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Little Brother Reissues
Little Brother’s classic first album, The Listening, and major label debut/ sophomore LP, The Minstrel Show, come to limited edition vinyl this fall.
Available on gold and white LP vinyl this fall
14KT - Nowalataz
14KT's never-before-released 2006 beat-tape, recorded in the aftermath of his mentor
and favorite producer J Dilla’s passing comes to vinyl for the first time this August.
K-Dot's fourth studio album comes to vinyl this July.
Out July 14th on 180 gram 2LP vinyl
Nolan the Ninja - YEN
YEN picks where Nolan left off on his debut, he(art), solidifying his place as one of the sharpest
young talents in Detroit’s hip-hop landscape, featuring guest help and production from
Royce Da 5'9, Blu, Black Milk, Quelle Chris, Denmark Vessey and many more.
$29.99
The first pressing, limited to 300 copies, will be pressed onto 180gm purple and gold vinyl, a process known as colour on colour. Each copy will come individually hand numbered on the back cover in gold pen and housed in a high quality matte jacket with all original artwork. Originally released back in 1988 on Cold Chillin’ Records, Big Daddy Kane’s debut LP ‘Long Live The Kane’ dropped during the height of what is now regarded as the golden age of hip hop. Combining simplistic beats, drawing on elements of funk, and Kane’s sharp wordplay, the album cemented both Kane & the Juice Crew’s place in Hip Hop history; and with ‘Ain’t No Half Steppin’ it featured one of THE seminal singles of the genre. Without doubt one of the most influential East Coast rappers to ever do it, paving the way for the likes of Nas, Big L, AZ & Notorious B.I.G amongst others. Nas even ranks ‘Long Live the Kane’ as one of his top 25 albums ever. Omerta Inc. will be bringing the album to its intended format for the first time since 1988. Remastered specifically for vinyl release, this will be the best the record has ever sounded. The first pressing, limited to 300 copies, will be pressed onto 180gm purple and gold vinyl, a process known as colour on colour. Each copy will come individually hand numbered on the back cover in gold pen and housed in a high quality matte jacket with all original artwork. “Kane's debut album, Long Live the Kane, stands as a perfect example of what made the Juice Crew so highly revered. Simple, spare, mostly-James-Brown-based break beats that leave plenty of room for Kane rev up and deliver his lightning-tongued battle raps.” - Complex, #9 Best Old School Rap Records “This album can be credited as one of the most influential LPs of the golden age of Hip Hop. Nas, Pete Rock, AZ, Gang Starr, RZA, Biggie Smalls, and MF DOOM are among some of the acclaimed artists who have made directed references to either this album or Big Daddy Kane in general throughout their music. In 1998, The Source Magazine ranked this project as one of the 1000 Greatest Albums in Hip Hop. The album was certified gold in the year of its release and serves as one of the two projects from Big Daddy Kane that has sold over 500,000 copies.”- The Source “Considered one of the most significant cuts of the “Golden Era,” a time period spanning from the 1980s to 1990s where hip-hop was said to be at its best.” – XXL Magazine “I’m a big time fan of Big Daddy Kane. ‘Ain’t No Half Steppin’’ and ‘Raw’ are great songs.” - Nas
$22.99
Touted as one of 2005's Top 10 Most Anticipated albums by XXL Magazine, Little Brother's latest masterpiece is reminiscent of the days when Tribe Called Quest, De La Soul and others carefully crafted complete experiences from beginning to end. The North Carolina outfit made up of MC's Phonte, Rapper Big Pooh, and super producer 9th Wonder have truly made an album that is both thought provoking and humorous. The Minstrel Show is truly one great piece of hip hip that will stand the test of time.
$23.99
D’Angelo’s smash debut album now gets the deluxe treatment in a 2-CD set that includes the original album and 21 bonus tracks, all remastered by D’s engineer Russell Elevado. Housed in a lavish digipak, it also features a 20-page booklet with rare photographs from the EMI Archives, lyrics for all original LP tracks, and an essay by noted author and filmmaker Nelson George.
$29.99 $33.98
Grab the latest LP drops from Street Corner Music, the House Shoes-approved debut LPs from two of Connecticut's very illest producers, at a discounted price. wowflower - balloons (LP)"While preparing for my radio show about a year ago, I put a kite out to the kids that I was looking for some heat to play. This kid sent me a 20 second clip of a work in progress. It was sublime. He kept sending beats per my request. It was exciting how consistently good the shit was. Blissful, downtempo escapism. His production took me somewhere else, in a time where a retreat from the increasingly stressful day to day is more than welcomed. That first track he sent, "Huey", starts off Balloons, Wowflower's debut LP on Street Corner Music, just as it started the dialogue between the two of us. The Street Corner faithfuls will not be disappointed. This shit is fantastic." -House Shoes Foisey - Byrds (LP)"Foisey's music got into my hands thru Mutant Academy. I became aware of these RVA kids last year and told them to send a pack. What initially stood out was the beats from Foisey, a young cat from Connecticut. He kept sending packs and I put together a dope collection of his instrumentals. Laid back vibes with a punch. You won't be disappointed. Beats."
$36.99
The double CD / 45 track set is housed in a collector’s edition faux book and will be limited to 2000 pieces. Lifestyle brand and music label BAUEWYK follows up its first collaborative project with producers The Alchemist and Budgie with the 2nd edition of their 2013 project ‘The Good Book’. ‘The Good Book Volume 2’ picks up where the first edition left off with The Alchemist and Budgie sampling purely from religious source material weaving together a bed of production that serves as a perfect backdrop to featured artists Mobb Deep, Royce 5' 9, Westside Gunn & Conway, Action Bronson, Meyhem Lauren, Your Old Droog, Evidence, Remy Banks, Joyce Wrice, Chuck Inglish, Jeremiah Jae, Olivier The 2nd, Durag Dynasty & more.
