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Chosen and the Freeway featured “Forefeit” from Ro’s Glass Ceiling Project.\n\nIt’s only right that the two have taken their time to create an organic piece of work unlike anything they’ve done before. “Leading up to this, my whole career, I intentionally didn’t show vulnerability. I didn’t want people to know about me,” Ro exclaims. RSXGLD is the lyrical maturation of Ro Spit while this group pushed 14KT to new creative levels sonically. “I’ve used Maschine for 3 years but I haven’t really come out with any projects making beats in this way. It was a totally new process for me,” KT notates. “Sonically, I’ve created in a way that I’ve never created before. It’s all different and out of my comfort zone.”\n\nThis is a true, social experiment. This is music made from the soul that encompasses every aspect of the human experience. 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Mirrors is comprised entirely of cover tunes, except that I doubt you’ve ever heard of half the deeply funky and soulful originals that inspired these soulful, tastefully produced, and timeless Monophonics treatments. “We wanted to do a couple songs that were more familiar to people and then shine some light on groups we’re big into,” lead singer, keyboardist and co-producer Kelly Finnigan explains. It takes a lot of guts to cover your favorite songs, your van jams, that song you play as a shot of inspiration to break-up a marathon studio session. “Not only are these great songs, but these are artists that we listen to and are influenced by.”\n\n“It’s not about making records that sound old, it’s about making records that sound cool,” Kelly says. Not that he and the other five members of Monophonics mind if you confuse their albums for classic-era recordings. 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The next four songs, all featuring vocals, range from the lowrider soul ballad, a cover of the The Invicibles’ “My Heart Cries” with a pleading and plaintive vocal by Nicole Smith, to the psychedelic blues stomp, “Lying,” originally by the archetypical psychedelic soul band nearly sign","brand":"TRANSISTOR SOUND","offers":[{"title":"Default Title","offer_id":3442732433434,"sku":"E-TSR006","price":21.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/0042\/products\/transistor-sound-monophonics-mirrors-ep-coke-bottle-clear-vinyl-ep-659123091916-e-tsr006-photo-photo-photo-1239441080346.jpg?v=1613433575"},{"product_id":"brownout-fear-of-a-brown-planet-lp-black-vinyl","title":"Brownout - Fear Of A Brown Planet (LP - Black Vinyl)","description":"Twenty-eight years ago, pissed-off twelve-year-olds around the universe discovered a new planet, a Black Planet. Public Enemy’s aggressive, Benihana beats and incendiary lyrics instilled fear among parents and teachers everywhere, even in the border town of Laredo, Texas, home of the future founders of the Latin-Funk-Soul-Breaks super group, Brownout. The band’s sixth full-length album (out May 25th) Fear of a Brown Planet is a musical manifesto inspired by Public Enemy’s music and revolutionary spirit.\n\nChuck D., the Bomb Squad, Flava Flav and the rest of the P.E. posse couldn’t possibly have expected that their golden-era hip hop albums would sow the seeds for countless Public Enemy sleeper cells, one that would emerge nearly three decades later in Austin, Texas. Greg Gonzalez (bass) remembers a kid back in junior high hipped him to the fact that Public Enemy’s “Bring the Noise” is built on James Brown samples, while a teenaged Beto Martinez (guitar) alternated between metal and hip-hop in his walk-man, and Adrian Quesada (guitar\/keys) remembers falling in love with Public Enemy’s sound at an early age. “When I got into Hip hop, I was looking for this aggressive outlet . . . and I didn’t even understand what they were pissed off about, because I was twelve and lived in Laredo . . . but I loved it and I felt angry along with them.” \n\nJoseph Abajian (Fat Beats’ owner) must have sensed the deep hip-hop well lying beneath the versatile band’s Latin-Funk veneer. “I thought their sound would work covering Public Enemy songs,” Abajian says, and, “it was good to know they were P.E. fans . . . 