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This delicate balance was evident on their 2005 debut album Sounding Out the City, which earned critical acclaim and acted as the inaugural full-length release for Michels and Silverman's burgeoning label Truth \u0026amp; Soul (also the moniker for the duo as a production team). The buzz generated from the album and a series of moderately successful 7\" vinyl singles from Truth \u0026amp; Soul led to an invitation by Toyota's Scion division for El Michels Affair to accompany the rapper Raekwon of Wu-Tang Clan for a promotional concert.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs avid Wu-Tang fans, not only were the band leaders thrilled with the opportunity, but Michels found that the 'Cinematic Soul' sound was consistent with the moods of RZA's gritty soundscapes on the classic Wu-Tang releases. The concert was such as success, El Michels Affair went on to play several more concerts nationwide backing Raekwon and other members of the Clan, and the shows led to the recording of two smash 7\" singles featuring instrumental reinterpretations of the Wu-Tang classic songs \"C.R.E.A.M.\" and \"Bring Da Ruckus.\" The singles combined to sell an extraordinary amount of over 7,000 units worldwide, and their success led to a contract with Fat Beats Records to record an entire album of Wu-Tang Clan interpolations.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith the release of their finally-completed album entitled \u003cem\u003eEnter the 37th Chamber\u003c\/em\u003e, they can finally step out of the shadows of the retro-soul trend and establish their status as one of the most exciting and versatile bands in modern recorded music.\u003c\/p\u003e","brand":"Fat Beats Records","offers":[{"title":"Default Title","offer_id":32239160623152,"sku":"L-FB5127","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/0042\/files\/fat-beats-records-el-michels-affair-enter-the-37th-chamber-lp-lp-659123512718-l-fb5127-photo-photo-photo-33668515299511.jpg?v=1700516424"},{"product_id":"night-owls-groovin-7","title":"Night Owls - Groovin' (7\")","description":"\u003cp\u003eAnother Night Owls 45 fresh off the press! To round out the year, this 7” features their take on the classic Young Rascals original Groovin’, flipped in true Night Owls fashion. This homage, based off the Willie Mitchell rendition (with a nod to the Wu-Tang sample) features SoCal’s very own soul master Jamie Allensworth on lead vocals, backed with Night Owls signature Jamaican stylings. Taking the feel up in tempo along with the solid one drop of drummer Blake Colie and bubbly organ rhythms from Roger Rivas, all held together by Dave Wilder on bass and maestro Dan Ubick on guitar, this rendition is surely one to lift spirits and what we all need right now. Side-B features an instrumental of Side-A, but different in its own right with Roger Rivas taking the lead on organ and showcasing the great songwriting elements this tune holds. Produced by Dan Ubick and Night Owls. 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Comprised of 13 tracks, the album proves that without a shadow of a doubt, Diamond D’s reputation as the best producer on the mic remains unrivaled. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNever one to bogart the spotlight, Diamond is joined by a supporting cast of guest appearances that include Westside Gunn, Dre (Cool \u0026amp; Dre), Posdnuos (De La Soul), Ashtin Martin, Stacy Epps and KP, with a momentous introduction from the great Chris Rock. To boot, Diamond adds to the unblemished production value with additional board work from the likes of Nottz, Focus, D.R.U.G.S. 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The end result is top tier bar work over pristine production,” he concludes. \u003c\/span\u003e","brand":"Dymond Mine Records","offers":[{"title":"Default Title","offer_id":41337737609399,"sku":"L-DMR1978","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0068\/0042\/products\/dymond-mine-records-diamond-d-the-rear-view-lp-lp-l-dmr1978-photo-photo-photo-31780626825399.jpg?v=1660592620"},{"product_id":"j-rocc-some-cold-rock-stuf-2xlp","title":"J Rocc - Some Cold Rock Stuf (2xLP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Not a mix tape. Not a DJ album. Not a beats album. It's the album.\" \u003cstrong\u003eEach LP contains a Mystery Disc produced by J Rocc. 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Considered by many as an underground classic, TFIN boasts a production dream team that includes DJ Premier, Pete Rock and Large Professor, who have yet to appear credited together on the same album since the release of Nas’s Illmatic.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAdditional producers tapped include JuJu of The Beatnuts, as well as group affiliate Necro, Dave 1 of Chromeo and T-Ray. ?The album features guest appearances from Necro, MF DOOM, The Beatnuts, Al Tariq, Marley Metal, Stephen Carpenter of Deftones, and Christian Olde Wolbers and Raymond Herrera of Fear Factory.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eUpon release, the album broke into the top fifteen on Billboard's Independent Albums and Heatseekers charts, peaking at #65 on the Top R\u0026amp;B\/Hip-Hop Albums chart. 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It marked the first of three full-length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, \"Me Myself and I\", \"The Magic Number, \" \"Buddy, \" and \"Eye Know\". The album title came from the Johnny Cash song \"Five Feet High and Rising\". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held it's annual Pazz \u0026amp; Jop Critics Poll for 1989, \u003cem\u003e3 Feet High and Rising\u003c\/em\u003e was ranked #1. It was also listed on the Rolling Stone's The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, de la Soul's uniquely positive style made them an oddity beginning with the first single, \"Me, Myself and I\". 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His clever rhymes and remarkable schemes stood out against the landscape, and every sound he touched —from cartoon theme songs, to ‘80s soul, to rap classics and more — got reinterpreted into something brand new and surreal.\u003c\/p\u003e\n\u003cp\u003eDecades later, MF DOOM is still celebrated for all facets of his work and influence. 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