Chaz Bundick meets The Mattson 2 Star Stuff is the kind of record that only comes about every once in a blue moon. It slips into existence by the merest margins at the very edge of universal consciousness and then expands to fill a vacuum that we didn't know needed filling until it appeared full right before us. The unspoken brotherly bond of the Mattson 2 and the incredibly refined and aesthetic genius of Chaz Bundick (playing both the role of musician and producer) combined to invoke this album from the ether. The Mattsons' brotherly forgetfulness acted as a catalyst for this most spectacular of collaborations: Jared Mattson (Guitar/bass/extra dimensional texture) forgot to pack a drum stool for Jonathan (Drums/Intra dimensional rythmality) for a show in Oakland in late 2014. A mutual friend, photographer Andrew Paynter, said he knew someone nearby who might have one, that someone was Chaz Bundick. Chaz stayed to watch their show, and over the following few months they recorded with no set schedule, no set plan, no rules and no limits. ''We all got together after that first encounter, meeting at Chaz's home studio in Berkeley. We had no set musical ideas because we wanted this to be fresh and pure and 100% collaborative... The songs started morphing and the camaraderie got so strong, inspired, and positive that it was absolutely exhilarating working together! We had the utmost trust in one another. It naturally became a joint record so it became fitting to call it a ''meets'' project.'' - Jared Mattson
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Silver Eye, Goldfrapp’s seventh album, is dance music which evokes a pagan ritual rather than a club soundtrack. Cold, metallic electronics with a hot current of blood running through them. A 21st century moon dance. It weaves together the two strands of Goldfrapp’s music like never before. If 2013’s Tales of Us, a set of noirish folk fables, roamed the same pastoral landscape as Felt Mountain and Seventh Tree, then Silver Eye (a reference to the moon) belongs to the pulsing, electronic lineage of Black Cherry and Supernature only deeper and darker. Silver Eye will be released March 31, 2017.
Domino is proud to launch Documents, an irregular new series of live studio recordings designed to capture our artists and their bands at the peak of their touring powers - the first official release of which will be Julia Holter “In The Same Room”. Comprised of new arrangements of songs from all of her studio releases to-date, Holter's Domino Document is essential for anyone who has witnessed her brilliant, beguiling band on tour around the world in the last five years, and is a perfect introduction to a truly important and innovative young artist.
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Joseph Abajian (DJ Jab) founded Fat Beats in 1994 with nothing more than a shoestring budget and an earnest obsession with the music, the culture, and the brotherhood of New York’s burgeoning rap scene. What began as a simple vinyl shop in Manhattan’s Lower East Side quickly became an integral hub for artists, both aspiring and established, to convene and collaborate on new projects. Joseph’s timing couldn’t have been more impeccable. When the 90’s cultural zeitgeist – and, in turn, the music industry establishment – chose hip-hop as its new arbiter of cool.
International tourists and touring artists alike flocked to Fat Beats for rare vinyl, kindred spirits, and exclusive in-store performances from Jay Z, Eminem, Gang Starr, Outkast, Slum Village, Mos Def, and more. One thing was clear: the Fat Beats phenomenon could no longer be contained in a single basement shop.
In the late nineties, Abajian proceeded to open new stores in Amsterdam, Tokyo, Los Angeles, and Atlanta. He further expanded the company’s profile to include global distribution and record label branches. Distribution has since proven to be the company’s strongest and most enduring enterprise. Today Fat Beats Distribution stands poised as one of the country’s pre-eminent distributors of vinyl & specialty item records: a proud survivor in an industry now famous for its mortality rate. Despite market fluctuations, technology innovations, and stylistic revolutions, Fat Beats has remained steadfast in its commitment to the timeless vinyl format and to the loyal community who keeps it spinning.
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