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Early works by Jae dating back to 2007, display his unique style and approach to crafting his own version of \"hip hop\". The genre is one of many foundations the artist uses to communicate his range of styles as shown on previous self-released albums, compilations and collaborations (Holy Smoke, Oliver The 2nd, L'Orange, CohenBeats, PBDY), as well as praiseworthy offerings on Brainfeeder and Warp Records.\n With his newest solo album 'DAFFI', Jae expands on his production and speaks in the persona of his alter ego to express a darker side. The 16-track self-produced album was recorded in both Chicago and his Los Angeles home studio The Black Light. Contributions by fellow Black Jungle Squad brethren Oliver The 2nd (\"Backpacks\"), The Koreatown Oddity (\"Figure Skating\"), Busdriver (\"In Da Zone\"), Karenbe (\"All Me\"), and his legendary band leader and musician father Robert Irving III (\"Nefertiti\") help carry the album to exalted heights and somber lows. It is with much merit for anyone to experience such a wide range of emotions, yet return to an even heightened state of artistry with such artistic beauty and grace.\n Jeremiah Jae's \"DAFFI\" will be released with Los Angeles artist crew HIT+RUN assisting with the glorious double vinyl offering (plus 16-page full-color art book featuring stunning supplementary graphic work by Jae) with collectible one-of-a-kind screenprinted jackets. All of the double 12\" vinyl of this modern classic include five bonus tracks (\"Bells\", \"Field\", \"Harpoon\", \"Know You\" ft. 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PST is one of the first albums to bridge the gap between indie and electronic music, and is the progenitor of \"nu-disco\", and more specifically the first document of Poolside's \"daytime disco\" sound. \n\nPST includes Poolside's signature tracks \"Harvest Moon\" and \"Do You Believe?\", and since its release the record has amassed upwards of 250 million streams across all platforms. In 2012 Pitchfork called PST \"dance music for the chillout tent,\" perfectly predicting the trends that would follow in PST's wake as dance music became more accessible in the streaming era. \n\nIts Hockney-esq cover art and 70+min runtime make for a transportive listen, placing the listener poolside and worry free.","brand":"POOLSIDE RECORDS","offers":[{"title":"Default Title","offer_id":8097843970096,"sku":"L-PSR003","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/0042\/products\/poolside-records-poolside-pacific-standard-time-2xlp-lp-859708548983-l-psr005-photo-photo-photo-3189523775536.jpg?v=1613597657"},{"product_id":"poolside-heat-2xlp","title":"Poolside - Heat (2XLP)","description":"Poolside began as a recording project in a converted Los Angeles backyard pool house in early 2011, producing sunny tracks of subaquatic indie dance music in this makeshift recording studio. Surfacing first in the form of a YouTube video for the catchy track \"Do You Believe?\" Poolside were soon gaining local and national attention, with DJs like James Murphy of LCD Soundsystem, techno legend Derrick May, and disco don Todd Terje spinning these tracks at events and a growing online following. Throughout 2011 Poolside continued making waves with a sound called \"daytime disco\" through tracks like their cover of Neil Young's \"Harvest Moon\" and original tunes. In 2012 Poolside worked on a remix for longtime disco punks The Rapture and held fans over with a new single and video for a song called \"Slow Down\" as they prepared to release their debut album. That album, Pacific Standard Time, was self-released in July of 2012.After the album's release, remixes for artists like Matthew Dear, Little Dragon and Fool's Gold soon followed, as well as rehearsing and touring with a live band and doing DJ sets around the world. As thoughts turned to a second album, Poolside went on ice for a year to regroup, beginning to work in earnest on another album in the Fall of 2016. While still revolving around the sunny, laid-back disco sound of PST, these sessions yielded the additions of up-tempo dance songs and more guitars, and generally more fleshed-out arrangements. Poolside surprise released their second album Heat in 2017.","brand":"POOLSIDE RECORDS","offers":[{"title":"Default