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R.I.P. PRODIGY
The HNIC passes at age 42. Thoughts and prayers with Prodigy's family and Mobb Deep.
14KT - Nowalataz
14KT's never-before-released 2006 beat-tape, recorded in the aftermath of his mentor
and favorite producer J Dilla’s passing comes to vinyl for the first time this August.
Prince - Purple Rain Reissues
Prince’s most beloved album gets a long-overdue remaster & reissue treatment,
including maxi-single reissues of the album singles, two complete concert films
from the Purple Rain tour and albums worth of previously unreleased Prince music.
K-Dot's fourth studio album comes to vinyl this July.
Out July 14th on 180 gram 2LP vinyl
Nolan the Ninja - YEN
YEN picks where Nolan left off on his debut, he(art), solidifying his place as one of the sharpest
young talents in Detroit’s hip-hop landscape, featuring guest help and production from
Royce Da 5'9, Blu, Black Milk, Quelle Chris, Denmark Vessey and many more.
$31.99
180 gram black vinyl 2017 release, the fourth album from hip hop superstar Kendrick Lamar. Damn is made up of 14 songs, including the lead single, "Humble." Rihanna appears on a song called "Loyalty." and U2 appears on "XXX." Damn is the follow-up to his ground-breaking album To Pimp A Butterfly. Born and raised in Compton, California, Kendrick embarked on his musical career as a teenager under the stage name K-Dot, releasing a mixtape that garnered local attention and led to his signing with indie record label Top Dawg Entertainment.
$22.99
Touted as one of 2005's Top 10 Most Anticipated albums by XXL Magazine, Little Brother's latest masterpiece is reminiscent of the days when Tribe Called Quest, De La Soul and others carefully crafted complete experiences from beginning to end. The North Carolina outfit made up of MC's Phonte, Rapper Big Pooh, and super producer 9th Wonder have truly made an album that is both thought provoking and humorous. The Minstrel Show is truly one great piece of hip hip that will stand the test of time.
$31.99
Featuring Remastered OK COMPUTER, B-Sides and Three Never Before Released Tracks: “I Promise,” “Lift,” “Man Of War” Rescued from defunct formats, prized from dark cupboards and brought to light after two decades in cold storage... OKNOTOK will be issued June 23 on XL Recordings, coinciding (roughly) with the original 1997 release date(s) of Radiohead’s landmark third album OK COMPUTER. OKNOTOK features the original OK COMPUTER twelve track album, eight B-sides, and the Radiohead completist’s dream: “I Promise,” “Lift,” and “Man Of War.” The original studio recordings of these three previously unreleased and long sought after OK COMPUTER era tracks finally receive their first of official issue on OKNOTOK. All material on OKNOTOK is newly remastered from the original analog tapes. OK COMPUTER was originally released on various dates ranging from May to July 1997. Produced by the band and Nigel Godrich, the album is widely cited as one of the greatest works of Radiohead’s--or any artist’s—catalog and was the first Radiohead record to reach #1 in the UK and to be be nominated for the Album of the Year GRAMMY. The album features singles “Paranoid Android,” “Karma Police,” “Lucky” and “No Surprises.” In 2015, The National Recording Registry selected OK COMPUTER to be preserved in the Library of Congress as a recording that has proven “culturally, historically, or aesthetically significant.”
$24.99
Limited vinyl release of EP produced by Alchemist for Jay Worthy of Lndn Drgs. Inspired by Yacht Rock with features from Conway, Meyhem Lauren, Sha Hef & Big Body Bes. Instrumental versions will only be available on vinyl.
$16.99
"Songs of love sung by robots." From the moment this machine is booted BOP begins buzzing with kinetic warmth. This is something characteristic of Swarvy's sound, the LA-by-way-of-Philly musical polymath with a vast catalog including sun-soaked live instrumentals, jazz-infused loops and lo-fi gems. With BOP, he is musical mad scientist, flaunting his technical finesse as he plunges into the realm of abstraction. Swarvy makes his mark in BOP even while grappling with its colder, industrial elements. With broken rhythms and jagged textures, he pieces together tunes of emotive beauty. The result is undeniably playful and delightfully odd, something like songs of love sung by robots. Through its wavy ambience runs a current of aural ephemera - bits of speech samples, bossa riffs, and R&B with opaque origins. BOP's genre-bending tracks will take you to ten compelling dimensions, forming an archeology of cyberspace and musical artifacts that'll leave your cold robotic heart melting in the LA sun.
$22.99
Now available on white vinyl! “In Little Brother's music, the North Carolina group makes a specific point to highlight the more refined aspects of mid-'90s hip-hop. Basing its 2002 sound upon the foundation previously established by the likes of Pete Rock, A Tribe Called Quest, Jay Dee, and Black Star, Little Brother makes somewhat of a political statement by applying such standards to this modern age. The Listening does an exceptional job of proving that soulful meditations have indeed retained their traditional relevancy within the contemporary realms of rap. 9th Wonder's production leads the charge with distinct drum kicks pacing larger-than-life melodic samples, which are often enhanced with sultry female voice-overs. Meanwhile, Phonte and Big Pooh dig even deeper within the hip-hop vaults as they draw upon classic routines by the likes of Rakim, Slick Rick, and Audio 2 for their lyrical inspiration. Whether engaged in storytelling, braggadocio, or simple reassurance, the rhyming duo complements 9th Wonder's varying shades of mood music with a consistent degree of skill and sincerity. The album both starts and finishes strongly, with "For You," "Speed," "Nighttime Maneuvers," and the title track serving as its most stellar moments. Despite its unavoidably derivative orientation, The Listening is a finely crafted musical document, composed by artists who want nothing more than to provide even just a glimpse of hip-hop purity within an ever-expanding maze of cultural deterioration.” - Robert Gabriel, Allmusic.com
$149.99
Inside a black box emblazoned with a dark image of a burned copy of OK COMPUTER are three heavyweight 180 gram black 12" vinyl records and a hardcover book containing more than 30 artworks, many of which have never been seen before except by us, and full lyrics to all the tracks except the ones that haven't really got any lyrics. Featuring Remastered OK COMPUTER, B-Sides and Three Never Before Released Tracks: “I Promise,” “Lift,” “Man Of War” Rescued from defunct formats, prized from dark cupboards and brought to light after two decades in cold storage... OKNOTOK will be issued June 23 on XL Recordings, coinciding (roughly) with the original 1997 release date(s) of Radiohead’s landmark third album OK COMPUTER. OKNOTOK features the original OK COMPUTER twelve track album, eight B-sides, and the Radiohead completist’s dream: “I Promise,” “Lift,” and “Man Of War.” The original studio recordings of these three previously unreleased and long sought after OK COMPUTER era tracks finally receive their first of official issue on OKNOTOK. All material on OKNOTOK is newly remastered from the original analog tapes. OK COMPUTER was originally released on various dates ranging from May to July 1997. Produced by the band and Nigel Godrich, the album is widely cited as one of the greatest works of Radiohead’s--or any artist’s—catalog and was the first Radiohead record to reach #1 in the UK and to be be nominated for the Album of the Year GRAMMY. The album features singles “Paranoid Android,” “Karma Police,” “Lucky” and “No Surprises.” In 2015, The National Recording Registry selected OK COMPUTER to be preserved in the Library of Congress as a recording that has proven “culturally, historically, or aesthetically significant.”
