Record Label: Pay Jay Productions
PayJay Productions, Inc. was the company James Dewitt "J Dilla" Yancey founded in 2001 to house his production company and his publishing company. But it was also a symbolic move: PayJay was a sign that the maverick producer then known as Jay Dee would see his individual goals in music industry realized, and he would get paid in the process.
The Estate of James Yancey has revived PayJay as a functioning imprint, and is announcing its release of J Dilla's long lost vocal album, The Diary. The Estate of James Yancey is administered by attorney Alex Borden and overseen by the Probate Court of the State of California on behalf of Yancey's four heirs – his mother, Maureen "Madukes" Yancey, his brother John "Illa J" Yancey and his two daughters, Ja'Mya Yancey and Ty-monae Whitlow.
"Anthem" and "Trucks" were two of the songs J Dilla recorded in late 2001 and early 2002 as he put the finishing touches on what was supposed to be an album featuring his raps over production by the likes of Madlib, Pete Rock, Nottz, House Shoes, Karriem Riggins and others. These two tracks, however, were produced by Dilla himself.
These tracks come straight from multi-track masters found on 2-inch tape shortly after Dilla's passing in 2006. These songs have been mixed by engineer Dave Cooley, who worked extensively with Dilla during his years in Los Angeles. Using Dilla's original demo mixes as his guide, Cooley attempted to finalize Dilla's vision for these tracks, while keeping all of the elements that Dilla had in place in his original demos present.
Rounding out this 12" is Dilla's original mix of "Trucks" discovered as a two-track demo mix. We've included this mix as it features an alternate version of Dilla's vocals and a third verse not found on Dilla's final sessions for this song.
The first press of this 12" features clear vinyl atop an original Jeff Jank sleeve with art by Mason London and placed in a thick, fold-over plastic sleeve. Subsequent runs will not have the clear vinyl or the fold-over plastic sleeve.
A few years back 14KT gave out a free downloadable project called “14KillaTape”. Fast forward to the present, and Street Corner Music now presents a darker, retooled version... “14KillaTape: REDUX” brings you 5 tracks from the original incarnation, along with 7 brand new grimy treats. Cassettes available first with LPs coming next year.
After returning from Amsterdam, Deep of the 2 Hungry Bros, contrary to the popularized notions of THC, was motivated and put together a soundtrack with partner Ben Boogz for the culinary phenomenon known as the Munchies. Enter, the Munchies Beat tape, a seamless stream of Boom Bap to stuff your face with but not kill your vibe. The Munchies Beat tape is the ideal serving when your ears and stomach get those cravings. You can feed both simultaneously now. Limited to 100 copies.
When Greg Caz and Deano Sounds teamed up to create The Brasileiro Treasure Box Of Funk & Soul they created a collection of vintage Brazilian music that stretches across the scope of funk, soul, and psychedelic. Co-compiler and Brazilian music aficionado, Greg Caz says: “Without necessarily having a central theme other than funky nuggets from the first half of the 70s, we believe this compilation displays its own particular sense of logic, and that these songs ultimately all sound fantastic together. Regardless of one’s familiarity, or lack thereof, with artists like Antonio Carlos & Jocafi, Os Incríveis, Toni Tornado or Celia, the material on these 45s speaks its own truth and justifies their inclusion here. Many of these were originally available as singles, while others were taken from albums, but all are guaranteed to find their way into many DJ boxes and playlists.” The stunning 45s from this set will now be available for individual sale. The series continues with the split 7” containing the essential rare groove track “Bananeira” by Emilio Santiago b/w Osmar Milito E Quarteto Forma’s rare “América Latina” (as sampled by Madlib). Also available, the extremely rare and funky “Labirinto” by 2001 & Beto on a split 45 with the Fender Rhodes driven infectious samba from Trio Mocotó called “Swinga Sambaby.”