Record Label: Junkadelic Music
Featuring A.G. (of D.I.T.C.); Big Sche Eastwood; Black Silver; Fred Beanz; KidMiddi; Kidricc James; Megabone; Mr Klutch; Mr Wonderful; Prince Metropolis Known; Rah Digga; Santa; Shade Clock Da Rappa; Willie B Baller
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Kool Keith, a.k.a. Dr. Octagon, Black Elvis, and a pioneer purveyor of horrorcore hip-hop, is a household hip-hop name. Hailing from The Bronx, Keith co-founded the seminal rap group Ultramagnetic MCs before pursuing a slew of solo and collaborative projects with the likes of Ice-T, Kutmasta Kurt, and DJ Qbert. With critically acclaimed albums like Dr. Octaconecologyst , Spankmaster & Love & Danger already under his belt, Kool Keith’s latest album, Demolition Crash is out now ."Acura" (bw/ Hoodini Feat AG) is the first 7" of a ltd edition collection including songs from Demolition Crash and exclusive/unreleased B-Sides.
A founding member of the Ultramagnetic Mc’s, Kool Keith aka Dr Octagon aka Black Elvis, aka Dr Dooom, aka Tashan Dorrsett has been crossing eras, remaining sharp, exploring unknown lyrical territories and musical worlds, collaborating with an eclectic range of artists such as Roger Troutman, O.D.B, The Prodigy, Tricky or Deltron to name a few. Don’t call him a legend, he is real and in full effect. Demolition Crash is Kool Keith’s 19th studio album. Mainly produced by genius, Parisbased alternative DJ & producer Junkaz Lou (Love & Danger, Tashan Dorrsett), co-produced by Kool Keith himself alongside Memphis producer and label mate Mr. Sche (Magnetic Pimp Force Field), ‘Demolition Crash’ is a massive 37 tracks double album delivering hard, dark but still funky music. Samples, drums, computers, scratches, machines and live instruments come together to create an evolutive background for Keith’s lyrical madness. Another masterpiece for all Kool Keith fans and music lovers with a selection of guests artists including fellow rappers Rah Digga, A.G. (of D.I.T.C), or Megabone to name a few. Recently name checked by Eminem on ‘The Monster’ and praised by Jay-Z in the pages of ‘XXL’ Kool Keith is more than ever your favorite rapper’s favorite rapper, and a new generation of listeners is ready to enter the ‘original’ based god world #DemolitionCrash
An original member of New York's new-school pioneers the Ultramagnetic MCs, Keith Thornton is best known as a solo rapper. His signature styles stream-of-consciousness lyrical flow and complex vocals, two skills that earn him a perennial nod from the underground hip-hop community. The average Kool Keith album is peppered with bizarre, disjointed, even delusional or disassociated themes, concepts, and references. Nearly all of his albums incorporate a satirical dislike for more commercialized strains of hip-hop, as well as major record label scams. After single-handedly redefining "warped" as the mind and mouth behind the Bronx-based Ultramagnetic MC's, "Kool" Keith Thornton -- aka Rhythm X, aka Dr. Octagon, aka Dr. Dooom, aka Mr. Gerbik -- headed for the outer reaches of the stratosphere with a variety of solo projects. A onetime psychiatric patient at Bellevue, Keith's lyrical thematics remained as free-flowing here as they ever were with the N.Y. trio, connecting up complex meters with fierce, layers-deep metaphors and veiled criticisms of those who "water down the sound that comes from the ghetto." His own debut single, "Earth People" by Dr. Octagon, was quietly released in late 1995 on the San Francisco-based Bulk Recordings, and the track spread like wildfire through the hip-hop underground, as did the subsequent self-titled full-length released the following year. Featuring internationally renowned DJ Q-Bert (of Invisibl Skratch Piklz) on turntables, as well as the Automator and DJ Shadow behind the boards, Dr. Octagon's left-field fusion of sound collage, fierce turntable work, and bizarre, impressionistic rapping found audiences in the most unlikely of places, from hardcore hip-hop heads to jaded rock critics. Although a somewhat sophomoric preoccupation with body parts and scatology tended to dominate the album, Keith's complex weave of associations and shifting references is quite often amazing in its intricacy. The record found its way to the U.K.-based abstract hip-hop imprint Mo'Wax (for whom Shadow also recorded) in mid-1996, and was licensed by the label for European release (Mo'Wax also released a DJ-friendly instrumental version of the album titled, appropriately, The Instrumentalyst [Octagon Beats]). The widespread popularity of the album eventually landed Keith at DreamWorks in 1997; the label gave Dr. Octagon (retitled Dr. Octagonecologyst) its third release mid-year, adding a number of bonus cuts. In early 1999, however, Keith's alter ego Dr. Dooom unfortunately "killed off" Dr. Octagon on the opening track of First Come, First Served (released on Thornton's own Funky Ass label). Kool Keith signed to Ruffhouse/MCA for his second album under that alias, 1999's Black Elvis/Lost in Space. Records released as Kool Keith followed in 2000 (Matthew) and 2001 (Spankmaster), while the 2002 collaboration Gene appeared as KHM (Kool Keith plus H-Bomb and Marc Live). His next project was a four-rapper group named Thee Undatakerz with Keith taking on a new persona, Reverand Tom. Kool Keith Presents Thee Undatakerz hit the streets in May 2004. Keeping busy, Keith released Diesel Truckers in August of the same year with old friend/producer KutMasta Kurt. As if 2004 hadn't been filled with enough Kool Keith releases, some truly oddball ones started to appear that year. The Official Space Tape borrowed from previous releases to create the ultimate Keith mixtape, the R&B-leaning Personal Album was released in a limited edition of 500 and with a high price tag, plus the Real Talk label issued Dr. Octagon, Pt. 2, an unauthorized release that had little to do with the original and was quickly pulled from the shelves by court order. The next year was much calmer with the Global Enlightenment, Pt. 1 DVD being released at the beginning of the year, followed by Lost Masters, Vol. 2 in the summer. Nogatco Rd. from 2006 introduced a new character, Mr. Nogatco ("Octagon" backward). The UFO-obsessed album was a collaboration with producer Iz-Real. The two-CD Collabs Tape compilation and The Return of Dr. Octagon followed soon after. In early 2007, Keith was part of a Ultramagnetic MC's reunion that yielded Best Kept Secret. Tashan Dorrsett, another concept- driven release from Keith, was released in 2009. Following early 2011 is the "Legend Of Tashan Dorrsett" remix album including remixes and exclusives by Hip-Hop legends Marley Marl, Domingo, Ultrmagnetic's TR Love, Agallah Don Bishop to name a few. Early 2012, Keith released the single "Anorexic" (labeled as a Ultramagnetic track) and flooded the internet with the hit records New York and The Game Is Free Keith's main event for 2012 will be the release of his highly anticipated new solo album Love & Danger produced by Dj Junkaz Lou and starring Def''s Shad brainiac MC Keith Murray, and NYC's groundbreaking combo Megabone .
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Joseph Abajian (DJ Jab) founded Fat Beats in 1994 with nothing more than a shoestring budget and an earnest obsession with the music, the culture, and the brotherhood of New York’s burgeoning rap scene. What began as a simple vinyl shop in Manhattan’s Lower East Side quickly became an integral hub for artists, both aspiring and established, to convene and collaborate on new projects. Joseph’s timing couldn’t have been more impeccable. When the 90’s cultural zeitgeist – and, in turn, the music industry establishment – chose hip-hop as its new arbiter of cool.
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