$17.99
"Here it is... a project I unofficially had done since 06’. It started when Dilla passed February of 06’. To cope with the death of my unofficial “musical mentor” & favorite producer, I started making “donuts,” uncontrollably. I never planned to release any of the material out of respect for Dilla & his craft. I’ve shared some of the music with others, in which they would constantly ask me to hear it, so I decided to put a lil sumthing together and make it official. JUST FOR YA’LL. This is a collection of beats I made in 06’. Some “donuts” style, some just around that era of 14KT beats. “Now & Laters” was always a favorite candy of mine. I used to go to Mindells Pharmacy in Ypsi back in the day and buy ALL of them. Sadly I even stole change from my grandma’s (RIP) purse for them. Ironically, I fell back in love with “Now and Laters” around this era. Enjoy." - 14KT
$25.99
Teenage Emotions merges Lil Yachty’s signature gleeful sing-rap and auto-tuned transmissions with hip hop bombast, pop and eighties cultural touchstones. The 19-year-old Atlanta native is proudly genre-defying, mining hiphop, alternative, indie sounds as well as his hometown Atlanta trap DNA to solidify his mosaic approach.
$17.99
Featuring Royce Da 5'9, Blu, Black Milk, 14KT, Denmark Vessey, Quelle Chris, A Minus, and more. "Hip hop is an art form and culture that is constantly changing. Musically speaking, new technology and the latest trends have a very real influence on the records released from year to year. It's easy to get caught up in the pop culture hype machine and triplet beats that currently dominate rap. Trends come and go, but the proven elements of hip hop music will continue to be relevant for years to come. For instance, MC's that spit ferocious bars over dusty, head-splitting beats will never go out of style. Enter Detroit's Nolan The Ninja and his latest record, YEN. Released on DJ Soko's imprint, Left Of Center (LOC), YEN picks up where Nolan's earlier projects left off. Nolan, who has been gaining momentum in Detroit and beyond, continues to demonstrate his ability to rip a microphone. Underneath Nolan's agile delivery is an element of storytelling that is sometimes lost in rap. From Nolan's rhymes to guest appearances by Blu, Add-2, Denmark Vessey, and Quelle Chris, there is no shortage of heavy bars on YEN. "Calisthenics," which features Royce Da 5'9, is an exceptional track that showcases Royce's talent and lyrical depth. With stand out production from Black Milk, 14KT, Chanes, Denmark Vessey, Scud One, and Nolan himself, YEN is 17 tracks of non-stop heat that creates the perfect backdrop for Nolan's strong delivery. While certain trends in hip hop move one way, it's clear that Nolan The Ninja is content going the other direction. His new album isn't reliant on catchy hooks, trap beats or the glorification of party culture. Instead, YEN is a combination of heavy bars and head-splitting beats that accurately reflects Nolan's perspective and life experiences. YEN exemplifies the type of music that will remain relevant even after the current trends have faded and something new becomes popular." -Gus Navarro
$7.99
Ariel Pink’s “Another Weekend” b/w “Ode To The Goat” 7” features the first single from the forthcoming album Dedicated To Bobby Jameson and a bonus b-side that will be unavailable elsewhere. Artwork by Matt Fischbeck, a longtime collaborator of Ariel Pink.
$19.99
D’Angelo’s smash debut album now gets the deluxe treatment in a 2-CD set that includes the original album and 21 bonus tracks, all remastered by D’s engineer Russell Elevado. Housed in a lavish digipak, it also features a 20-page booklet with rare photographs from the EMI Archives, lyrics for all original LP tracks, and an essay by noted author and filmmaker Nelson George.
$24.99
Konnichiwa is the fourth studio album by British grime artist Skepta. After numerous delays, it was released on 6 May 2016 by Boy Better Know. The album was launched with a party in Tokyo on 5 May 2016 arranged and broadcast globally by live streaming platform Boiler Room, featuring Skepta performing the whole album live with supporting performances from Japanese artists Kohh, Dutch Montana, Loota, and DJ Riki. The album was supported by four singles, including the top 40 entries "That's Not Me", "Shutdown" and "Man". Konnichiwa features guest appearances from Jme, Boy Better Know, D Double E, Novelist, Wiley, Chip, Pharrell Williams, ASAP Nast and Young Lord. The album has peaked at number 2 on the UK Albums Chart. The album has also charted in Australia, Belgium, Netherlands, Ireland, New Zealand, Sweden, Switzerland and United States. Konnichiwa received widespread acclaim from critics, who praised its role and success in the resurgence of grime music and its cultural identity. Additionally, it was included in numerous end-of-year lists for best albums of 2016 by many publications, including NME, The Guardian and Apple Music, who named the album as the best of 2016. Konnichiwa also received numerous accolades, such as winning the 2016 Mercury Prize.