$29.99
The soundtrack to the legendary anime film AKIRA is now available! Set in the year 2019 in Neo-Tokyo, the world is still recovering from the ravages of World War III. One night, teen delinquent Kaneda has his biker gang hurtle through the busy city. Kaneda’s friend, Tetsuo, is seriously injured during an accident and is taken to an army hospital. There the military notice Tetsuo’s potential psychic power, so they transfer Tetsuo to a secret government laboratory to awakening his latent abilities. When Kaneda gets involved in an antigovernment guerrilla movement, he encounters Kei, a member of the revolutionaries, and learns that the goal of the fighters is to infiltrate a secret laboratory – the very one where Tetuso is being held. The experiments to awaken Tetsuo’s powers are a terrifying success as he begins to wield psychic energy he cannot control - reminiscent of the emergence of the legendary esper boy "Akira”, which triggered World War III. The stage set, a fierce battle begins between Kaneda, Kei, the army and Tetsuo with the destiny of Earth at stake. The symphonic music to AKIRA was composed by Dr. Shoji Yamashiro, head of the beloved Japanese musical collective Geinoh Yamashirogumi, and performed by the group. Rerecorded and remastered using the most advanced audio techniques available, this release of the unforgettable score of AKIRA is peerless in quality and audio fidelity. The vinyl release features audio so pristine that it invokes the “hypersonic effect”, a physiological change in the brain that occurs when listening to sounds above the audible human range (40kHz+). The result is a comfortable, relaxed feeling induced by the hi-frequency audio. Milan Records is proud to announce the long-awaited release of AKIRA on the vinyl format. Pressed on a pair of 180 gram black vinyl discs for an optimal listening experience, the discs are housed in a pair of high quality eurosleeves displaying artwork from the film which are in turn packaged in a gatefold jacket featuring the beautiful skyline of Neo-Tokyo. A download card including a lengthy commentary by composer Dr. Yamashiro on topics ranging from AKIRA to Geinoh Yamashirogumi to his work in advanced brain studies is also included.
$24.99
2 x white LP in printed inners in gatefold sleeve, DL card Love What Survives is the long awaited third studio album from Mount Kimbie. Its the most confident statement of intent from the boundary-pushing duo yet, and an embodiment of their career-long musical progression. The album is the product of three years of intense creative development, continually honed by the duo writing and rewriting their ideas to form something wholly idiosyncratic and personal. It brings together the voices of their close friends and collaborators - who together represent a bright corner of young artistic talent - James Blake, Micachu and King Krule, within the immersive, unique atmosphere of a Mount Kimbie album. 2xLP pressed on white vinyl, includes download card.
$17.99
Written in Montreal, Los Angeles, Asheville, Topanga, Laguna, Big Bear, coastal Nicaragua, and on a sleepy ship traversing the Pacific ocean, making Aromanticism was a 3-year adventure into the parts of the self that society encourages us to silence for the sake of our sanity. The album title was chosen before any of its songs were written. The not-yet-in-the-dictionary definition of an “aromantic” is simply someone who doesn't completely feel romantic attraction. I'm just trying to get it out from over the red squiggly line. Aromanticism features performances and production contributions from Matt Otto (MajicalCloudz), Thundercat, Joshua Willing Halpern, Paris Strother (KING), Miguel Atwood-Ferguson, Rob Moose, Ian Chang (Son Lux), Tosin Abasi (Animals as Leaders), Nicole Miglis(Hundred Waters), Ludwig Görannson, Cam Obi, and more. All of the lyrics and vocalarrangements were written by me. Genre is shirked while choir-inspired vocal layering isemployed in order to explore the multiplicities that are contained within a single person. — Moses Sumney, June 2017
$31.99
180 gram black vinyl 2017 release, the fourth album from hip hop superstar Kendrick Lamar. Damn is made up of 14 songs, including the lead single, "Humble." Rihanna appears on a song called "Loyalty." and U2 appears on "XXX." Damn is the follow-up to his ground-breaking album To Pimp A Butterfly. Born and raised in Compton, California, Kendrick embarked on his musical career as a teenager under the stage name K-Dot, releasing a mixtape that garnered local attention and led to his signing with indie record label Top Dawg Entertainment.
$19.99
…speaking of air and darkness, Born on a Gangster Star came into the world in a big damn hurry, like nightfall on an island. You can see it happening, but then again it’s so gradual that the next thing you know—it’s dark. Imbued with the energy and ideas from all the creative embers floating in the atmosphere like fireflies, Shabazz Palaces recorded this entire album over the course of two weeks with Blood in Seattle. New gear and new equipment disintegrated comfort zones into dust and a new path appeared in the rubble. Herein the Palaceer continues the tale of Quazar, a sentient being from somewhere else, an observer sent here to Amurderca to chronicle and explore as a musical emissary. What he finds in our world is a cutthroat place, a landscape where someone like him could never quite feel comfortable amidst all the brutality and alternative facts and death masquerading as connectivity. Inspired by days on end spent in the waves—water and light, both—of Southern California, the work came to the Palaceer in a flash, like being picked up by something and carried. Always dribbling with his head up, he can see what’s going on around him and react to it, rather than starting in a certain direction and hoping to achieve something upon arrival. What’s good?—the kids ask. What does it even mean, and what does it even matter? Who is behind these choices? We are all of us sitting under a waterfall of all. this. shit. But it’s the excess that is casting us into ruts. The Palaceer stays away from the fleeting and the superficial nonessential. Stay away from your device—your phantom limb—and stay away from your image—your phantom self; that is his decree. Considering the motions behind the things you like to consume artistically, rather than just the way something looks or sounds, and thinking in layers, and trying to be more considerate and not so self-oriented—this is his medicine for combat. Born on a Gangster Star flirts with a pop sensibility, but through the prism of Shabazz Palaces’s fire and fury. For the Palaceer, that sense is all about how the groove is moving, and the supernatural telepathy that occurs amongst his cohort. Appearing here, in body or in spirit, are Julian Casablancas, Thundercat, Darrius Willrich, Gamble and Huff, Loud Eyes Lou, Thaddillac, Ahmir, Jon Kirby, Sunny Levine, and Blood. The story belongs to Quazarz, but the air and darkness belong to us. And so we shine a light on the fake.
