All is not lost; the unconquerable Will,And study of revenge, immortal hate,And courage never to submit or yield:And what is else not to be overcome?– John Milton, Paradise Lost “My answer to that” explains Lorn, having quoted the words of Satan to his lieutenant Beelzebub, “is "'Nothing Else'". Which is one way to explain that this 23 year old “from the middle of nowhere in Illinois" is not keen on compromise. The second artist album from Flying Lotus' Brainfeeder imprint is a deep, deep, dark and uncompromising suite of music. The only Brainfeeder artist to neither come from or ever to have lived in LA, Lorn has already developed an international following for his music. Now, with “Nothing Else", the musician and artist reveals his debut full length. Epic, melancholic and brutal, it's a record which the listener has to be prepared to immerse themselves in. The rewards make it worth the effort. From the fairground dramatics of “None An Island" through the soundtrack sweep and military momentum of “Army of Fear” the discombobulated atmospherics of “Bretagne” the sheer brute force of the bass on “Automaton” the acid-fried detailing on “Voids" 1 and 2, the woozy migraine-simulacra of “Tomorrow” the off-centre melodic catchiness of “Glass & Silver" and “Cherry Moon” the deconstructed electro of “Greatest Silence" and on to the utterly uncompromsing conclusion of “What's The Use” where an underwater hip hop break smashes up against Hammond and the ghost of a human voice, this is a record which feels like its been hewn from stone. Albeit electronic stone. A remarkable, transcendent achievement, no one who knows anything about him is going to claim that Lorn's life has been easy and nor is his music. Instead it's raw, emotional, angry, beautiful and real.
It speaks volumes for how long we’ve been waiting for the debut Brainfeeder album from Mono/Poly that when Flying Lotus first got in touch with him about doing something for the label, it was via Myspace. The wait, though, has been worth it. Specializing in a kind of beat-driven cosmic soundscape which he describes as “electronic-classical-alchemy music,” Mono/Poly aka Charles Dickerson has drawn on the lessons he’s learned from collaborating on last year’s Thundercat album as well as the Flash Bang Grenada hip hop project with Busdriver and Nocando, and made a beautifully realized, endlessly expansive record. From the first orchestral trills of “Winds of Change” you know you’re in for something special. As the track builds the listener notices not only the content but also the production chops – this is a record which sounds exactly as big, glossy and up front as its creator wants it to. Rebekah Raff adds scintillating harp work to “Transit to the Gold Planet,” but it’s the way Dickerson integrates it and builds on it which is really special. “Ra Rise” sounds like sunbathing in space, Niki Randa’s abstracted topline vocal warming you right through. Title track, “Golden Skies” uses a looping piano riff reminiscent of Bach, Thelonious Monk and Wu Tang on E, all at once, without sounding like any of them. Add sternum- thrumming bass to that and you know exactly what’s what. “Alpha & Omega” does something clever with slowed down d&b licks and tweaked vocal snips. “Empyrean” features Mendee Ichikawa (of the band Free Moral Agents), an ethereal, ghostly presence. “Night Garden” sounds like a drive through the dark streets of an alternate LA. “Euphoria” uses a simple, military-style snare and then twines keyboard lines over it until it’s lifted into the sky. Thundercat joins in on last track, “Gamma,” and adds some perfectly-judged low-end riffing to anchor Dickerson’s keyboard swirls. Mono/Poly has been a name to watch since his debut, The George Machine, back in 2009. His 2011 EP release for Brainfeeder, Manifestations, was supported by artists as diverse as Radiohead and Erykah Badu and his work on Thundercat’s Apocalypse established once and for all the quality of his productions. With Golden Skies he has laid down a marker to any other “beat maker” out there. Because with a genuine producer with this much talent, everyone else needs to aim a little bit higher – up towards the golden skies.
© 2017 Fat Beats | 8920 Eton Ave. Canoga Park, CA 91304
If you have questions regarding your order please visit our Order Status page before contacting us.
If it's urgent don't hesitate to give us a ring.
Business hours are Monday - Friday 9AM-5PM PST.