$27.99
Pressed On Limited Blue & White Swirl Vinyl, Includes A 12” x 24” 4/4 Insert. One of history's tightest and most clever rhyme mavericks, Big Boi's indelible influence courses throughout two generations of rap music. As one-half of OutKast, he achieved seven GRAMMY® Awards, sold 25 million records, and created a string of music's most influential work, including Aquemini, Stankonia, Southernplayalisticadillacmuzik, and Speakerboxxx/The Love Below which went RIAA Diamond making OutKast the first and only hip-hop artist in history to win the GRAMMY® for 'Album of the Year.' Big Boi's first solo release in 2010, Sir Lucious Left Foot: The Son of Chico Dusty, received unanimous critical acclaim with Pitchfork proclaiming it one of the "100 Best Albums of the Decade 'So Far'" and topped multiple year-end "best of" lists. The 2012 follow-up, Vicious Lies and Dangerous Rumors, enamored tastemakers and fans alike and in 2015 he collaborated with Phantogram to create supergroup Big Grams. For his third solo release, Big Boi presents a wide range of musical styles and has some phenomenal collaborations including lead tracks "Mic Jack" featuring Adam Levine and "Kill Jill" featuring Killer Mike and Jeezy. BOOMIVERSE will no doubt please true music fans across the board.
$24.99
Prince designed "Purple Rain" as the project that would make him a superstar, and surprisingly, that is exactly what happened. Simultaneously more focused and ambitious than any of his previous records, "Purple Rain" finds Prince consolidating his funk and R&B roots while moving boldly into pop, rock, and heavy metal with nine superbly crafted songs. Although Prince's songwriting is at a peak, the presence of the Revolution pulls the music into sharper focus, giving it a tougher, more aggressive edge. Even with all of his new, but uncompromising, forays into pop Prince hasn't abandoned funk. Taken together, all of the stylistic experiments add up to a stunning statement of purpose that remains one of the most exciting rock & roll albums ever created.
$31.99
Blue vinyl limited to 230 copies worldwide. Exclusive in the U.S. to the Fat Beats webstore. In August 1996, a Brooklyn duo consisting of MC Outloud and DJ P.F. Cuttin, better known to the world as Blahzay Blahzay, released “Blah Blah Blah”, their one and only album, on Fader Records. The album’s 13 tracks proudly waved the flag of the East, featuring hit single “Danger”, as well as other bangers such as “Pain I Feel”, “Good Cop/Bad Cop” and “Danger - Part 2” (featuring Smoothe Da Hustler, Trigger Tha Gambler and Wu-Tang affiliate La the Darkman). The combination of PF Cuttin’s polished beats and Outloud’s aggressive lyrical style made this album a classic for all underground hip-hop heads. Twenty-one years after its original release, Blahzay Blahzay have teamed up with Italian independent record label Tuff Kong Records to bring back their legendary “Blah Blah Blah” LP. This spring, Tuff Kong Records will be releasing the album on 2LP, re-mastered for vinyl and featuring the original artwork.
$19.99
LP is housed in a deluxe chipboard jacket with thick inner sleeve and pressed on 180 gram black vinyl. Jonwayne's Rap Album Two is the latest offering of music from the California based MC and producer, releasing the album on his label Authors Recording Company. Rap Album Two follows up on four maxi-singles released over the last twelve months, further entrenching the archives and material available through his new imprint. Recordings for Jonwayne's new full-length took place at the Cosmic Zoo in Los Angeles, CA and features contributions from close allies Shango, Danny Watts, Low Leaf and Zeroh. Production guests include D-Styles, Eets, Oliver The 2nd, Babu and Dibiase, with mastering facilitation by Low End Theory's Daddy Kev. Conceptually, Rap Album Two serves as a detailed painting of Jonwayne's life changing experiences over the last few years, diving into the inner realms of conflict and the alterations of life that followed. The album has earned praise from journalists and radio all over the world, adding to the success of his sold out Rap Album Two European tour. Rap Album Two has been coupled with a series of music videos, including the already released Almost | Raymond directed "These Words Are Everything" and the Ruffmercy animated "Live From The Fuck You."
$27.99
Twista's third album, featuring Johnny P, Liffy Stokes, Miss Kane, Malif, Mayz and Turtle Banks and the singles "Get It Wet" and "Emotions", is available on vinyl here for the first time since its 1997 release.
$20.99
Prince designed "Purple Rain" as the project that would make him a superstar, and surprisingly, that is exactly what happened. Simultaneously more focused and ambitious than any of his previous records, "Purple Rain" finds Prince consolidating his funk and R&B roots while moving boldly into pop, rock, and heavy metal with nine superbly crafted songs. Although Prince's songwriting is at a peak, the presence of the Revolution pulls the music into sharper focus, giving it a tougher, more aggressive edge. Even with all of his new, but uncompromising, forays into pop Prince hasn't abandoned funk. Taken together, all of the stylistic experiments add up to a stunning statement of purpose that remains one of the most exciting rock & roll albums ever created.
$31.99
The King and I is a duets album that will take listeners through a unique journey of Faith and Biggie’s relationship. The album features un-released Biggie vocals and is packed with original productions by DJ Premier, Just Blaze, Stevie J, Salaam Remi, Chucky Thompson, Puff Daddy and more. The album also features guest artist Lil’ Cease, Snoop Dogg, Busta Rhymes, Jadakiss, Styles P, Sheek Louch (founders of The L.O.X. hip hop group), 112, and a first time collaboration with legendary hip hop artist Lil’ Kim. The narrative of The King & I is compelling, compassionate, and offers a very personal glimpse into the love life of two of the biggest Hip Hop & R&B artists of all time.
$10.99
Second pressing - limited to 750 copies. ABRA is an outlier. Moving around with her missionary parents, she was born in New York and raised in South London, before eventually landing in Atlanta. Like her upbringing, ABRA's music isn't specific to a place, a time, or a sound. Instead, it's a blend of influences, informed -- but not defined -- by its surroundings. Utilizing different components of Miami Freestyle and electro-funk 808's topped with her own airy R&B-tinged vocals, ABRA's voice and sounds are familiar, but uniquely contemporary. Princess was originally released on July 15, 2016 via True Panther Sounds and Awful Records. Limited edition vinyl sold out quickly. Every note on the Princess EP, out on True Panther Sounds, is written, produced, and performed by ABRA - often from within the solitude of her bedroom closet. As an introverted youth, she dug into the internet to find community and inspiration. Then, as now, she found inspiration in unique juxtapositions, as seen in her early acoustic covers of Gucci Mane, Waka Flocka Flame and 2 Chainz that she posted on Youtube. Those videos eventually led her to a new community, Awful Records - a collective of friends, artists and collaborators creating their own hypercolor, DIY version of Atlanta's burgeoning weirdo-rap movement.
