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Set for national release on Record Store Day 2018, Cool Down features the legendary Bernard Purdie alongside modern funk, soul and jazz masterminds Ivan Neville, Pete Shand, and Brian J. Special guests include three inimitable vocalists Cyril Neville, Anthony Cole, and Mayteana Morales.\u003c\/p\u003e\n\u003cp\u003eRanked among the “Top 20 Drummers of All Time” by Rolling Stone Magazine and inducted into Modern Drummer’s “Hall of Fame,” Purdie’s idiosyncratic drum work can be heard on a staggering number of classic albums produced by artists such as The Beatles, James Brown, Nina Simone, B.B. King, Herbie Hancock, Miles Davis, Hall \u0026amp; Oates, and Steely Dan. His drum patterns, a unique merger of urbane swagger and loose Southern funk, have all but defined early hip-hop. Of his many solo recordings, his debut as a leader Soul Drums (1968) and Soul Is…Pretty Purdie (1972) are highly sought-after treasure troves of beats long sampled by DJs and hip-hop producers. 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With charismatic singer Ziek McCarter bringing \"the dance moves, splits and all, of James Brown\" (KQED) and a band that \"comes across like a party punk version of Sly and the Family Stone\" (Consequence of Sound), Con Brio is known to convert anyone who sees their electric live show.\u003c\/p\u003e\n\u003cp\u003eFounded in 2013 by veteran players with vastly different musical backgrounds*, the band quickly became a favorite up and down the West Coast, then across the U.S., and then overseas in places like Japan and the Netherlands.\u003c\/p\u003e\n\u003cp\u003eExplorer, out on July 6th, both builds on the success of Paradise and serves as a travelogue of sorts — a reflection on the two years of nearly nonstop touring that followed their first record's success.\u003c\/p\u003e\n\u003cp\u003eHaving proved themselves on an international stage, Con Brio breaks new ground on Explorer, expanding beyond raw energy and retro sounds toward a more contemporary, layered production style, all delivered with road-tested confidence. On \"I Wanna\" — a lusty, mischievous ode to the art of catching a stranger's eye across a crowded club — McCarter pours his voice, richer than ever, over a thick, irresistibly danceable rhythm from Jonathan Kirchner (bass) and Andrew Laubacher (drums).\u003c\/p\u003e\n\u003cp\u003e\"Body Language\" slows that theme to a simmer, with a nimble, lyrical horn line from Marcus Stephens (saxophone) and Brendan Liu (trumpet) front and center. Songs like \"United State of Mind\" and \"Royal Rage,\" meanwhile, reflect on America's current moment, urging strength and perspective in the face of cynicism and apathy. Over a cheerful guitar lick from Andrews, the former track sings the praises of travel, the ways it can make the world feel bigger and smaller all at once — and how sometimes you have to leave home to see it with fresh eyes. \"Rage\" is a rally cry, a call to resistance, with Laubacher's kick drum leading the march: \"Feeling the world pulling apart, where is the we in who we are?\" asks McCarter. \"When will it end, where do we start?\"\u003c\/p\u003e\n\u003cp\u003eThen there's Con Brio's tendency to upend expectations: they've never been afraid of a little genre-bending. \"Heart Shaped Box\" began as a fun cover the band arranged on a whim on a rare day off on tour; within weeks it became one of the most exciting moments in the band's live show. On the record, it's a playful yet potent tribute, served surprisingly well by horns and a smart, slinky synth line from Patrick Glynn.\u003c\/p\u003e\n\u003cp\u003eUltimately, Explorer is a leap for Con Brio in more ways than one. 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In 1989, a coup brought a hardline religious government to power. Music was violently condemned. Many musicians and artists were persecuted, tortured, forced to flee into exile — and even murdered, ending one of the most beloved music eras in all of Africa and largely denying Sudan’s gifted instrumentalists, singers, and poets, from strutting their creative heritage on the global stage. What came before in a special era that protected and promoted the arts was one of the richest music scenes anywhere in the world. Although Sudanese styles are endlessly diverse, this compilation celebrates the golden sound of the capital, Khartoum. Each chapter of the cosmopolitan city’s tumultuous musical story is covered through 16 tracks: from the hypnotic violin and accordion-driven orchestral music of the 1970s that captured the ears and hearts of Africa and the Arabic-speaking world, to the synthesizer and drum machine music of the 1980s, and the music produced in exile in the 1990s. The deep kicks of tum tum and Nubian rhythms keep the sound infectious.