Record Label: Pay Jay Productions
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PayJay Productions, Inc. was the company James Dewitt "J Dilla" Yancey founded in 2001 to house his production company and his publishing company. But it was also a symbolic move: PayJay was a sign that the maverick producer then known as Jay Dee would see his individual goals in music industry realized, and he would get paid in the process.
The Estate of James Yancey has revived PayJay as a functioning imprint, and is announcing its release of J Dilla's long lost vocal album, The Diary. The Estate of James Yancey is administered by attorney Alex Borden and overseen by the Probate Court of the State of California on behalf of Yancey's four heirs – his mother, Maureen "Madukes" Yancey, his brother John "Illa J" Yancey and his two daughters, Ja'Mya Yancey and Ty-monae Whitlow.
"Anthem" and "Trucks" were two of the songs J Dilla recorded in late 2001 and early 2002 as he put the finishing touches on what was supposed to be an album featuring his raps over production by the likes of Madlib, Pete Rock, Nottz, House Shoes, Karriem Riggins and others. These two tracks, however, were produced by Dilla himself.
These tracks come straight from multi-track masters found on 2-inch tape shortly after Dilla's passing in 2006. These songs have been mixed by engineer Dave Cooley, who worked extensively with Dilla during his years in Los Angeles. Using Dilla's original demo mixes as his guide, Cooley attempted to finalize Dilla's vision for these tracks, while keeping all of the elements that Dilla had in place in his original demos present.
Rounding out this 12" is Dilla's original mix of "Trucks" discovered as a two-track demo mix. We've included this mix as it features an alternate version of Dilla's vocals and a third verse not found on Dilla's final sessions for this song.
The first press of this 12" features clear vinyl atop an original Jeff Jank sleeve with art by Mason London and placed in a thick, fold-over plastic sleeve. Subsequent runs will not have the clear vinyl or the fold-over plastic sleeve.
1. Anthem (Dirty)
2. Anthem (Clean)
3. Anthem (Instrumental)
4. Anthem (Acapella)
2. Trucks (Clean)
3. Trucks (Instrumental)
4. Trucks (Dilla’s Original Mix)
Brookyn-based Hip-Hop indie, Coalmine Records, gets set for the limited edition 7-inch pressing of Blu’s “”Kiss the Sky”” single, produced by M-Phazes, b/w the Large Professor Remix, featuring DJ Revolution. The A-side version, originally released digitally in May of 2012, has been revered as one of Blu’s strongest solo effort singles to date, reminiscent of his sound akin to 2007’s, ‘Below the Heavens.’ This 7-inch is to be released in conjunction with Coalmine Records’ forthcoming compilation LP, ‘Remineded: A Collection of New & Old Remixes,’ and will be packaged with a free album download card of the compilation. “The title ‘Kiss The Sky’ is very defining to myself holding the name Blu…” -Blu
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With over 8 years in and appearing on over 30 vinyl releases, Damu the Fudgemunk has built a modest following and a collectible catalog. With his latest release, Public Assembly (cover photo shot at the legendary Fat Beats record store in NYC), his label Redefinition Records decided to empower fans with a role in the selection process. Is this a greatest hits? Not quite, but a highlight reel of sorts influenced by carefully analyzed comments in Redef's social networking community, hence the LP title. Many consider, "The Greatest Hits Album" overdue, but for a man who considers "his best work has yet to be released", Public Assembly is the Fudgemunk's artist statement that brings things to date full circle. 10 full length instrumentals from various projects are consolidated into one album. Over half the featured tracks were either never released on vinyl (Hole Up and Streamline instrumentals) or released in limited quantities (Supply Intro). For newcomers, Public Assembly is the full course introduction into Damu the Fudgemunk's vast catalog. For those who have been on board over the years the record connects the dots in one sitting. Either way, with the growing expansions of Damu and Redefinition records, it's safe to assume this won't be last of their projects rallied by the people.
This 12-inch was released leading up to the full-length Further Adventures of Lord Quas. Cover by Jeff Jank showing the night view of Quasimoto's building where who-the-hell-knows-what goes on at all hours of the night.
Lord Quas, Madlib and Melvin Van Peebles on some fantastic, nightmarish planet, tripping hard. As hallucinatory a hip hop experience as you can possibly hope to experience without mushrooms. For some reason, the remix was featured first, and, as a result was the version featured on The Unseen album. So peep the original version – available only on this 12".