$42.99
Limited edition LP version. Includes 7" and extensive 24-page liner notes; Japanese obi; Sleeve with silver gilt printing. We Release Whatever The Fuck We Want Records present the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film Ghost In The Shell (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name. The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers alongside Joe Hisaishi and Ryuichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making Of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world. Ghost In The Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron's Avatar (2009), the Wachowskis's The Matrix (1999), and Steven Spielberg's AI: Artificial Intelligence (2001). For fans of anime, manga, movie soundtracks, science fiction, ambient, folklore, Japan, Akira (1988), artificial intelligence, Midori Takada. Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes in two versions: a standard LP and a limited collector's edition which comes housed in a sleeve with silver gilt printing and includes the LP, a bonus 7", Japanese obi, and extensive 24-page liner notes.
$24.99
Missy "Misdemeanor" Elliott's debut album, Supa Dupa Fly, is a boundary-shattering postmodern masterpiece. It had a tremendous impact on hip-hop, and an even bigger one on R&B, as its futuristic, nearly experimental style became the de facto sound of urban radio at the close of the millennium. Released July 15, 1997, the album was recorded and produced solely by Timbaland in October 1996, and features the singles, "The Rain (Supa Dupa Fly)", "Sock It 2 Me", "Hit Em wit da Hee" and "Beep Me 911". Guest appearances on the album include Busta Rhymes, Ginuwine, Nicole, Keith Sweat, Magoo, Queen Latifah, Da Brat, 702, Lil' Kim, K-Ci & JoJo and Aaliyah. The album debuted at number three on the Billboard 200 and topped the Billboard Top R&B/Hip-Hop Albums chart. It sold 1.2 million copies in the United States, where it was certified platinum by the Recording Industry Association of America.
$19.99
Quazarz came to the Earth from somewhere else, a musical ambassador from his place to ours. Somehow, through fire or through fury, the Palaceer of Shabazz Palaces caught wind of the tale, and it is through his prism that we hear the story. The beach was there, and Atlaantiis, and chemical alterations and cell memories and Andre Norton, Richard K. Morgan, and always Octavia Butler. There were killings and there were votes, and brutality in both. There was sound and there were other worlds, and there was a vastness so participation sometimes came only at the edges. And the Palaceer coasted down with the alien notion, like Quazarz, and so became. On Quazarz when they look at this place they see the inhabitants, the humans, but they don’t assess as we do. And so Quazarz was sent to meet a cat with vibration, a creative and courageous, caring, compassionate dude that stood out. The dude was a drug dealer, but that was neither here nor there, until his dealings squashed the rendezvous, leaving our alien alone to figure out what this place is really all about. Coming from a simpler, more essential, innocent place, the hero could not make heads nor tails of most advancements. From an aerial view, he saw that a good percentage of earthly vibrations were on very small squares and it became his belief that this world was very disposable and the spans short. His opinion was not of anything good nor bad but simply the truth. The machines—he noted—though at the behest of their master’s voice, are scorned, and jealous as all hell. And so the tale is told while surfing on the board of Shabazz Palaces, with its sturdy base angled for takeoff on a new trajectory. There is new blood and space and room to be different and have different assets and different art and different ways to talk and also open up some space inside to do something new. There are pages and there are drawings, and color and faces and inked dialogues written in ancient futuristic hieroglyph. There are scales and there is melody and there are Sunny days and there is Darkness, but that—it should be noted—to the Palaceer is not a lack of illumination or brightness. Maybe it is dark, but in it is always optimism and joy, a bright darkness and a full, hopeful one as well. It comes in gold, and it comes for the night. And so Quazarz sang the Jealous Machines. And so too did the Jealous Machines sing the Gangster Star.
$17.99
"Here it is... a project I unofficially had done since 06’. It started when Dilla passed February of 06’. To cope with the death of my unofficial “musical mentor” & favorite producer, I started making “donuts,” uncontrollably. I never planned to release any of the material out of respect for Dilla & his craft. I’ve shared some of the music with others, in which they would constantly ask me to hear it, so I decided to put a lil sumthing together and make it official. JUST FOR YA’LL. This is a collection of beats I made in 06’. Some “donuts” style, some just around that era of 14KT beats. “Now & Laters” was always a favorite candy of mine. I used to go to Mindells Pharmacy in Ypsi back in the day and buy ALL of them. Sadly I even stole change from my grandma’s (RIP) purse for them. Ironically, I fell back in love with “Now and Laters” around this era. Enjoy." - 14KT
$23.99
GoldLink puts on for his hometown. Raised between Washington D.C. and Prince Georges County, Maryland, the ever-experimental artist has galvanized crowds around the world with a pulsating sound that he coined early on — future bounce. His last two releases God Complex and After That We Didn't Talk were sonically aligned with this style. With his new album At What Cost, GoldLink pivots in a new direction: he smooths out the bright colors and turns the spotlight on D.C. culture and its distinct musical legacy. Go-go music, which is sub-genre of funk created in the city by the iconic Chuck Brown in the 1970s, is the figurative backdrop for the project. Despite its evolution, go-go is deeply woven into the cultural fabric of the nation's capital and the bordering metro areas of Maryland and Northern Virginia. Across 14 tracks, GoldLink utilizes interludes, features, and lyrical references to neighborhoods as a way to peel back the textures of his city. In an interview with The FADER, GoldLink explained of his hometown: "It almost shapes us as a community and who we are. It’s like the music is the background for the entire city." --Lakin Starling (The FADER)
$27.99
Limited transparent red with black splatter vinyl LP pressing. Decompoze, of the group Binary Star, returns with another impactful contribution to hip hop with his second solo album. In this day in age of global instability, this LP is a comforting soundbed of reassurance aptly titled Maintain Composure. With Decompoze's penmanship and beat production talents at the forefront, Maintain Composure also features verses by some highly regarded veteran hip hop MCs: J.U.I.C.E., One Be Lo, RoSpit, the Subterraneous Crew and some new talent to the hip hop world, Sarah Lady Essence Violette and T-Logic. This album is an honest introspective look in an undergrounds artist struggle to juggle talent, family, career, business, and education.