\u003c\/p\u003e\n\u003cp\u003eSudan of old had music everywhere: roving sound systems and ubiquitous bands and orchestras kept Khartoum’s sharply dressed youth on their feet. Live music was integral to cultural life, producing a catalog of concert recordings. In small arenas and large outdoor venues, musical royalty of the day built Khartoum’s reputation as ground zero for innovation and technique that inspired a continent. Musicians in Ethiopia and Somalia frequently point to Sudan’s biggest golden era stars as idols. Mention Mohammed Wardi — a legendary Sudanese singer and activist akin to Fela Kuti in stature and impact in his music and politics — and they often look to the heavens. \u003c\/p\u003e\n\u003cp\u003eSuch is the reputation of Sudanese music, particularly in the “Sudanic Belt,” a cultural zone that stretches from Djibouti all the way west to Mauritania, covering much of the Sahara and the Sahel, lands where Sudanese artists are household names and Sudanese poems are regularly used as lyrics until today to produce the latest hits. Sudanese cassettes often sold more in Cameroon and Nigeria than at home. But years of anti-music sentiment have made recordings in Sudan difficult to source. Ostinato’s team traveled to Ethiopia, Somalia, Djibouti, and Egypt in search of the timeless cultural artifacts that hold the story of Africa’s most mesmerizing cultures. That these cassette tape and vinyl recordings were mainly found in Sudan’s neighbors is a testament to Sudanese music’s widespread appeal. \u003c\/p\u003e\n\u003cp\u003eWith our Sudanese partner and co-compiler Tamador Sheikh Eldin Gibreel, a once famous poet and actress in ’70s Khartoum, Ostinato’s fifth album, following our Grammy-nominated “Sweet As Broken Dates,” revives the enchanting harmonies, haunting melodies, and relentless rhythms of Sudan’s brightest years, fully restored, remastered and packaged luxuriously in a triple LP gatefold and double CD bookcase to match the regal repute of Sudanese music. A 20,000-word liner note booklet gives voice to the singers silenced by an oppressive regime. Take a sail down the Blue and White Nile as they pass through Khartoum, carrying with them an ancient history and a never-ending stream of poems and songs. 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Containing a sublime mixture of funk, jazz, dubstep, and structures un-echoed by the typical style of 16-bar hip-hop, Shabazz Palaces quickly gained critical admiration following an unprecedented string of epic performances across their home city. Shabazz Palaces’ music is defiant in the face of musical norms both in terms of sheer musicianship and lyricism. 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This included performances at the prestigious Trans Musicales Festival in France, the Lärz, Germany Fusion Festival, Mostly Funk \u0026amp; Soul and Jazz Festival in UK, the Holy Groove Festival in Switzerland, and the Canarias Jazz Festival in Spain.\u003c\/span\u003e","brand":"Record Kicks","offers":[{"title":"Default Title","offer_id":22517591146544,"sku":"cd-RKX071","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/0042\/products\/record-kicks-tanika-charles-the-gumption-cd-cd-5050580709126-cd-rkx071-photo-photo-photo-7202669985840.jpg?v=1613789325"},{"product_id":"scrolls-paloma-parfry-after-la-cd-book","title":"Scrolls \/ Paloma Parfry - After LA (CD + Book)","description":"\u003cp\u003eAfter L.A.’ is a lifetime as a moment. Not just a collection, but a consideration of what it means for an artist to have grown up, lashed out, and re-nested all within the extremely wide borders of Los Angeles. 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Unable to pay for guitar lessons, Moore learned what a major, a minor and a 7th chord were from his uncle and went from there. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAfter opening for legendary acts such as James Brown, Parliament, Funkadelic and Kool \u0026amp; the Gang, Moore and his band went on to record their debut album in 1976 before he took a back seat in the 80s to focus on the business side of things – a period when he fell in love with the process of bringing amazing music to the world. To this day, this record holds true to his passion. 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The title is a Jamaican slang for \"I’ll see you later\" (\"Mi see yuh Likkle more\") which is quite apt because this album feels like a journey beginning, something to which one will come back to. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWorking under the title J\u0026amp;V, the duo have been in the studio to focus their combined talents into one solid project, which acts as the perfect showcase for their respective skills on the mic and behind the boards. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe result of this union is a brilliantly constructed album that fuses elements of Reggae, Jazz, Dub, Hip hop and Jungle into perfection. 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