Record Label: Fat Beats Distribution
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GangStarr Foundation member and rhymesayer Hannibal Stax along with Brooklyn’s leading boom-bap purveyor Marco Polo have teamed up for their new album Seize the Day. It is the solo debut for Hannibal Stax and one of many Marco Polo projects slated for 2013.
Hailing from Brooklyn NY, Hannibal Stax is a well-known underground emcee, member of acclaimed crew F.A.B.I.D. and a Gang Starr Foundation affiliate. Originally discovered by DJ Premier, Stax has been a fixture of NYC hip hop for years and was featured on two Gang Starr albums and numerous tracks that were lost in major label vaults. Although undoubtedly a veteran, Seize The Day represents his long awaited debut release.
Beats are life. Marco “Polo” Bruno, by way of Toronto and now making his home in Brooklyn, lives by this mantra. In a few short years the T. Dot native has gone from green producer with a new MPC 2000XL to a highly sought after purveyor of boom-bap, laying down tracks for the likes of Masta Ace, Boot Camp Clik and Sadat X. Polo’s creative sampling, knocking drums and throwback grooves are fresh and never dated. In addition to Seize the Day, his 2013 efforts will include the Newport Authority 2 LP and the highly anticipated Port Authority 2, the follow up to his critically acclaimed debut album Port Authority which came out in 2007 on Rawkus // Soulspazm.
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Apollo Brown’s Thirty Eight is a contemporary throwback, inhabiting the realm of reverent reinvention and innovation. It deftly bridges the gap between ‘70s Blaxploitation soundtracks (e.g. Curtis Mayfield’s Superfly or Marvin Gaye’s Trouble Man) and the hip-hop records that sampled from them. The tracks on Thirty Eight are presented in gritty, heavily saturated Technicolor, the scratches and cigarette burns as purposeful as they are happily accidental. These are suites sounding from long barrels held by lone men lurking in grimy project hallways. Tinged with revenge and regret, shrouded in thick tendrils of hollow-point smoke, the songs have all the makings of an epic gangster tragedy. They’re also great when paired with anything Raymond Chandler. Crackle and sample hiss run like electric current throughout, charging the record with a retro feel and resonant warmth. Yet these qualities are only secondary to Brown’s impeccable ear for instrumentation. Thirty Eight is full of funk, soul, jazz, blues, hip-hop, and everything in between. The bluesy guitar twang of slow-burner “Black Suits” and the lush, orchestral strings of “The Warning” are just two examples of the depth and diversity Brown brings to the table. All singing on the album comes in the form of brief samples, some high-pitched and sped up, others left untouched. Taken together, they amount to glimpses of an emotionally affecting narrative, enabling the listener to fill in the plot and words between the booms and baps. Brown enlists New York mercenary Roc Marciano for the soundtrack’s two features. With the sharpest of eyes and the frostbitten wit of a Polo clad hustler slanging in the dead of winter, Marciano delivers his best verses in recent memory, his vivid narratives perfectly suited for Brown’s soulful production. Each CD comes packaged with 5" inch vinyl featuring the aforementioned Roc Marciano tracks. Quite possibly the first time a CD and 5" inch record have ever been sold together, cop yours before they’re gone. For fans who desire the full analog experience, we’ve pressed up 180-gram vinyl. Each vinyl copy also includes a 45 featuring two bonus instrumentals. Whether you buy a physical copy or download Thirty Eight digitally, don't call it a beat tape. With this project Brown has created an expansive cinematic composition for the theatre of your mind. Listen, envision, and enjoy the show.