$16.99
Debut LP on Street Corner Music from the CT based producer. "While preparing for my radio show about a year ago, I put a kite out to the kids that I was looking for some heat to play. This kid sent me a 20 second clip of a work in progress. It was sublime. He kept sending beats per my request. It was exciting how consistently good the shit was. Blissful, downtempo escapism. His production took me somewhere else, in a time where a retreat from the increasingly stressful day to day is more than welcomed. That first track he sent, "Huey", starts off Balloons, Wowflower's debut LP on Street Corner Music, just as it started the dialogue between the two of us. The Street Corner faithfuls will not be disappointed. This shit is fantastic." -House Shoes
$26.99
Ice Cream Man is the fifth studio album by New Orleans rapper Master P. Released on April 16, 1996, Ice Cream Man was placed at No. 6 on the Billboard's R&B Albums and No. 26 on the Billboard 200. It was Master P's and No Limit Record's first ever RIAA platinum certified album.As of 2009, the album has sold 1,640,000 copies in the United States.
$19.99
Texas based analog producer GENSU DEAN started in Jackson, Mississippi producing on the now legendary Crooked Lettaz debut Grey Skies for his friend and Grammy Winner David Banner. Since that time he has gone on to produce for some of the best to ever do it including Ol Dirty Bastard (Wu-Tang Clan), CL Smooth, Homeboy Sandman, Sean Price, Roc Marciano, Large Professor, Planet Asia, Denmark Vessey, Guilty Simpson, and many more. The Mello Music Group producer started with the classic SP1200 and has added other analog equipment to his production techniques over the years, opening new chambers with each album. RAW is his newest foray into Hiphop and finds him pushing the sonic envelope while maintaining a vintage sound. The new album features friends and family Diamond D (DITC), Homeboy Sandman, Roc Marci, J-Live, Georgia Anne Muldrow, Red Pill, and more.
$16.99
The last release in the Drum Library series, the go-to kit for beat makers around the world. The DRUM LIBRARY series, which began back in 2001, has prided itself on compiling the hardest, crunchiest and most rarefied drums from every source imaginable. We've held to this standard for over 15 years; providing professional producers & bedroom beat makers alike with the largest collection of quality drums available today. In short, the DRUM LIBRARY series has become an industry standard. The ever-expanding, go-to kit for beat makers around the world. Now, with the conclusion of the series at Volume 15, you hold in your hands, what will be the last vinyl incarnation of the DRUM LIBRARY series. These drums actually constitute what would have originally been Volume 4 and 5 before the masters were initially thought to have been lost in a flood that gutted the studio where, up until then, the DRUM LIBRARY series were made. Fortuitously perhaps, these last two "orphaned" volumes were discovered safe & sound in a storage unit just as Vol.15 was wrapping up. We've complied them both here in one special edition volume. We hope you've had as much fun using the DRUM LIBRARY series as we've had making them. Thank you for your support over the years!
$29.99
Limited to 1,000. Powered by the massive hit single ''No Diggity,'' Another Level is arguably the best album created by Teddy Riley, the leader of Blackstreet. This was the first album with new members Eric Williams and Mark Middleton. They joined the group after replacing departed members Dave Hollister and Levi Little. Released in 1996, it reached No. 3 on the Billboard 200 albums chart, and No. 1 on the Top R&B Albums chart for five weeks and has sold over 4 million copies. Teddy Riley was a very influential producer back in the days. He invented a whole new sound, a combination of soul harmonies, rap breaks and hip-hop beats called new jack swing. He links up to the drum-machine and creates beats, synthesizer chords, and uses his voice to make maximum impact with minimum presence. Giving his tracks a sleek leanness to it. But even so, the key to success is definitely Riley's songwriting skills, which are always catchy and inventive, whether he is writing ballads or party jams. Another Level is heavily sought after but finally available again since its original first release on vinyl, the first pressing will be limited to 1.000 copies on silver vinyl.
