Record Label: Proximal Records
Wake - 'Oakland Blackouts'
"Oakland Blackouts started as a sort of afterthought. For a while, I had been interested in making a set of organic sounding electronic music that, while created using electronics, existed in an implied physical space. Most of the work that went into this EP focused on textural density, stereo and space manipulation, and subtle tuning of intensity through tempo and volume automation, which was a departure from my normal working process - a more hyper-edit based sequence programing composition workflow.
Unlike my other work, Oakland Blackouts was recorded in takes and played mostly live. Samples were mapped to MIDI controllers, and effects and automation were played in on faders. The synthesizers were largely (edited) live recordings made with hardware, including an analog modular synthesizer and a Yamaha FM synth from the 80s. The process behind this EP allowed freedom for improvisational compositional thought, and thus, (like a blackout) I barely remember making it."
Lawrence Grey - 'Claustrophilia'
Claustrophilia is a dance floor- oriented study in syncopation. The synthesizers, samples, tempos, and time signatures constantly evolve over the course of the five tracks. Though it can be enjoyed alone with a pair of headphones,it was designed it with a crowded, sweaty dance floor in mind.
Brookyn-based Hip-Hop indie, Coalmine Records, gets set for the limited edition 7-inch pressing of Blu’s “”Kiss the Sky”” single, produced by M-Phazes, b/w the Large Professor Remix, featuring DJ Revolution. The A-side version, originally released digitally in May of 2012, has been revered as one of Blu’s strongest solo effort singles to date, reminiscent of his sound akin to 2007’s, ‘Below the Heavens.’ This 7-inch is to be released in conjunction with Coalmine Records’ forthcoming compilation LP, ‘Remineded: A Collection of New & Old Remixes,’ and will be packaged with a free album download card of the compilation. “The title ‘Kiss The Sky’ is very defining to myself holding the name Blu…” -Blu
Sold Out - $16.99
With over 8 years in and appearing on over 30 vinyl releases, Damu the Fudgemunk has built a modest following and a collectible catalog. With his latest release, Public Assembly (cover photo shot at the legendary Fat Beats record store in NYC), his label Redefinition Records decided to empower fans with a role in the selection process. Is this a greatest hits? Not quite, but a highlight reel of sorts influenced by carefully analyzed comments in Redef's social networking community, hence the LP title. Many consider, "The Greatest Hits Album" overdue, but for a man who considers "his best work has yet to be released", Public Assembly is the Fudgemunk's artist statement that brings things to date full circle. 10 full length instrumentals from various projects are consolidated into one album. Over half the featured tracks were either never released on vinyl (Hole Up and Streamline instrumentals) or released in limited quantities (Supply Intro). For newcomers, Public Assembly is the full course introduction into Damu the Fudgemunk's vast catalog. For those who have been on board over the years the record connects the dots in one sitting. Either way, with the growing expansions of Damu and Redefinition records, it's safe to assume this won't be last of their projects rallied by the people.
This 12-inch was released leading up to the full-length Further Adventures of Lord Quas. Cover by Jeff Jank showing the night view of Quasimoto's building where who-the-hell-knows-what goes on at all hours of the night.
Lord Quas, Madlib and Melvin Van Peebles on some fantastic, nightmarish planet, tripping hard. As hallucinatory a hip hop experience as you can possibly hope to experience without mushrooms. For some reason, the remix was featured first, and, as a result was the version featured on The Unseen album. So peep the original version – available only on this 12".