing a physical version of their now-classic first album, Run The Jewels, for the first time since 2013. CD and Vinyl releases will include a cool, new iron-on Run The Jewels patch. This album was named Pitchfork’s “Best New Music” upon release and features Big Boi, Prince Paul and Until the Ribbon Breaks. Run The Jewels continue to support their album this year and will bemaking several major festival appearances including Coachella, Bonnaroo and Pitchfork Festival, amongst others.
Restocked! All orders due to ship BY Monday, November 30th. Ever since he first appeared in 2011 with his three independent online offerings House of Balloons, Thursday, and Echoes of Silence, which subsequently turned into the chart-topping platinum-selling 2012 epic, Trilogy, Toronto alternative R&B mystic Abel Tesfaye aka The Weeknd has become one of the go-to voices in music. Everyone from Wiz Khalifa to Juicy J has enlisted his talents for singles. Meanwhile, he became a live draw, joining both early champion Drake and Florence + the Machine for full tours. Now, the Polaris Music Prize-nominated House Of Balloons, part one of the Grammy-nominated trendsetter's critically acclaimed Trilogy series makes its official vinyl debut in 2015. Featuring production from Doc McKinney, Illangelo, and Zodiac plus samples of songs by such diverse artists as Beach House, Aaliyah, Siouxsie and the Banshees, Cocteau Twins and Nine Inch Nails.
Future’s second studio full-length begins with the menacing sounds of a single, serpentine guitar line and a carbonated beverage being opened and sipped. Like much of DS2—also known as Dirty Sprite 2—“Thought It Was A Drought” finds the rapper floating along in a syrupy haze, combining effervescing vocals and hypnotic production. Where “The Percocet & Stripper Joint” is a plush and unapologetically languid ballad, “Where Ya At” sees the self-proclaimed Future Hendrix joining forces with Drake for a psychedelic banger. -iTunes
Run The Jewels, the super dynamic duo of El-P and Killer Mike, two of the most distinctive and celebrated names in rap, are set to release their sophomore album, Run The Jewels 2, on Mass Appeal Records. In addition to being made available as a free download, it will be released on CD, 180gram Collector’s Edition 2xLP and and across all digital platforms. The immensely anticipated album includes guests ranging from Zack de la Rocha to Travis Barker amongst others, but the duo maintains that the album is first and foremost about the creative partnership between the MCs themselves.
3 x black 180g 12"s in artworked 3mm spined sleeves all housed in a rigid board outer slipcase. Half speed cut by Matt Colton at Alchemy Mastering. Includes 2 x 12" poster inserts featuring exclusive artwork by KC Woolf Haxton and story adaptation and calligraphy by Kenturah Davis. MP3 download code also enclosed. The story begins with a man on high. He is an old man, a warrior, and the guardian to the gates of a city. Two miles below his mountainous perch, he observes a dojo, where a group of young men train night and day. Eventually, the old man expects a challenger to emerge. He hopes for the day of his destruction, for this is the cycle of life. Finally the doors fly open and three young men burst forth to challenge the old master. The first man is quick, but not strong enough. The second is quick, and strong, but not wise enough. The third stands tall, and overtakes the master. The Changing of the Guard has at long last been achieved. But then the old man wakes up. He looks down at the dojo and realizes he’s been daydreaming. The dojo below exists, but everyone in training is yet a child. By the time they grow old enough to challenge the old man, he has disappeared. This is, in essence, both a true story and a carefully constructed musical daydream, one that will further unfold in May of 2015, in a brazen release from young Los Angeles jazz giant, composer, and bandleader Kamasi Washington. The Epic is unlike anything jazz has seen, and not just because it emanates from the boundary-defying Brainfeeder, which isn’t so much a label in the traditional sense as it is an unfurling experiment conducted by the underground producer Flying Lotus. The Epic is a 172-minute, three-volume set that includes a 