$25.99
Peaking Lights' fifth album, titled The Fifth State Of Consciousness, was produced in their Dreamfuzz studio over two years. It's both a departure from the new and a return to the old with a whole new twist on the psychedelic dub-pop they've become known for. Sonically the album shifts through many states from beginning to end, resonating deep, like a drive through foreign landscapes where you're glued to the window, as everything slowly changes around you. The flow and pacing of songs has a sense of wonderment, and each time you play it, there's a whole new batch of lovely sounds and eccentricities within each of the players. While bringing together their love of psychedelic music, house, electronic, and reggae, each song manages to live its own life and yet still there is some magical thread that binds them together. Produced by Aaron Coyes, the whole creative process was filled with nerdy gadgetry, playful experimentation, and deep alchemical soul searching for a musical medicine. Aaron describes Dreamfuzz as "a small junkyard with many happy mistakes." Using tape machines, writing melodies backwards then playing them in reverse, layering sound upon sound to create "pads", literally breaking electronics to get sounds, and a strict motto of "anything goes, pure creativity." Most sounds were run through Peaking Lights' 1976 16/8 Soundcraft Series Two mixing console (the same type of board used by Lee "Scratch" Perry at Black Ark, and at the infamous Cargo Studios where many of the early Factory Records bands were recorded) to add some "mojo". It's an album that is sure to be a creeper, even if you don't fall in love on the first date.
$19.99
Red vinyl limited to 1,500 copies worldwide. Shortly before Christmas 1984, the core songwriters, Genesis P-Orridge and Alex Fergusson, of underground arts collective Psychic TV quietly released a limited edition record containing sketches and ideas for songs. Some songs would become later fully-realized arrangements, some abandoned and others were just covered in praise of their creator. The record, in recognition of its seasonal release, was simply titled A Pagan Day, and would capture the intimate songwriting sessions that were prevalent during crucial time in the band’s career. In classic Psychic TV fashion, rumors and myths surround the album’s creation. Most have suggested that it was recorded in a single session over a cup of coffee on a lone 4-track cassette recorder above an old YMCA building in London, though later revealed that the recordings were from various sessions over the course of a couple years prior to the record’s release. After quickly pressing the songs to vinyl, the record was originally only available through Rough Trade for a few hours on December 23, 1984 and pressed on picture discs, which adorned a photo of P-Orridge’s first born, Caresse, in exactly 999 copies. The pressing sold out immediately that day which caused Temple Records, their “in-house label”, to later release a standard reissue version in 1986. What makes the songs, or rather versions of songs, so unique is the primitive and fragile nature of the arrangements while the flimsy, immediate vocal delivery makes the album sit unknowingly between demo and fully realized album. “Baby’s Gone Away” and “New Sexuality” are just a couple examples of songs that fans of Psychic TV became intimately familiar with from live experiences, but on A Pagan Day, they are released in their infantile stages with no full band, just Alex & Genesis finding their way through the songs with an acoustic guitar, drum machine and organ. “Cold Steel” shows a true peek behind the curtain, sung effortlessly by Fergusson and would then later become the classic standard “The Orchids.” Most notable is the band’s cover of Pearls Before Swine’s “Translucent Carriages” of which P-Orridge accords special praise to Tom Rapp, the song’s original author and icon to both P-Orridge and Fergusson.
$27.99
2017 repress, limited to 400 copies. The third of the three 2LP editions in James Leyland Kirby's When We Parted My Heart Wanted To Die series. The synthetic luster of Memories Live Longer Than Dreams already appeared cracked and damaged the first time around, and in 2017 its phosphorescent glow remains a beacon of shelter for contemplation and secluded mind-drift, offering a surreal, nostalgic night-light to the gloomy and confused world it diagnosed and predicted nearly ten years ago. Written during James Leyland Kirby's forlorn purgatorial years spent in Berlin during the period which shaped the modern world as we know it -- a time when global financial institutions collapsed, YouTube's all-encompassing archive was beginning to spill over, and Facebook and Twitter were starting to enmesh the entire planet -- this final instalment finds Kirby channeling osmotically absorbed visions of the future, as spelt out by Vangelis, Lynch and Badalamenti, Eno, and Kirby's own The Caretaker alter ego, into a waking dream sequence of quietly anguished sound poems for the contemporary echo chamber, relinquishing a traversal of the hive mind's private fears and shared nightmares rendered in ghostly scrolls of synth noise and sweepingly emotive cinematic gestures. It effectively diagnoses a sort of cultural malaise that was perhaps embryonic in 2009, as the golden age of dance/pop form and optimism which resulted in radical acts such as V/Vm and the Ccru was now left shimmering in the rearview, with the momentous energy of its accumulated, independent scenes being diffused into institutions or calcifying into hyper commercialism, leaving little or no room for ambiguity, irony or subversively socialist thought within its increasingly binary wake; a wake which has now bifurcated into extreme left and right-leaning politics with a gulf of misunderstanding in between. Keening and reeling away his own thoughts on the matter in that inter-zone of negative space, Kirby draws on ever tightening coils of cultural feedback loops and the infidelity of memory to parse, process, and secrete a slow, plasmic ooze of melancholic musical form that perhaps best represents the feelings of our age; of our shared future occluded by an inglorious or illusive past that promised much, yet never paid up.
$16.99
Jay-Z's 13th studio album featuring Frank Ocean, Damian Marley and Gloria Carter.
$16.99
Vince Staples has announced his new album, Big Fish Theory. It features the new song “Big Fish” as well as the previously shared track “BagBak.” Speaking about the follow up to 2015's Summertime '06, Staples told Complex: "It encompasses things: Being larger than life in a smaller world, so to say. How rappers are perceived and perceive themselves." Asked what he learned while making the record, Staples suggested that wasn't the journey he took this time. "I don't think this album was a learning process itself as far as the creation of it," he said. "I just think it was a culmination of things I had been learning over the past few years, and coming to an understanding. Often times, music becomes a coping mechanism for people." On the subject of what he's coping with, Staples offered the following: "I think everybody’s coping with the same shit. It’s just life. You live a long life, and then you die." Earlier this year, Staples collaborated with Gorillaz on their track “Ascension” from their LP Humanz, and released the single “562” with Joey Fatts. Last year, he released an EP called Prima Donna.