$21.99
Sadat X is a living legend, a member of the acclaimed group, Brand Nubian, he is back with a brand new album entiitled, Sum of a Man produced entirely by the legendary Diamond D. The album features the likes of Raheem DeVaughn, Tha Alkoholiks, Kurupt, and Diamond D, himself.
$24.99
Includes 30 page illustrated story book and download card. "Vomit Splattered" transparent swamp green vinyl with heavy opaque olive green and mustard splatter. A concept album to end all concepts, Murder Of The Universe is the new collection by head-bending psychedelicists King Gizzard & The Lizard Wizard. Murder Of The Universe is a face-melting musical assault concerned with the downfall of man, the death of the planet....the murder of the whole goddamn universe. A disorientating experience, the album hinges on three distinct chapters that rise from larval beds, and whose lyrics should be carved in stone, squeezed from moss, discovered in ancient runes. And all the while a passing cast of characters imbue the tale with both human and non-human emotions.
$19.99
Ex Eye feature renowned saxophonist Colin Stetson (Tom Waits, David Gilmour, Bon Iver, Arcade Fire, etc.) and drummer Greg Fox (Liturgy) playing mind-blowing, transcendental jazzy instrumental post-metal. Debut album from EX EYE, the instrumental, post-everything quartet led by renowned saxophonist Colin Stetson and featuring the otherworldly drumming of Greg Fox. EX EYE seamlessly weave between precise, clockwork intricacy and aggressive, ecstatic abandon while taking the listener on a cathartic, thrilling journey to total transcendence. Recorded live at EX EYE member Shahzad Ismaily's Figure 8 Studios in Brooklyn, NY (Blonde Redhead, Damien Rice, Okkervil River, Son Lux, Pussy Riot), the self-titled debut showcases a band that is without question the sum of its parts, as each player contributes not only their own particular technical prowess and expertise but also their signature compositional character. EX EYE make incredibly complex yet beautifully dramatic and emotive music which eclipses usual expectation of style or genre and is sure to be talked about for many years to come.
$31.99
Like master painters exploring a subject over a lifetime’s work, Kevin Martin and Dylan Carlson – The Bug and Earth, respectively – have each been mining and defining their genres for more than 20 years. They’re united by an interest in – really an obsession with – heaviness. They search for, examine and break the boundaries between beautiful and ugly, minimal and maximal, light and dark – but The Bug and Earth always make music that is heavy in the most thrilling of ways. Earth, and its founding member Carlson, first appeared in the early ’90s, and came to prominence with their Sub Pop release "Earth 2". An exercise in SLOW distorted droning minimalist riffage, their debut was the blueprint for what Dylan coined at the time "ambient metal,”– a style still being pushed forward on his latest Southern Lord release "Primitive And Deadly.” Kevin Martin's career spans the same timeframe. Techno Animal, Ice, God, Razor X, King Midas Sound, and of course the The Bug moniker. All of which explore(d) the fringes of experimental and heavy music. With his recently released "Angels & Devils" LP receiving high praise across the board, he once again put his sonic stamp on the here and now with his collaborators Liz Harris (of Grouper), copeland, Miss Red, Gonjasufi, Flowdan, Death Grips, Justin Broadrick (Godflesh/Jesu), and Warrior Queen. These two uncompromising outsiders met via the visual artist Simon Fowler (Angels & Devils.) Simon arranged for Dylan to come to a King Midas Sound gig, but Martin’s trademark use of a powerful strobe light meant that the epileptic Carlson couldn’t enter the room. Undeterred, Carlson featured King Midas Sound’s music in a podcast, and the pair eventually decided to collaborate around “Angels & Devils.” The anglophile Carlson had long admired Martin, and other British sonic experimenters like Spacemen 3 or Pentangle. In turn, Martin understood the genius in Carlson’s deconstruction of metal, and Earth’s boiling down of the genre to its core, elemental riffs. Martin saw that he and Dylan were both “wanderers,” and “misfits in the world we live in.” They were both huge fans of dub and the Velvet Underground, and they discussed how those influences could provide a combined template for something entirely new. When they finally began to record, it quickly became apparent that the music they made together needed room to stretch out and “drone,”– to be its own thing. Two tracks eventually emerged, "Boa"&"Cold," and were released as a standalone EP, with Dylan's signature guitar sound weaving seamlessly around some of Kevin's most destructively heady bass explorations. Martin had decided to exclude those songs from ‘Angels & Devils’, as he felt “They had developed a singular life of their own, outside of the identity of that album.” Ninja Tune asked The Bug and Dylan Carlson to perform live in LA around the label’s 25th anniversary, and Martin and Carlson took the opportunity to further the recording project in person. So The Bug vs Earth project holed up in Daddy Kev’s legendary LA studio, with DJ Nobody engineering, for two very long days. Those recording sessions have resulted in the masterpiece that is “Concrete Desert.” Inspired by J.G. Ballard’s urban dystopias, and the Californian dream capital’s sordid, fragmented underbelly, Martin says that the album is in some ways a Los Angeles-set companion piece to “London Zoo.” The record’s beautiful, chiming melodies are like shards of sonic light, glowing in currents of heavy bass darkness. There are pulsing soundscapes, ambient pinks and whites, and irresistible grooves. This is music that grips you entirely, and catches you in its lava-flow – an astonishing, primal album of vast depth. In making it, Martin decided to break from The Bug’s obsessive study of groove, tone and texture, and think more cinematically. The result is a wondrously visual album, akin to finding oneself wandering amongst the rocky red hills of the Californian deserts. In fact, he says, the album could be understood as reflecting a ‘mistrust of “Hollywoodisms,” and the shadow of Hollywood fantasy that looms large over life in LA, and the USA in general. “Dylan’s a master at amplifying the flavour of America,” he says, “but not the side we see in this Trump climate.” For Martin, the “American dream is like a nightmare under Trump” but Dylan captures the “best side of that dream, a utopian openess.”“I hear the writing of Cormac McCarthy in his music. His playing conjures deserts, and wide open spaces.’ In “Concrete Desert,” Earth’s sonic landscapes, its far horizons and vast spaces, are underpinned and propelled by Martin’s ear-worming rhythms and percussive genius. With live shows for The Bug and Dylan Carlson planned for April 2017, this is just the beginning of The Bug vs Earth project. The record might be one designed to ‘document alienation,’ but one listen is enough to show it, equally, to be a brilliant meeting of two kindred musical souls.
