Packaged in a tip on "mini LP" jacket with 10x10 poster
On September 4, Southern California’s Blu & Exile return to their collaborative origins with the release of Give Me My Flowers While I Can Still Smell Them, the long-anticipated followup to the duo’s landmark debut, Below the Heavens.
Featuring Fashawn, Homeboy Sandman, Johaz of Dag Savage, Black Spade of Hawthorne Headhunters, and ADAD, the new album on Fat Beats / Dirty Science is both an evolution from and complement to their first: a cohesive, kicked back collection of hip-hop buoyed by Blu’s gymnastic wordplay and Exile’s soulful, sample-driven beats. While Blu’s penchant for introspection and analysis remains intact, his perspective ebbs from the sun-soaked nostalgia of Below the Heavens to a more playful realm where raps about lost love and forgotten dreams find equal footing with those about Gondry films and delivery cheesecake. Together Blu & Exile have taken the raw materials of rap and crafted charmingly idiosyncratic, album-minded mu- sic that transcends coasts and continents alike.
As with Dilla & Common, Hi-Tek & Talib Kweli, and Pete Rock & CL Smooth, there’s a kindred understanding between Blu and Exile that invites instant ease and empathy. Although Exile has produced tracks for Snoop Dogg, Wiz Khalifa, Big Sean, Akon, Aloe Blacc, Jurassic 5, Kardinal Offishall, and Mobb Deep, it is with Blu that his production feels most at home. Give Me My Flowers While I Can Still Smell Them, though undoubtedly a logical progression in both sound and scope, defies all the hype, precedents, and expectations to reaffirm the duo’s position at the forefront of LA’s burgeoning beat scene.
1. A Letter
2. Ease Your Mind
3. Maybe One Day
4. I Am Jean
5. O Heaven
6. More Out of Life
7. The Only One
9. Mask Your Soul
10. Good Morning Neighbor
11. Growing Pains
12. Don’t Be Jelly
13. Berries and Juices
14. The Great Escape
16. A Man17. Cent From Heaven
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With over 8 years in and appearing on over 30 vinyl releases, Damu the Fudgemunk has built a modest following and a collectible catalog. With his latest release, Public Assembly (cover photo shot at the legendary Fat Beats record store in NYC), his label Redefinition Records decided to empower fans with a role in the selection process. Is this a greatest hits? Not quite, but a highlight reel of sorts influenced by carefully analyzed comments in Redef's social networking community, hence the LP title. Many consider, "The Greatest Hits Album" overdue, but for a man who considers "his best work has yet to be released", Public Assembly is the Fudgemunk's artist statement that brings things to date full circle. 10 full length instrumentals from various projects are consolidated into one album. Over half the featured tracks were either never released on vinyl (Hole Up and Streamline instrumentals) or released in limited quantities (Supply Intro). For newcomers, Public Assembly is the full course introduction into Damu the Fudgemunk's vast catalog. For those who have been on board over the years the record connects the dots in one sitting. Either way, with the growing expansions of Damu and Redefinition records, it's safe to assume this won't be last of their projects rallied by the people.
This 12-inch was released leading up to the full-length Further Adventures of Lord Quas. Cover by Jeff Jank showing the night view of Quasimoto's building where who-the-hell-knows-what goes on at all hours of the night.
Lord Quas, Madlib and Melvin Van Peebles on some fantastic, nightmarish planet, tripping hard. As hallucinatory a hip hop experience as you can possibly hope to experience without mushrooms. For some reason, the remix was featured first, and, as a result was the version featured on The Unseen album. So peep the original version – available only on this 12".
Lord Quas’ first solo 12” on Stones Throw Records! Features three songs also available on Quas’s The Unseen, but get ‘em here with artwork by DJ Design. Instrumentals too.