Title","offer_id":8097890893872,"sku":"L-PSR004","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/0042\/products\/poolside-records-poolside-heat-2xlp-lp-818010028477-l-psr006-photo-photo-photo-3189641248816.jpg?v=1613597385"},{"product_id":"camron-the-program-lp-clear-vinyl-bandana","title":"Cam'Ron - The Program (Clear Vinyl LP + Bandana)","description":"Cam'ron returns with his latest mixtape, 'The Program.' The 15-track project features production from Araab Muzik, Dondre Dennis, ADM, Dollavision, and more. Together, the collective of producers form to provide Cam with a soundtrack that's vintage New York, and for those looking to relieve the glory days, you won't be disappointed. Araab Muzik's two songs, \"Fuck Outta Here\" and \"The Other Side,\" are classic early-millennium NYC, and Cam'Ron does his best to capture the feeling of his peak years. The vinyl comes with a limited-edition custom Cam'Ron bandana.","brand":"KILLA ENTERTAINMENT","offers":[{"title":"Default Title","offer_id":12389032591408,"sku":"L-CNMT2597","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/0042\/products\/killa-entertainment-cam-ron-the-program-lp-clear-vinyl-bandana-lp-693461259713-l-cnmt2597-photo-photo-photo-3720453783600.jpg?v=1612738176"},{"product_id":"the-white-blinds-get-to-steppin-lp","title":"The White Blinds - Get To Steppin' (LP)","description":"Emerging from the tight-knit Los Angeles Funk and Soul community, The White Blinds are one of the newest true Organ Trios to carry the torch of instrumental music in the city of Angels. Their debut LP “Get To Steppin” features ten songs consisting of nine originals and one take on the classic tune “Blue Juice” by Jimmy McGriff. For lovers of Dr. Lonnie Smith, Charles Earland, and the new resurgence of Hammond Organ trios on the scene, this trio, led by drummer and percussionist Michael Duffy (Jungle Fire, Ozomatli), with Organist Carey Frank (Tedeschi Trucks), and Guitarist Matt Hornbeck, have come together to form a tight and soulful ensemble, filtered though a lens that is uniquely Los Angeles. Heavy melodic Organ solos to deep Drum Breaks alongside tasteful Guitar licks, The White Blinds bring forth steam while staying true to pay homage to the classic Soul Jazz sound of the 60's and 70's with a splash of New Orleans groove and Afro-Funk overtones.","brand":"F-SPOT RECORDS","offers":[{"title":"Default Title","offer_id":12392175271984,"sku":"L-FSPT2001","price":22.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/0042\/products\/f-spot-records-the-white-blinds-get-to-steppin-lp-lp-742833361599-l-fspt2001-photo-photo-photo-3722905157680.jpg?v=1613878846"},{"product_id":"caz-gardiner-the-badasonics-caz-gardiner-the-badasonics-lp","title":"Caz Gardiner \u0026 The Badasonics -  Caz Gardiner \u0026 The Badasonics (LP)","description":"The  Badasonics  mixes  soul  and  funk  together  with  Jamaican  riddims  and  horns  with  the  soulful  rock  and  reggae  voice  of  Caz  Gardiner  to  deliver  a  pulsating  party  of  soul  steady  beats. Caz  has  performed  with  the  BandHouse  Gigs,  Newmeyer  Fyler  productions  and  The Beat  Hotel  .  She  was  the  lead  singer for The  Ambitions,  a  60's  influenced  soul\/rock  band  which  in  2008 was  nominated  for  a  Wammie  (Washington  Area  Music  Association)  in  the  best  new  band  category;  and  the  rock  steady\/reggae  band  Caz  and  The  Day  Laborers.  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The woman there said that they had belonged to her father and were “field recordings” of a turn-of-the century orchestra. It took me maybe another year to actually load them up and transfer them to the computer. When I did, what I found was an incredible documentation of indigenous folkloric music that was meticulously recorded and then later transferred to 2-track tape sometime in the 1960’s. The tapes were labeled “Contact Field Orchestra”-- a collection of field recordings that seem to date from sometime around the turn of the 20th century (possibly a little earlier). \n\nAfter transferring the tapes and cleaning them up as best I could, I discovered that due to the frequency range, they must have been recorded largely with hand-made piezo transducers of some sort. Some of the tapes were partially destroyed, so I found that I had to re-play or play over the songs as best I could to fill-in and augment the original ideas. 