32-piece orchestra, a 20-person choir, and 17 songs overlaid with a compositional score written by Washington. Pulsing underneath is an otherworldly ten-piece band, each member of which is individually regarded as among the best young musicians on the planet – including bassist Thundercat and his brother, drummer Ronald Bruner Jr., bassist (yes, there are two) Miles Mosley, drummer Tony Austin (of course there are two), keyboard player Brandon Coleman, pianist Cameron Graves, and trombonist Ryan Porter. Patrice Quinn’s ethereal vocals round out the ensemble. The band are all from Los Angeles, mostly South Central, and its members – who call themselves variously “The Next Step” and the “The West Coast Get Down” – have been congregating since they were barely teenagers in a backyard shack in Inglewood. Washington, 32, has known Bruner since he was two. The rest met, at various stages, by the time they were in high school. The hours they have put into the music, playing together and practicing alone, total cumulatively in the tens of thousands. "Nothing compares to these guys," says Barbara Sealy, the former West Coast director of the Thelonious Monk Institute of Jazz, who has championed Kamasi and his compatriots from the beginning. “I challenge any group to go out on stage with them and see if they can keep up with it... Kamasi is at the top of his game, and only getting better.” “These young guys,” the rapper Common says, “remind me of why I love music.” And the story The Epic tells, without words but rather through some combination of magic, mastery, and sheer force of imagination, is the story of Kamasi Washington and the Next Step and their collective mission: to remove jazz from the shelf of relics and make it new, unexpected, and dangerous again. They seek to both honour and alter tradition: as The Epic’s opening track announces, they are the “Changing of the Guard”. The sound can be felt like flames, sometimes waving in the coziness of a fireplace, in other moments sweeping everything around like a backdraft. But Kamasi is always in control of the burning. “He just plays the craziest shit, man. I mean, everything — the past, present, the future,” Flying Lotus says, whose family lineage includes one of Washington’s direct musical forebears, John Coltrane. “It's hard to find unique voices in this music. Especially in jazz, more so lately, everybody is trying to do the same shit. I don't want to hear ‘My Favorite Things’ anymore… What I am hearing is a leader among artists.”
With 100% beats by Madlib, Bad Neighbor is the brainchild of MED – a cornerstone in Stones Throw’s history -- and Blu – the voice behind modern classics like Below the Heavens -- who instantly clicked a decade earlier on tour with Emanon. The album is an exclamation point on the idea that began with The Burgundy EP, expanded to include Dam Funk and Mayer Hawthorne on The Buzz EP, and continued until contributions from Anderson.Paak (Dr. Dre’s Compton), Hodgy Beats (Odd Future), and the one-and-only MF DOOM made Bad Neighbor ready to launch. But Bad Neighbor isn’t the first time MED and Madlib’s orbits have collided. A fellow head from the fertile crescent of Oxnard, CA, MED not only guested on the now-classic Soundpieces by Lootpack in ’99, he also dropped into Madvillain’s “Raid” (Madvillainy, 2004) and made his mark on Quasimoto’s Unseen (2000), not to mention making the sole MC appearance on Madlib’s acclaimed Shades of Blue. Madlib, in turn, provided the lion’s share of production on MED’s Classic and Push Comes to Shove alongside J Dilla and Oh No. Meanwhile Blu, besides earning HipHopDX’s “Rookie of the Year” bona fides, put LA back on the map alongside Exile (Below the Heavens, Give Me My Flowers…) and as a self-produced solo artist (Her Favorite Colour, Jesus, York!, Good to Be Home). Bad Neighbor, although hazy, heavy, and blunted under the influence of Madlib’s aesthetic backbone, floats effortlessly above the smoke by virtue of MED and Blu’s sometimes topical, sometimes acrobatic, and always on-point interplay. The album is undoubtedly an extension of all three artists’ signature sounds, but it simultaneously defies all precedents to reaffirm each individual’s position at the forefront of LA’s legendary hip-hop landscape.