$11.99
Whole album produced by Roc Marciano, album features AG Da Coroner, Ransom, Big Twins (of Infamous Mobb) & Guilty Simpson. Also includes two bonus instrumentals off the album. Hardtimes Records Presents: Therman Munsin "Sabbath". The only album produced entirely by Roc Marciano outside of his own catalog, Roc Marci also appears on a song called "Frivolous Wardrobe". Therman also got deadly 16's by Ransom, Guilty Simpson, AG Da Coroner, Johnny 3 Rounds & Big Twins (of Infamous Mobb). The whole album was mixed & mastered by the legendary DJ / Producer PF Cuttin. This is some raw Hip Hop at it's finest.
$11.99
The fifth studio album from The Doppelgangaz. A statement piece solidifying their unique sound and brand through the lens of the Black Cloak Lifestyle. Raw and rugged, yet refined.
$11.99
2017 debut album from the neo-soul singer/songwriter. In October 2012, SZA self-released an EP titled See.SZA.Run, which she then followed up with her second EP, titled S, in October 2013. In July 2013, it was revealed that she had signed to the hip-hop record label Top Dawg Entertainment, through which she released Z, her third EP and first retail release, in April 2014. SZA's music is described as alternative R&B, with elements of soul, hip-hop, minimalist R&B, cloud rap, ethereal R&B, witch house and chillwave. Her lyrics are described as "unravelling", that revolve around themes of sexuality, nostalgia, and abandonment. Rowe cites a variety of artists as influences including Billie Holiday, Red Hot Chili Peppers, Björk, Jamiroquai, and Wu-Tang Clan.
$12.99
Its been five years since Show & A.G. dropped Mugshot Music and the D.I.T.C. duo are back once again with, Take It Back. This album is the sophomore release on the new DITC Studios label, featuring additional production and guest features by the likes of Lord Finesse, Diamond D, O.C., DJ Premier, A-Bless, Roc Marciano and more. The CD also comes with two bonus tracks, so don’t sleep!
$12.99
2017 release. Z-Ro is a Houston legend with a prolific catalog. No Love Boulevard is Z-Ro at his finest, backed with his typical harmonizing style, and true to life lyrics, he is sure to keep the streets fed.
$11.99
2017 release from the hip hop icon. Snoop Dogg, a veritable living legend who has a classic discography that has garnered himself multi-platinum sales, Grammy nominations, critical acclaim and more is releasing his new project, "Neva Left". Perhaps more recently known as a pop icon, Snoop reminds us that he has Neva Left and hits us with 16 hard-hitting tracks plus a CD only bonus track that features the likes of Too $hort, Redman, Method Man, Wiz Khalifa, KRS-One, K Camp, and more.
$21.99
Soul Jazz Records’ new Boombox 2 is a new selection of early rap music from the period 1979-83, with barely a household name in sight. Featured here are some the earliest hip-hop records that came out of New York City following the enormous commercial success of the first ever rap record, ‘Rapper’s Delight’ by the Sugarhill Gang, in September 1979. Artists and producers alike tried to jump aboard the new commercial possibilities of hip-hop. By the end of the year there were 30 hip-hop singles, all released by independent New York labels. The following year there were over 100 more, and so on. Boombox 2 tells the story of how hip-hop went from its evolutionary roots in the Bronx through DJs Kool Herc, Grandmaster Flash and Afrika Bambaataa through to its second phase where veteran music producers – Paul Winley, Peter Brown, Joe Robinson and others – all based in Harlem, began to put rap on vinyl for the first time. Harlem is also where the separate worlds of disco and hip-hop met through the styles and influence of earlier ‘uptown’ DJs - DJ Hollywood and Eddie Cheba. In similar fashion these veteran Harlem-based producers instinctively tapped into a long lineage of AfricanAmerican rhythm and blues, soul and disco. Boombox 2 is a triple-vinyl set (+ download code) LP and double CD pack that features extensive text, exclusive interviews and stunning photography by Jamel Shabazz, Martha Cooper and others.
$14.99
Washed Out announces full-length album Mister Mellow on Stones Throw Records. The 12-track album is accompanied by a visual album on DVD. Boredom. Laziness. Complete apathy. Is it a quarter-life crisis or just an excuse to never grow up? This is the world of Washed Out's (Ernest Greene) new album Mister Mellow. A fully immersive multimedia experience, the album guides the listener through the highs and lows of this often ridiculous struggle. In classic Millennial fashion, most young adults' perception of their own lives are overblown and over-dramatized to the point of absurdity - as are the many ways they distract themselves from the insecurities faced on a daily basis (see social media, fantasy, drugs, music). Mister Mellow shines a light on the humor found in this paradox - how we can be so bored and unhappy in what is often a very privileged, contented life? Further moving away from the synthesizer-driven sounds of his early work and the more band-driven sound of his work on iconic indie label Sub Pop, it is fitting that Greene has partnered with the rebellious beat-driven label Stones Throw as he continues to carve out a unique sonic identity that stands in direct opposition to most current trends. Instead, Mister Mellow was influenced by classic plunderphonics records of the past as well as the experimental collage techniques of musique concrete. Styles as diverse as free jazz, house, hip-hop and psych are combined together with interludial voiceover samples (often pulled from anonymous Youtube vlogs) to create a busy, chaotic, and caricaturish mix; one that quickly starts to feel like a mirror of the claustrophobic, hyper-stimulated psyche of most young adults. Released as an integral companion to Mister Mellow is a full length visual counterpart that utilizes almost every form of animation (collage, claymation, hand-drawn, stop-motion). The aesthetic of each video reflects the handmade, "paint outside the lines" style of Greene's music - and again is a reaction against the sterile, hyper-realistic renderings of most modern digital-based art. The rich, detailed patchwork that makes up Mister Mellow (and its visual accompaniment) is unique in this day of quick-fix, throwaway music-culture. Conceived over the course of 2 years, it is intensely personal (Greene's only collaborator was mix engineer Cole MGN) - but the ideas and observations found within the album speak to a much larger shared experience that is affecting an entire generation of young adults. An experience that we come to see as both funny and sad.