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What was a quick one-off collab was not only a reminder of Masta Ace’s timelessness, but it was also the impetus for a larger, more fleshed out concept between the Toronto beatsmith Polo and the legendary MC. The pair since formed a duo and the result is a powerfully evenhanded project, A Breukelen Story.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn 2018 we find hip-hop’s storied journeyman, Masta Ace, at the helm of another sharp, tightly wrought project. He’s traversed hip-hop’s ever-changing landscape for nearly three decades, navigating different eras while expanding his already extensive catalogue. From his formative work with the legendary Juice Crew, to a bombastically renowned stint with Delicious Vinyl, it’s hard to find a more humble master of ceremony than Ace—even harder is finding another figure whose work is equally embraced on both coasts, East and West, as well as abroad.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDespite amassing 7 solo albums, 5 collaborative projects and countless additional one-offs, Ace is still trying to show and prove, still moving the needle forward for himself, his fans, and his career. Says Ace: “My goal on A Breukelen Story was to do more lyrical stuff. I’ve done a lot of concept songs, and a lot of topical records, but I made a point to put a couple straight rhyming joints on here to remind dudes I can still do this.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“I met Masta Ace for the first time while interning at Cutting Room studios in Manhattan,” says Marco Polo, longtime Canadian producer whose exploration of samples and boom-bap aesthetics certainly suite his moniker. “Ace came in for a session in the studio years and I introduced myself and gave him a beat CD.” While Polo was a young intern on the rise, he quickly worked the situation to his advantage, eventually producing for giants he grew up admiring— Kool G Rap, Large Professor, Scarface, Sean Price, Black Thought, Talib Kweli, to name a few.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePolo is not new to forming quality collabs with others in the art form, with notable stints on the aforementioned Port Authority as well as it’s follow up, PA2, and others like 2016’s work with young MC, A-F-R-O, fittingly titled A-F-R-O Polo. Yet out of Polo’s previous collaborative efforts, this one stands out and is a bit more special, according to Polo: “Ace does not like to write random songs, its usually conceptual and topical,” he says. “But we do have some straight spitting joints on A Breukelen Story which is what makes this album possibly the most diverse of all of my collaborative albums.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe random meeting and a beat CD resultantly birthed A Breukelen Story, a collaborative release between the venerable veteran and an incredibly detailed and prolific producer. 14 tracks with pronounced guests (Pharoahe Monch on “The Fight Song” for example) all strewn together through Ace’s signature skits and interludes that frame the music and while telling the story of Polo manifesting his vision of being an NY transplant via Toronto while pursuing his dream of being a renowned record producer. Other guests range from younger MCs like Marlon Craft to spry OGs like Lil Fame (of M.O.P.), to Smif ‘n’ Wessun, to Styles P (of the Lox) Polo’s pastiche style boom-bap is the drum-driven centerpiece that perfectly couches Masta Ace’s thoughtful stanzas and vivid storytelling for this effusive Brooklyn narrative. – David Ma\u003c\/span\u003e\u003c\/p\u003e","brand":"FAT BEATS RECORDS","offers":[{"title":"Default Title","offer_id":13597593174064,"sku":"L-FB5186","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/0042\/products\/fat-beats-records-masta-ace-marco-polo-a-breukelen-story-2xlp-lp-659123518611-l-fb5186-photo-photo-photo-4114224152624.jpg?v=1613400938"},{"product_id":"j-live-all-of-the-above-2xlp-vinyl","title":"J-Live - All Of The Above (Reissue) (Black 2XLP)","description":"J-Live’s sophomore effort All Of The Above continues the high quality form of his debut The Best Part. 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