Record Label: Domino Records
Deluxe CD is a one time pressing featuring a hardbook pack; 40 page booklet containing exclusive photographs.
The Last Shadow Puppets return with their new album Everything You’ve Come To Expect. The album finds Alex Turner (Arctic Monkeys) and Miles Kane reunited with James Ford (production and drums), Owen Pallett (string arrangements) and Zachary Dawes (Mini Mansions) on bass, recording the follow up to 2008’s The Age Of The Understatement at Shangri-La Studio in Malibu.
Suffice it to say that other obligations came between The Age of Understatement and its sophomore successor, not least the unstoppable rise of Turner’s Arctic Monkeys, who released not one but three hugely successful albums between 2008 and 2013. Neither Kane nor Turner ever intended to put the Puppets on the back burner where so many “side projects” languish in perpepuity: the creative outlet that the act offered to the two friends was far too important for that.
Just as The Age of Understatement enabled the duo to explore an all-but-forgotten world of epic ‘60s pop that contrasted starkly with the indie guitar-rock template of the Monkeys and the Rascals, so the second coming of the Shadow Puppets has given Kane and Turner new avenues that veer radically away from their other work.
Everything You’ve Come To Expect is a more open and expansive work than its predecessor, wearing its influences less obviously on its sleeve – by turns the album is soaring, snarling and breathlessly seductive.
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Joseph Abajian (DJ Jab) founded Fat Beats in 1994 with nothing more than a shoestring budget and an earnest obsession with the music, the culture, and the brotherhood of New York’s burgeoning rap scene. What began as a simple vinyl shop in Manhattan’s Lower East Side quickly became an integral hub for artists, both aspiring and established, to convene and collaborate on new projects. Joseph’s timing couldn’t have been more impeccable. When the 90’s cultural zeitgeist – and, in turn, the music industry establishment – chose hip-hop as its new arbiter of cool.
International tourists and touring artists alike flocked to Fat Beats for rare vinyl, kindred spirits, and exclusive in-store performances from Jay Z, Eminem, Gang Starr, Outkast, Slum Village, Mos Def, and more. One thing was clear: the Fat Beats phenomenon could no longer be contained in a single basement shop.
In the late nineties, Abajian proceeded to open new stores in Amsterdam, Tokyo, Los Angeles, and Atlanta. He further expanded the company’s profile to include global distribution and record label branches. Distribution has since proven to be the company’s strongest and most enduring enterprise. Today Fat Beats Distribution stands poised as one of the country’s pre-eminent distributors of vinyl & specialty item records: a proud survivor in an industry now famous for its mortality rate. Despite market fluctuations, technology innovations, and stylistic revolutions, Fat Beats has remained steadfast in its commitment to the timeless vinyl format and to the loyal community who keeps it spinning.
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