$16.99
Vince Staples has announced his new album, Big Fish Theory. It features the new song “Big Fish” as well as the previously shared track “BagBak.” Speaking about the follow up to 2015's Summertime '06, Staples told Complex: "It encompasses things: Being larger than life in a smaller world, so to say. How rappers are perceived and perceive themselves." Asked what he learned while making the record, Staples suggested that wasn't the journey he took this time. "I don't think this album was a learning process itself as far as the creation of it," he said. "I just think it was a culmination of things I had been learning over the past few years, and coming to an understanding. Often times, music becomes a coping mechanism for people." On the subject of what he's coping with, Staples offered the following: "I think everybody’s coping with the same shit. It’s just life. You live a long life, and then you die." Earlier this year, Staples collaborated with Gorillaz on their track “Ascension” from their LP Humanz, and released the single “562” with Joey Fatts. Last year, he released an EP called Prima Donna.
$32.99
Purple Rain remains one of history’s most important, indisputable, and influential albums, but you’ve never heard it like this before. Purple Rain Deluxe boasts the official 2015 Paisley Park Remaster of the original tapes overseen by Prince himself in addition to a new “From The Vault & Previously Unreleased” disc with 11 unheard gems from the storied vault. This is Prince’s final word on his definitive masterpiece. This 3-CD/1-DVD Expanded Edition is a true collector’s item and the ultimate vision of Purple Rain. In addition to the 2015 Paisley Park Remaster and “From The Vault & Previously Unreleased,” it includes “Single Edits & B-Sides” and a never-seen on DVD of Prince and The Revolution Live! in 1985. DVD: Prince And The Revolution, Live at the Carrier Dome, Syracuse, NY, March 30, 1985 1. Let’s Go Crazy 2. Delirious 3. 1999 4. Little Red Corvette 5. Take Me With U 6. Do Me, Baby 7. Irresistible Bitch 8. Possessed 9. How Come U Don’t Call Me Anymore? 10. Let’s Pretend We’re Married 11. International Lover 12. God 13. Computer Blue 14. Darling Nikki 15. The Beautiful Ones 16. When Doves Cry 17. I Would Die 4 U 18. Baby I’m A Star 19. Purple Rain
$12.99
Its been five years since Show & A.G. dropped Mugshot Music and the D.I.T.C. duo are back once again with, Take It Back. This album is the sophomore release on the new DITC Studios label, featuring additional production and guest features by the likes of Lord Finesse, Diamond D, O.C., DJ Premier, A-Bless, Roc Marciano and more. The CD also comes with two bonus tracks, so don’t sleep!
$16.99
Described at one point as "the new Eminem", Apathy has gone on to carve out a unique niche all his own. Ap laid down "No Place Like Chrome" with producer Celph Titled for the UK label Antidote just after signing to Atlantic. Collaborations between the two Army of The Pharaohs and Demigodz members continue to this day. Hot off his first all instrumental outing, "Dive Medicine", it's a great time to head back towards the beginning of Apathy's now storied career with this reissue of "No Place Like Chrome."
Sold Out - $11.99
Da Buze Bruvaz are a hardcore rap duo from Philadelphia. Both are also longtime members of the legendary NY posse the LoLifes, founded by Thirstin Howl 3rd. Known for their outlandishly over the top non-politically correct, razor sharp lyrics and aggression. They’re a throwback to the early mid- 90s underground hip-hop peak. Though they have released limited collectors edition vinyl in the past, this is their first official LP. It has the rawness of a season of OZ in rhyme form and should be taken with that type of entertainment context. It should probably be rated at least R if not X. Definitely not for kids, maybe not even for some adults.
$12.99
This summer, Kool G Rap will release his new solo album, Return Of The Don, which is entirely produced by MoSS and features a veritable who’s who list of new and familiar spitters; Freeway, Noreaga, Cormega, Raekwon, Sheek Louch, Saigon, Termanology, Fame, KXNG Crooked, Conway The Machine & Westside Gunn (the newest signees to Eminem’s Shady Records) and the late Sean Price. “Rest in peace to Sean Price who I was fortunate enough to record with” G Rap commented. “What motivates me to get in the studio is really being in that creative zone that you cannot just enter on demand” G Rap stated. “It is more like an extremely powerful vibe that overcomes you. It’s triggered by hearing a particular track, or being inspired by another artist; or, a life experience that makes your mind and heart open up and lyrics just pour from your soul in the capacity of an avalanche. That’s what The Return Of The Don represents; an amalgamation of past, present and future and a tribute to some of my most favorite spitters worldwide; this is my salute to those artists." Canadian born (and a Toronto resident), MoSS’ production credits are instantly recognizable and have resulted in over 2 million record sales worldwide. Ghostface Killah’s smash hit “Kilos”, Raekwon’s ”Have Mercy”, Obie Trice’s entire Special Reserve album and most recently his debut producer album, Marching To The Sound Of My Own Drum, which featured appearances from Joe Budden, DJ Premier, AZ, Joell Ortiz, Sean Price, Jon Connor, Skyzoo, Inspectah Deck, Havoc, Slum Village and others. MoSS reflected on the creative journey that would become Return Of The Don. "G Rap and I have worked together a few times over the years and we reconnected and started recording songs that ended up being the foundation to The Return Of The Don. The album kind of took on a life of its own."
$12.99
Jonwayne's Rap Album Two is the latest offering of music from the California based MC and producer, releasing the album on his label Authors Recording Company. Rap Album Two follows up on four maxi-singles released over the last twelve months, further entrenching the archives and material available through his new imprint. Recordings for Jonwayne's new full-length took place at the Cosmic Zoo in Los Angeles, CA and features contributions from close allies Shango, Danny Watts, Low Leaf and Zeroh. Production guests include D-Styles, Eets, Oliver The 2nd, Babu and Dibiase, with mastering facilitation by Low End Theory's Daddy Kev. Conceptually, Rap Album Two serves as a detailed painting of Jonwayne's life changing experiences over the last few years, diving into the inner realms of conflict and the alterations of life that followed. The album has earned praise from journalists and radio all over the world, adding to the success of his sold out Rap Album Two European tour. Rap Album Two has been coupled with a series of music videos, including the already released Almost | Raymond directed "These Words Are Everything" and the Ruffmercy animated "Live From The Fuck You."