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Ever since he first appeared in 2011 with his three independent online offerings House of Balloons, Thursday, and Echoes of Silence, which subsequently turned into the chart-topping platinum-selling 2012 epic, Trilogy, Toronto alternative R&B mystic Abel Tesfaye aka The Weeknd has become one of the go-to voices in music. Everyone from Wiz Khalifa to Juicy J has enlisted his talents for singles. Meanwhile, he became a live draw, joining both early champion Drake and Florence + the Machine for full tours. Now, Thursday, part two of the Grammy-nominated trendsetter's critically acclaimed Trilogy series makes its official vinyl debut in 2015. Featuring production from Doc McKinney and Illangelo and the essential tracks "The Zone" with Drake, “Life of the Party” and “The Birds Pt. 1.″
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Long Beach, Cali rapper Vince Staples debuted his seven-song EP, HELL CAN WAIT late last year. The release of HELL CAN WAIT followed Vince s 3-week, 13-city Paisley Summer Tour headlining stint, which wrapped up at Hard Rock Live in Las Vegas. Vince has contributed tracks to dozens of today's hottest artists, including Earl Sweatshirt's first and second albums to Dilated Peoples' Directors Of Photography to Jhené Aiko's The Vapors (on her Sail Out debut, the biggest-selling EP in Def Jam history) and Common's latest album, Nobody's Smiling, on his single Kingdom, performed live by Common with Vince at his side on Jimmy Kimmel Live and at the 2014 BET Hip Hop Awards. As Common stated in XXL, "He's cold on the mic... This dude can really rhyme. It made me want to write." With HELL CAN WAIT, Vince turned the microscope on himself and his family for some of hip-hop s most remarkable music. Ain't nothing realer than the truth, he explains. Ain't nothing better than the truth, like I really did all that. I really seen all that. I really been around that my whole life. Vince's debut album, Summertime 06, set to drop this summer, will be no different. Vince describes Summertime 2006 as the summer that started it all. He looks back in time to tell a story of how his budding career came to be; this album will provide insight into who Vince is and why he does what he does. The countdown to Summertime 06 is on!
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Lil Ugly Mane is a rapper and producer from Richmond, Va. who also happens to be what is known as “the truth.” As the most mysterious affiliate of Spaceghostpurrp’s Raider Klan collective, he’s that dude who designs all their Master P-meets-Morbid Angel lookin’ album covers. As a producer, he makes beats so thick and creamy it makes Clams Casino’s shit sound like Drake songs. Vibe-wise, the dude just gets everything right. Think Pimp C on a Gravediggaz track. If that doesn't make your dick hard, then your dick is retarded.
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A limited pressing from the creator of the scratch roulette series... A collection of sound FX, phrases & noises now on 45... Caution: Not for the weak-wristed!
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Joseph Abajian (DJ Jab) founded Fat Beats in 1994 with nothing more than a shoestring budget and an earnest obsession with the music, the culture, and the brotherhood of New York’s burgeoning rap scene. What began as a simple vinyl shop in Manhattan’s Lower East Side quickly became an integral hub for artists, both aspiring and established, to convene and collaborate on new projects. Joseph’s timing couldn’t have been more impeccable. When the 90’s cultural zeitgeist – and, in turn, the music industry establishment – chose hip-hop as its new arbiter of cool.
International tourists and touring artists alike flocked to Fat Beats for rare vinyl, kindred spirits, and exclusive in-store performances from Jay Z, Eminem, Gang Starr, Outkast, Slum Village, Mos Def, and more. One thing was clear: the Fat Beats phenomenon could no longer be contained in a single basement shop.
In the late nineties, Abajian proceeded to open new stores in Amsterdam, Tokyo, Los Angeles, and Atlanta. He further expanded the company’s profile to include global distribution and record label branches. Distribution has since proven to be the company’s strongest and most enduring enterprise. Today Fat Beats Distribution stands poised as one of the country’s pre-eminent distributors of vinyl & specialty item records: a proud survivor in an industry now famous for its mortality rate. Despite market fluctuations, technology innovations, and stylistic revolutions, Fat Beats has remained steadfast in its commitment to the timeless vinyl format and to the loyal community who keeps it spinning.
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