Record Label: Stones Throw
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Karriem Riggins is best known as a jazz drummer and hip-hop producer for artists like Common, Slum Village, Talib Kweli and The Roots, but he doesn't categorize himself as anything but an artist. He advises younger musicians to do the same. "You don't have to put yourself in a box...there's so many different ways to go," Riggins says. A student of late jazz bassist Ray Brown, he tours with another Brown protégé, Grammy Award winner Diana Krall. In 2011, he collaborated with former Beatle Paul McCartney in concert and on Kisses on the Bottom, McCartney's first studio release in five years. Names of some of the jazz artists he's backed reads like the genre's hall of fame - Hank Jones, Oscar Peterson, Milt Jackson, Donald Byrd and Ron Carter.
But on his solo debut Alone Together, set for an October 23 release on Stones Throw Records (Vinyl and digital will be released in two-parts over summer and fall 2012), Riggins plants himself firmly as a hip-hop producer with a 34-track instrumental odyssey through nearly every influence on his career thus far. The project was inspired by much of the music he was creating while living in Los Angeles, and also by the love of his son and family.
Now residing in his native Detroit, Riggins is back where it all began. "I feel like I can really breath and stay inspired here, and I have room to set up my lab and be creative," he says. This is the rationale behind the title Alone Together, taken from a jazz standard written by Arthur Schwartz and Howard Dietz that begin with the words, "Alone together, above the crowd."
"Coming back to the machines, I feel like I can really express myself," Riggins says. "This is the way that I express my rhythms."
Machines, however, are just one way he expresses his rhythms. Midway through the album, the track "Water" is interrupted by a vocal snippet where the speaker places Riggins "right at the intersection of hip-hop and jazz." Alone Together is that intersection; it's the jazz music he's played professionally since the age of 19, and it's crafting beats like "Africa" on an MPC5000 while touring throughout Eastern Europe and Russia.
"I need the balance," Riggins says, of working with the likes of Krall and McCartney, and also being able to go back to the studio and create hip-hop. "Without that, I couldn't be who I am."
Songs on Alone Together range from 14 seconds to a little over three minutes, and are the essence of man vs. machine. When Riggins channels Elvin Jones on the album's climax and tribute to his longtime friend, "J Dilla the Greatest," his tools are a Gretsch drum kit, the Fender Rhodes and an MPC3000. As versed as he is in jazz and pop, the machines will always be at the root – until the next thing.
"There's always something new to figure out," he says. "That's the blessing in it."
Egyptian Lover is a legendary west coast hip-hop pioneer from the days before Gangsta Rap. We're reissuing his groundbreaking "Egypt, Egypt" single as a custom-made pyramid, to be followed by an Egyptian Lover anthology. Born Greg Broussard, Egyptian Lover was a rapper, DJ, producer and record label owner who was hugely influenced by the New York electro scene, as well as by the electro-funk of Zapp. He made flat-out party music backed with a Roland 808: dynamite for the dance-floor. He began with Uncle Jamm's Army – rocking dance parties of 10,000 people at the L.A. Sports Arena – then made his own impact as a solo artist. "Egypt, Egypt," his first single, released in 1984, was an L.A. anthem. It is backed with "Girls," taken from On The Nile, one of the first full length hip-hop albums from the left coast, released on his own label Egyptian Empire Records. These early works have become staples of electro sets across the world. Stones Throw has collected these and other recordings, many from the original 2-inch master tapes, for the vinyl anthology Egyptian Lover 1983-1988, coming in 2016.
These tapes were created for Stones Throw's Cassette Store Day 2015 popup shop. J Dilla and Madlib released their sole album as Jaylib in 2003. The companion tape contains remixes by Madlib created in 2007, plus two b-sides ("Pillz" and "Raw Addict") along with the rare "Popshit" outtake.
These tapes were created for Stones Throw's Cassette Store Day 2015 popup shop. In 2003, J Dilla was better known as Jay Dee, a Detroit producer who shunned publicity but was widely respected in hip-hop; Madlib was an up-and-coming L.A. producer making a name for himself with his wild diversity, from rap (Quasimoto) to electronic jazz (Yesterdays New Quintet) to remixes (Shades of Blue, Blue Note-2003). At the time of Champion Sound's original release in late 2003, J Dilla and Madlib had never been photographed together or appeared as a group in public. In the years that followed, this changed drastically - after Dilla's move to Los Angeles, the two worked together, communicated through hip-hop beat tapes, and toured together as Jaylib. Madlib's profile rose with his MF DOOM-collab Madvillain. J Dilla, though dealing with a serious illness, continued crafting material for artists such as Common and Busta Rhymes while working on a wealth of solo material. Dilla's final albums - Donuts (Stones Throw-2006), The Shining (BBE-2006) - along with the re-issue of Ruff Draft (Stones Throw-2007) have introduced his name and music to countless new fans while publications from The Source to Rolling Stone paid respect to his musical genius.