$15.99
One of history's tightest and most clever rhyme mavericks, Big Boi's indelible influence courses throughout two generations of rap music. As one-half of OutKast, he achieved seven GRAMMY® Awards, sold 25 million records, and created a string of music's most influential work, including Aquemini, Stankonia, Southernplayalisticadillacmuzik, and Speakerboxxx/The Love Below which went RIAA Diamond making OutKast the first and only hip-hop artist in history to win the GRAMMY® for 'Album of the Year.' Big Boi's first solo release in 2010, Sir Lucious Left Foot: The Son of Chico Dusty, received unanimous critical acclaim with Pitchfork proclaiming it one of the "100 Best Albums of the Decade 'So Far'" and topped multiple year-end "best of" lists. The 2012 follow-up, Vicious Lies and Dangerous Rumors, enamored tastemakers and fans alike and in 2015 he collaborated with Phantogram to create supergroup Big Grams. For his third solo release, Big Boi presents a wide range of musical styles and has some phenomenal collaborations including lead tracks "Mic Jack" featuring Adam Levine and "Kill Jill" featuring Killer Mike and Jeezy. BOOMIVERSE will no doubt please true music fans across the board.
$10.99
After popular releases with Ghostly International, (2010s Skulltaste and 2012s Planet High School), and a handful of EPs and singles, Mux released “Implied Lines” in 2016 independently on Bandcamp. Its popularity grew organically on that platform and has quickly become a fan favorite. In 2017, Implied Lines is getting an overhaul and proper release with Detroit label Young Heavy Souls. The YHS Edition of Implied Lines features two brand new tracks (Starfighter Courage and THE IRS) and will be available everywhere digitally. The album will also be available on CD and cassette.
$11.99
The Heliocentrics are a group for which genres are meaningless and boundaries invisible. Since first appearing on DJ Shadow's 2006 album The Outsider the group have gone on to release a string of records that float through jazz, hip-hop, psych, krautrock, and musique concrete whilst collaborating with numerous genre heavyweights from Mulatu Astake to Gaslamp Killer and picking up prestigious fans along the way, such as Madlib and the recently departed David Axelrod. The primarily instrumental group, who operate out of their vintage analogue studio in East London called the Quatermass Sound Lab, bring in a new singer on album number four - a young Slovakian singer called Barbora Patkova. The result is an album that takes the band, already solidified in ever-expanding grooves and rhythms into new previously unexplored dimensions. The group's deep-set ability to craft music intuitively and impulsively stems from a desire to avoid typical processes or generic structures. Since it's conception, the band's music has mainly been created from live improvisation. This musical approach gives the band it's own sound and identity -"for anything to happen it must be at that time from the people in the room, and on the spot". A decade of such sonic adventures has resulted in a tightly knit bond that the group refer to as "almost a form of telepathy" with "musical changes that otherwise would be near impossible to write."
$15.99
Official Army Of The Pharaohs and Demigodz emcee Blacastan has been steadily staking his claim to the title of ‘savior of underground rap music’ since his debut mixtape Me Against The Radio and its key cut and video "Life Of A Tape" became an underground cult classic in 2007. The rapper turned his attention to the mic after the Hartford, CT street life, and his strong-arm style of handling business, left a then 16-year-old Blacastan serving a bid in the mid-'90s. He emerged from prison with a remarkable skill set, a throwback style, and an unrivaled drive. His 2010 debut album Blac Sabbath boasted production & vocals from the likes of Statik Selektah, Blue Sky Black Death, Mr. Green, Esoteric and Celph Titled, and 2012’s The Master Builder Part II, which was mixed by legendary DJ Doo Wop, had features from Slaine and Reef the Lost Cauze, among others. He has since also racked up appearances on Jedi Mind Tricks Violence Begets Violence, the Army of The Pharaohs albums In Death Reborn and Heavy Lies The Crown, the Demigodz Killmatic album, Apathy’s Wanna Snuggle?, Mr Lif’s Don’t Look Down and Czarface’s A Fistful of Peril, plus toured extensively across Europe, North America, and Australia with Celph Titled and Block McCloud. 2014 saw Blac teaming up with producer and longtime AOTP and Demigodz collaborator Stu Bangas for the first installment of Watson & Holmes, which featured Esoteric, Apathy, Celph Titled and Vinnie Paz. Stu has been in the trenches since the early 2000s, producing heatrocks for Slaine, Esoteric, Tragedy Khadafi, Heltah Skeltah, Jedi Mind Tricks, Vinnie Paz, Blaq Poet, Copywrite, Chino XL, Cappadonna, AOTP and Sean Price, including the lead single “Definition of God” from Sean Price's upcoming posthumous album Imperius Rex. The duo is back with The Uncanny Adventures of Watson & Holmes, a sophomore effort that improves on the first in every way. Stu gets completely brutal with the beats, and Blac ups the ante on the rhymes. Plus, they’ve enlisted Ill Bill (Non-Phixion, La Coka Nostra), Nutso, Apathy (Demigodz, AOTP) 7L & Esoteric (AOTP, Czarface), and Tragedy Khadafi to lend their talents to the project. Blac explains that this time around, he “really dug in and executive produced it: every sample, every transition, every edit.” He adds “People might not realize it, but this album took 4 years to make! I also worked closely with engineer Eddie Sancho on crafting the actual sound of the album... Stu and I are so familiar with each other’s process that we already know what the other is thinking before he thinks it.” Stu elaborates, saying that “this time around we tried out different tempos, different vibes for songs, and Blac played around with different rhyme patterns, so it shows how we have both grown as artists.”
