Record Label: BBE
Picking up where they left off on the 2007 compilation 'Lost & Found – Rockabilly & Jump Blues', Keb Darge & Cut Chemist join forces once again, this time to explore the Dark Side of 1960s Garage music. While Rockabilly could be defined as a DIY emulation of the music of Buddy Holly, Eddie Cochran and others by young American artists, Garage was heavily influenced by British bands of the day like the Beatles, Kinks & Rolling Stones. Simple drum kits, guitars and the occasional organ keep the sound honest and raw, retaining a palpable sense of excitement even to this day. With a multitude of bands springing up all over the USA, many of these wonderful records were released in tiny numbers, making certain titles almost impossible to find.
Keb Darge's love affair with this intriguing genre happened almost by accident, while on the hunt for obscure Northern Soul records. "DJ Shadow told me I would like Garage years ago, but I didn't listen." Hearing a few records he liked and being assured by collectors that they were classified as 'Garage' got him hooked, so for the last years he's been digging obsessively for the stuff. Knowing Cut Chemist was a collector, he suggested they collaborate on a compilation, and 'The Dark Side' was born. 30 obscure records, some of which change hands for frightening amounts of money, all with wonderful stories attached as told in Keb's & Cut Chemist's encyclopedic and entertaining liner notes.
"This compilation is not aimed at the many collectors of this wonderful style of music. I am a very late arrival on this scene, and still have a hell of a lot to learn, and buy. This is more for people like I was just three years ago, people oblivious to beauty, power, and excitement of the sixties garage sound." – Keb Darge 2016
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Joseph Abajian (DJ Jab) founded Fat Beats in 1994 with nothing more than a shoestring budget and an earnest obsession with the music, the culture, and the brotherhood of New York’s burgeoning rap scene. What began as a simple vinyl shop in Manhattan’s Lower East Side quickly became an integral hub for artists, both aspiring and established, to convene and collaborate on new projects. Joseph’s timing couldn’t have been more impeccable. When the 90’s cultural zeitgeist – and, in turn, the music industry establishment – chose hip-hop as its new arbiter of cool.
International tourists and touring artists alike flocked to Fat Beats for rare vinyl, kindred spirits, and exclusive in-store performances from Jay Z, Eminem, Gang Starr, Outkast, Slum Village, Mos Def, and more. One thing was clear: the Fat Beats phenomenon could no longer be contained in a single basement shop.
In the late nineties, Abajian proceeded to open new stores in Amsterdam, Tokyo, Los Angeles, and Atlanta. He further expanded the company’s profile to include global distribution and record label branches. Distribution has since proven to be the company’s strongest and most enduring enterprise. Today Fat Beats Distribution stands poised as one of the country’s pre-eminent distributors of vinyl & specialty item records: a proud survivor in an industry now famous for its mortality rate. Despite market fluctuations, technology innovations, and stylistic revolutions, Fat Beats has remained steadfast in its commitment to the timeless vinyl format and to the loyal community who keeps it spinning.
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We are currently offering an internship program that offers an educational experience in all facets of our distribution operation. The intern would have the ability to assist in each of the following departments:
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