Call Us Toll Free: (888) 377-3175
To reach us by email use the form below:
Joseph Abajian (DJ Jab) founded Fat Beats in 1994 with nothing more than a shoestring budget and an earnest obsession with the music, the culture, and the brotherhood of New York’s burgeoning rap scene. What began as a simple vinyl shop in Manhattan’s Lower East Side quickly became an integral hub for artists, both aspiring and established, to convene and collaborate on new projects. Joseph’s timing couldn’t have been more impeccable. When the 90’s cultural zeitgeist – and, in turn, the music industry establishment – chose hip-hop as its new arbiter of cool.
International tourists and touring artists alike flocked to Fat Beats for rare vinyl, kindred spirits, and exclusive in-store performances from Jay Z, Eminem, Gang Starr, Outkast, Slum Village, Mos Def, and more. One thing was clear: the Fat Beats phenomenon could no longer be contained in a single basement shop.
In the late nineties, Abajian proceeded to open new stores in Amsterdam, Tokyo, Los Angeles, and Atlanta. He further expanded the company’s profile to include global distribution and record label branches. Distribution has since proven to be the company’s strongest and most enduring enterprise. Today Fat Beats Distribution stands poised as one of the country’s pre-eminent distributors of vinyl & specialty item records: a proud survivor in an industry now famous for its mortality rate. Despite market fluctuations, technology innovations, and stylistic revolutions, Fat Beats has remained steadfast in its commitment to the timeless vinyl format and to the loyal community who keeps it spinning.
Important information when ordering with Fatbeats.com...
• Online orders are processed within 1-2 business days.
• If you are confused or need to know about an order placed on the site you can contact us
• Order processing time is separate from shipping time requested.
• International orders and orders that require additional credit verification can take longer to process. Please be available at the provided number or email submitted to speed up verification time.
•We try and offer as many upcoming projects available for pre-order when the releases have moved into production. However, due to the nature of manufacturing and production, pre-order dates may change. If your pre-ordered items are holding your package from arriving please email us with a request to ship the in-stock items and pre-orders when they become available.
•If your order contains pre-order items we will hold the package until all titles are available to ship. Please specify in the comments section of the checkout if you would like to: a) hold your entire order until it can be entirely fulfilled or, b) have the in-stock items shipped immediately and the pre-ordered items ship when available. Please note that option B may require additional shipping charges as multiple packages will be shipped.
• Our stock rapidly changes and we try and set in place a system that avoids purchasing items that become out of stock. However, if a product ordered is out of stock, we will reach out and give you the chance to change or cancel your order. If you choose to cancel, you will be refunded in full.
• IMPORTANT: If the address or phone number supplied conflicts with other information provided, i.e. billing information versus shipping information, we may need to contact you to verify your purchase. Please be available to verify or write an explanation in the notes section during checkout explaining the conflicting information.
•Please make sure you give us your correct billing address and your correct billing phone number. Again, it is highly important that you are available at the provided number or email submitted to speed up verification time enabling us to avoid fraudulent purchases.
• All sales are final. However, if the item ordered is different from the item you receive, please contact us and we can arrange to get you the desired product.
• We are committed to protecting your privacy. There is an opt-in policy to receive marketing and other e-blasts about future products available as well as deals and coupons. If you do not wish to receive these emails you can opt out by simply removing the check from the marketing box below upon check out. We will never sell your email or personal information.
• Your payment and personal information is always safe. Our SSL (secure server software) is the industry standard and among the best software available today for secure commerce transactions. It encrypts all of your personal information, including credit card number, name, and address, so that it cannot be read over the internet.
Fat Beats offers internship opportunities. You must be enrolled in college and reside in the Los Angeles area to be eligible for our programs. If you meet these requirements, please paste your cover letter below and we will contact you if there are open positions available.
We are currently offering an internship program that offers an educational experience in all facets of our distribution operation. The intern would have the ability to assist in each of the following departments:
Online Retail / Marketing
Shipping & Receiving
- Enrollment in an accredited college/university that offers an internship program for academic credit
- Knowledge and passion in independent music and culture; with a specific interest in the artists/releases that Fat Beats supports
- Familiarity with Microsoft Office applications
- Positive attitude - no task should be considered too small
- Must be located in the greater Los Angeles area
Resumes/Cover Letters should be emailed to firstname.lastname@example.org