$10.99
Austin-based musician Eliot Lipp delivers “Skywave”; an album Lipp has been working on for the past several months. With influences from sci-fi soundtracks and 70s and 80s funk, he channels a collection of weird, high-definition, melodic beats. In these nine songs Lipp feels he “might have everything I want to say in one moment.” Recreating key musical moments in a current and relatable way was the goal in producing Skywave and giving himself permission to take some risks as well. With a versatile approach, Lipp has created opportunities to connect with some of the artists he first looked up to, playing in cities across America and abroad always returning to his hometown in the Pacific Northwest. Collaboration plays a role in all his albums. He’s been a fan of Emancipator for a years now and was beyond excited to get his “Not Quite Awake” remix. He asked DMC champ Chris Karns to scratch on ‘Joyride’. In addition to doing cuts, Chris ended up playing live drums and layering unique vocal samples. ‘Reflection’ came from a jam session with Gibbz and Cherub in their Nashville studio. One of Lipp’s biggest musical influences last year came from a group of producers from Seattle that call themselves Fish Tank Friends. Most of them had a hand in the early stages of ‘Spiders’. With monthly trips planned from Texas back to Washington, he anticipates more evenings surrounded by friends, fans, and new listeners where he brings everyone together through the touch of a button. “Skywave” is released by Detroit label on Young Heavy Souls. Available on vinyl, CD and cassette.
$9.99
On Thanksgiving 1989, Kmart employee and audio enthusiast Mark Davis wandered behind the customer service desk to check out the store’s sound system, which looped muzak and top 40 plus ads and announcements under the banner of “KMRT, The Kmart Radio Network.” When he found last month’s tape hadn’t been thrown out yet, he pocketed it and made a habit of doing this, collecting 56 tapes from 1989-1992. In September 2015, Davis uploaded the tapes to archive.org with the humble intention of preserving them. But within a few weeks he became an internet celebrity among obscure media fans and supplemented the collection with reel-to-reel tapes from the 70s and 80s thanks to Tom Schwarzrock, who acquired them serendipitously along with a deck he purchased. The tapes are like a consumerist time capsule, a vaporwave trove of eerily familiar corporate ephemera extracted from its original context and purpose. Similarly, Attention Kmart Choppers is composed of pieces from this collection chopped up, resculpted, and mosaicked together by Juicy The Emissary, forming a new, distinctly contemporary sound while inheriting a haunting nostalgia that provokes memories burrowed deep in the subconscious.
$10.99
Due Rent is a collaborative double album by solo artists lojii & Swarvy. Written & recorded in the summer of 2016 in L.A. by the two Philadelphian transplants, lojii says “this tape is a score to being a broke nxgga in AmeriKKKa (emphasis on the KKK) – full of dreams and hustlin’ to make ‘em happen, but dealing with the everyday pressures of making ends meet. A.K.A trying to pay rent.”
$12.99
The first time I saw Linafornia, she was mercilessly slaughtering her competition. Last November at the Beat Cinema Beat Battle, the Leimert Park producer artfully incinerated all those vying for the $300 grand prize. The other entrants had talent, but many imitated the Low End Theory vanguards a little too faithfully. Linafornia stood out immediately. It wasn’t that she was one of the few female beat-makers but that she possessed all those intangibles that make the difference: presence, poise, swag, swing. Wearing a head wrap over her braids and a brightly colored, flowing dress, she manipulated her SP-404 sampler with a philharmonic conductor’s mastery, unspooling her life story through jazzy sample flips and snatches of stray dialogue. You could spot traces of her influences (Ras G, Madlib, Dibiase, FlyLo), but she’d sublimated them into her own style. I was a judge that night, alongside Daedelus and Astronautica (two legitimate scene stars in their own right), and Linafornia made our deliberations easy. She brought home the cash, as she had a few months prior at another Beat Cinema tête-à-tête — victorious in the only two she entered. “I stopped doing the beat battles because I felt like I’d proven myself,” Linafornia tells me at an Echo Park coffee shop. “I didn’t want to be boxed into one thing and wanted to place the focus on my live show and albums.” More specifically, she’s referring to Yung, her sterling, Erykah Badu–approved debut, which came out in January on Dome of Doom. A few months earlier, Linafornia tweeted out “Rookie of the Year.” The boast lacked context, but its message was clear and accurate.
$22.99
There was a time in Derek Christoff’s life when he didn’t have many words. It’s not that he didn’t have a story. But he was stuck on the start. In the late 90s, the young MC known as D-Sisive came up quickly in the Toronto hip-hop community with a string of well-liked singles, but his burgeoning profile was stopped cold with the illness and death of his father. Grief and depression stole his creativity and motivation for the better part of a decade, but in a moment fit for fable, his lyrical inspiration returned suddenly one day while singing along to the Beach Boys on the radio. It was the new start D-Sisive’s story needed. And he hasn’t stopped since. 2008’s The Book EP was nominated for a Juno and its single “Nobody With A Notepad” won the SOCAN ECHO Songwriting Prize. 2009’s Let the Children Die was longlisted for that year’s Polaris Music Prize (and would later get an elaborate send-off with a fullband live funeral after legal issues forced it out of production). The same year, he released Jonestown as a free download. Less than a year later, we got Vaudeville, and a year after that, the Jonestown sequel, Jonestown 2: Jimmy Go Bye Bye, back and forth between his story and others’. Along the way were a series of Hijacked singles, with D-Sisive rapping his own words over the music of such songs as Grizzly Bear’s “Two Weeks” and Sigur Ros’ “Festival,” an homage to just some of his comprehensive influences and tastes. The D-Sisive - Jonestown Collection features all 3 Jonestown releases mastered for the cassette experience. The three red cassettes come packaged in a 3 tape unique packaged collection case. All units contain a tray card signed by D-Sisive.