$12.99
In 1999, the duo of DJ T-Rock & Squashy Nice formed in Atlanta. Squashy Nice is an accomplished beats producer, and DJ T-Rock is a scratch-master responsible for battle records on the likes of Bomb Hip-Hop Records, Stereo-Type, and Replicant Music Trading Corp. Together they released three party-ready instrumental hip hop albums for New Zealand’s Why Records label. Now based from coast-to-coast (Squashy Nice in New York and DJ T-Rock in Los Angeles), the duo has joined the Cold Busted family for their fourth album, the satisfying seventeen track Back To The Essence. Showcasing the variety and breadth that Squashy Nice’s beats and samples and DJ T-Rock’s scratches can provide, the tracks on Back To The Essence swerve from party rockers to soulful, thoughtful numbers featuring vocals from New Zealand vocalist Miss Glue. Among the standouts are the opening “Hit The Breaks”, combining harmonica, ’60s style fuzz guitar, heavy beats, and some crucial vocal scratches; “Let Them Be”, with Miss Glue’s lovely vocals providing a counterpoint to acoustic guitar cut-ups; and “Watch The Clouds”, featuring gentle piano, a loungey string section breakdown, and wistful vocals from Squashy Nice. Back To The Essence should be ingested whole, as its plentiful tracks radiate fun, funk, and good vibes. It’s like a virtual block party dropping down wherever its cuts are playing.
$12.99
This summer, Kool G Rap will release his new solo album, Return Of The Don, which is entirely produced by MoSS and features a veritable who’s who list of new and familiar spitters; Freeway, Noreaga, Cormega, Raekwon, Sheek Louch, Saigon, Termanology, Fame, KXNG Crooked, Conway The Machine & Westside Gunn (the newest signees to Eminem’s Shady Records) and the late Sean Price. “Rest in peace to Sean Price who I was fortunate enough to record with” G Rap commented. “What motivates me to get in the studio is really being in that creative zone that you cannot just enter on demand” G Rap stated. “It is more like an extremely powerful vibe that overcomes you. It’s triggered by hearing a particular track, or being inspired by another artist; or, a life experience that makes your mind and heart open up and lyrics just pour from your soul in the capacity of an avalanche. That’s what The Return Of The Don represents; an amalgamation of past, present and future and a tribute to some of my most favorite spitters worldwide; this is my salute to those artists." Canadian born (and a Toronto resident), MoSS’ production credits are instantly recognizable and have resulted in over 2 million record sales worldwide. Ghostface Killah’s smash hit “Kilos”, Raekwon’s ”Have Mercy”, Obie Trice’s entire Special Reserve album and most recently his debut producer album, Marching To The Sound Of My Own Drum, which featured appearances from Joe Budden, DJ Premier, AZ, Joell Ortiz, Sean Price, Jon Connor, Skyzoo, Inspectah Deck, Havoc, Slum Village and others. MoSS reflected on the creative journey that would become Return Of The Don. "G Rap and I have worked together a few times over the years and we reconnected and started recording songs that ended up being the foundation to The Return Of The Don. The album kind of took on a life of its own."
$7.99
…speaking of air and darkness, Born on a Gangster Star came into the world in a big damn hurry, like nightfall on an island. You can see it happening, but then again it’s so gradual that the next thing you know—it’s dark. Imbued with the energy and ideas from all the creative embers floating in the atmosphere like fireflies, Shabazz Palaces recorded this entire album over the course of two weeks with Blood in Seattle. New gear and new equipment disintegrated comfort zones into dust and a new path appeared in the rubble. Herein the Palaceer continues the tale of Quazar, a sentient being from somewhere else, an observer sent here to Amurderca to chronicle and explore as a musical emissary. What he finds in our world is a cutthroat place, a landscape where someone like him could never quite feel comfortable amidst all the brutality and alternative facts and death masquerading as connectivity. Inspired by days on end spent in the waves—water and light, both—of Southern California, the work came to the Palaceer in a flash, like being picked up by something and carried. Always dribbling with his head up, he can see what’s going on around him and react to it, rather than starting in a certain direction and hoping to achieve something upon arrival. What’s good?—the kids ask. What does it even mean, and what does it even matter? Who is behind these choices? We are all of us sitting under a waterfall of all. this. shit. But it’s the excess that is casting us into ruts. The Palaceer stays away from the fleeting and the superficial nonessential. Stay away from your device—your phantom limb—and stay away from your image—your phantom self; that is his decree. Considering the motions behind the things you like to consume artistically, rather than just the way something looks or sounds, and thinking in layers, and trying to be more considerate and not so self-oriented—this is his medicine for combat. Born on a Gangster Star flirts with a pop sensibility, but through the prism of Shabazz Palaces’s fire and fury. For the Palaceer, that sense is all about how the groove is moving, and the supernatural telepathy that occurs amongst his cohort. Appearing here, in body or in spirit, are Julian Casablancas, Thundercat, Darrius Willrich, Gamble and Huff, Loud Eyes Lou, Thaddillac, Ahmir, Jon Kirby, Sunny Levine, and Blood. The story belongs to Quazarz, but the air and darkness belong to us. And so we shine a light on the fake.