$7.99
"Repetition is a form of change," reads one of Brian Eno's Oblique Strategies. Seth Haley knows the concept well, and his style of technicolour synth-wave takes the mantra as a challenge. Six years after Galactic Melt introduced the cosmic story of Com Truise, Iteration now concludes his sprawling saga. True to its name, the album is built on Com Truise hallmarks: neon-streaked melodies, big drums, robotic grooves, bleary nostalgia. But Iteration is also the most elegant and streamlined that Haley's singular music has ever sounded. At the album's heart is an elaborate narrative, one full of longing, hope, anxiety, and triumph. Iteration illustrates the last moments Com Truise spends on the perilous planet Wave 1, before he and his alien love escape its clutches to live in peace. "...Of Your Fake Dimension" launches the interstellar drama with its anthemic swells and widescreen sound design, before lovesick songs like "Dryswch" and "Propagation" outline scenes wrought with cybernetic pathos. Later, the frantic rhythms of "Syrthio" conjure images of panicked flight as Haley's gorgeous synth melodies gild the action in quiet heartbreak. Then comes the resounding "When Will You Find The Limit…", when Iteration's pain and sadness finds liberation in the vast unknown. The closing title track ends it all in a gush of majestic revelry. So goes the winding story that Iteration tells, and yet there's more behind its telling. "I try hard not to write from my personal life, but it's inevitably going to seep into the music," Haley explains. "It's basically like I'm scoring this film in my head, but that film I'm scoring is also somehow my life." There are glimpses of the difficult time the East Coast native spent adjusting to a new life in Los Angeles, fighting homesickness and burnout while also touring the world. It was a time full of uncertainty, transition, and self-realization. After a year and a half of living in California, Hayley finally recaptured his creativity by finding new excitement in his work. "I put more air, more breathing room in the music—that was the big change," he says. And once that clicked, the album just poured out of him. "It was like an information dump. I feel like I finished the record in two weeks." Such a clear refinement of the Com Truise sound took time to develop, but Iteration is well worth the patience and perseverance it cost. Some of Haley's smartest, catchiest work is here, from the weightless pop of "Isostasy" to "Ternary"'s lush synth-funk. A song like "Vacuume" somehow balances massive bass drops and smashing drums with angelic gasps, and "Usurper" gracefully pairs subtle poignancy and uplifting dance beats. "For me, it feels like change," Hayley says of his second album, and yes, this is Com Truise like never before. By embracing the music's inherent nature and peerless qualities, Iteration finds new avenues of expression in its vivid, familiar surroundings.
$7.99
After four years, the new Beach Fossils album has finally arrived! The long-awaited return of Brooklyn's Beach Fossils, Somersault showcases a band in bloom. Charting into new musical territory with a refined songwriting style, it's an album that captures flashes of life in New York grounded in personal experience. As the band's first release on Dustin Payseur's new label Bayonet Records, which he co-owns with wife Kate Garcia - the group made the most of their newfound independence, investing ample time in expanding its range both musically and lyrically. While Payseur handled the bulk of the songwriting duties in the past, Somersault is a true collaboration between the founding member and bandmates, Jack Doyle Smith and Tommy Davidson. Augmented with more complex instrumentation, including string arrangements, piano, harpsichord, flute, and sax, the new songs offer multi-layered pop guided by sharp, poignant, and honest lyrics. Orchestral pop gem "Saint Ivy" shines with plucked strings, buoyant basslines and a propulsive, wayward, guitar. "Tangerine", a driving, tightly wound melody, rushes forward and briefly leaves the ground due to the gossamer guest vocals of Slowdive's Rachel Goswell. The cloudy, wistful "Social Jetlag," bustling with samples of crowded streets, features the type of candid, off-the-cuff lyrics that make the entire effort immediately illuminating. Somersault evokes the laid-back mood of a warm, breezy city night, the air crackling with humidity and excitement. These songs pulse and pull, capturing a blend of promise and heartache. It's beautiful and layered, a refined, sweeping creation that threads together numerous styles, textures, and themes into a refreshing, singular vision.
$9.99
Glue Moon presents the 1-hour debut album of Michael Lundy's FORMER BOYS project. a leap of a transformation from his AGES release, "Momentos." As AGES was lounge-y, bossa nova, exotica style, sounding like the soundtrack to a hotel lobby in the 70s, and this endevour as FORMER BOYS is a dark, mystic, voyage through deep tranced-out kraut grooves and SPACE ROCK. the appropriately titled, "Magic Tricks" displays the far out reaches of Lundy's musical mind and abilities, drawing upon the styles of SLEEP, CAN and other bad ass, one-syllable bands synonymous with the kraut, sludge, drone and doom sound. "Magic Tricks" however, equally draws upon THE LIGHT if ya dig, incorporating bright, colorful tones reminiscent of Animal Collective's Panda Bear as well to balance out all that doom :) perfect for skipping school, loading the bong, and turning on the blacklight to.
$9.99
Back in 2010, Dillon had just released his proper debut full-length with Paten Locke, 'Studies in Hunger', and it was at this time when he finally confronted his plethora of personal relationship issues. What emerged on Valentine's Day 2010 was 'Cupid's Revenge: The Ain't Shit Suite' - an ode to lovers lost and well...not that much gained in return. Jacksonville bred, Berlin-based produced Batsauce provides the soundtrack as Dillon chronicles a promising new relationship that goes predictably bad. In true Dillon fashion, after all the melancholia is out of his system, he heads to outer space where he seems to have better luck with the ladies. Do yourself a favor and watch the homemade short film that Dillon hooked up for the complete experience.
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Joseph Abajian (DJ Jab) founded Fat Beats in 1994 with nothing more than a shoestring budget and an earnest obsession with the music, the culture, and the brotherhood of New York’s burgeoning rap scene. What began as a simple vinyl shop in Manhattan’s Lower East Side quickly became an integral hub for artists, both aspiring and established, to convene and collaborate on new projects. Joseph’s timing couldn’t have been more impeccable. When the 90’s cultural zeitgeist – and, in turn, the music industry establishment – chose hip-hop as its new arbiter of cool.
International tourists and touring artists alike flocked to Fat Beats for rare vinyl, kindred spirits, and exclusive in-store performances from Jay Z, Eminem, Gang Starr, Outkast, Slum Village, Mos Def, and more. One thing was clear: the Fat Beats phenomenon could no longer be contained in a single basement shop.
In the late nineties, Abajian proceeded to open new stores in Amsterdam, Tokyo, Los Angeles, and Atlanta. He further expanded the company’s profile to include global distribution and record label branches. Distribution has since proven to be the company’s strongest and most enduring enterprise. Today Fat Beats Distribution stands poised as one of the country’s pre-eminent distributors of vinyl & specialty item records: a proud survivor in an industry now famous for its mortality rate. Despite market fluctuations, technology innovations, and stylistic revolutions, Fat Beats has remained steadfast in its commitment to the timeless vinyl format and to the loyal community who keeps it spinning.
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