$7.99
Quazarz came to the Earth from somewhere else, a musical ambassador from his place to ours. Somehow, through fire or through fury, the Palaceer of Shabazz Palaces caught wind of the tale, and it is through his prism that we hear the story. The beach was there, and Atlaantiis, and chemical alterations and cell memories and Andre Norton, Richard K. Morgan, and always Octavia Butler. There were killings and there were votes, and brutality in both. There was sound and there were other worlds, and there was a vastness so participation sometimes came only at the edges. And the Palaceer coasted down with the alien notion, like Quazarz, and so became. On Quazarz when they look at this place they see the inhabitants, the humans, but they don’t assess as we do. And so Quazarz was sent to meet a cat with vibration, a creative and courageous, caring, compassionate dude that stood out. The dude was a drug dealer, but that was neither here nor there, until his dealings squashed the rendezvous, leaving our alien alone to figure out what this place is really all about. Coming from a simpler, more essential, innocent place, the hero could not make heads nor tails of most advancements. From an aerial view, he saw that a good percentage of earthly vibrations were on very small squares and it became his belief that this world was very disposable and the spans short. His opinion was not of anything good nor bad but simply the truth. The machines—he noted—though at the behest of their master’s voice, are scorned, and jealous as all hell. And so the tale is told while surfing on the board of Shabazz Palaces, with its sturdy base angled for takeoff on a new trajectory. There is new blood and space and room to be different and have different assets and different art and different ways to talk and also open up some space inside to do something new. There are pages and there are drawings, and color and faces and inked dialogues written in ancient futuristic hieroglyph. There are scales and there is melody and there are Sunny days and there is Darkness, but that—it should be noted—to the Palaceer is not a lack of illumination or brightness. Maybe it is dark, but in it is always optimism and joy, a bright darkness and a full, hopeful one as well. It comes in gold, and it comes for the night. And so Quazarz sang the Jealous Machines. And so too did the Jealous Machines sing the Gangster Star.
$9.99
The 2nd album by Budabrose (Budamunk and Fitz Ambrose) is a collaboration by two beatmakers who draw attention worldwide. Budamunk’s releases feature many prominent artists and are heralded as culminations in the Japanese hip-hop scene. In parallel with many domestic activities, Budamunk also undertakes many projects overseas. Fitz Ambrose, the Canadian / Cape Bretton Island born, now Tokyo based beat maker draws from 80s & 90s sounds while maintaining the sensation that injected the same magic the originals did. 5lack who is featured on the album continues to gather more attention by offering songs to Japan’s greatest upcomers.
$12.99
“I made ‘Severed’ at a time when my relationship with my wife — my high school sweetheart and the mother of my three children — was coming to an end,” Nocando explained in a press release. “This was right around the time the rap crew side of my record label Hellfyre Club began to disband and when I split from my business partners at Low End Theory of more than a decade. Plus, I was broke as fuck. The songs on ‘Severed’ are more personal, more vulnerable than anything I’d made before. The battle rap braggadocio that I held dear for so many years melted away. Every piece of my personal life was ripped apart and rearranged. I had no choice but to rebuild from the ground up.” -Nocando Overall, Severed is a record about one man losing hope in everything and everyone, including himself, and also serves as one of Nocando’s most powerful albums to date.
$7.99
Black Up is the new sonic move from Shabazz Palaces. Luxury as understood by the modest. Shabazz Palaces. If Bedouins herded beats instead of goats and settled in Seattle instead of the Atlas Mountains, this would be their album. Hip hop. Black light uses electromagnetic radiation to eradicate microorganisms, but shabazz didn't come to kill a sound, just to shine their own incandescent lamp on this. Hear. Hard and clear. Fifty thousand years in the making. Honorable. Produced by Knife Knights at Gunbeat Serenade Studio in Outplace Palacelands. It was recorded and mixed in Lixx-alog by Blood.
$7.99
Herein bumps and soars Lese Majesty, the new sonic action of Shabazz Palaces. Honed and primal, chromed and primo. A unique and glorified offering into our ever-uniforming musical soundscape. Lese Majesty is a beatific war cry, born of a spell, acknowledging that sophistication and the instinctual are not at odds; Indeed an undoing of the lie of their disparate natures. Lese Majesty is not a launching pad for the group's fan base increasing propaganda. It is a series of astral suites, recorded happenings, shared. A dare to dive deep into Shabazz Palaces sounds, vibrations unfettered. A dope-hex thrown from the compartments that have artificially contained us all and hindered our sublime collusion. These reveries were sent to Palaceer Lazaro and Fly Guy 'Dai in the year of gun beat battles in excess; In a succession of days, whilst walking in dreams and in varied transcendental states....(every minute of every day is filled with observation and composition. In action). Songs are committed and gathered by robots at Protect and Exalt Labs, a Black Space in Seattle, Washington. The visual features of Lese Majesty are resultant of the gleanings of fellow Constellationaire, Nep Sidhu. The Black Constellation squads up, protects and exalts the messages within, and colludes accordingly. We thank you.
$9.99
On Thanksgiving 1989, Kmart employee and audio enthusiast Mark Davis wandered behind the customer service desk to check out the store’s sound system, which looped muzak and top 40 plus ads and announcements under the banner of “KMRT, The Kmart Radio Network.” When he found last month’s tape hadn’t been thrown out yet, he pocketed it and made a habit of doing this, collecting 56 tapes from 1989-1992. In September 2015, Davis uploaded the tapes to archive.org with the humble intention of preserving them. But within a few weeks he became an internet celebrity among obscure media fans and supplemented the collection with reel-to-reel tapes from the 70s and 80s thanks to Tom Schwarzrock, who acquired them serendipitously along with a deck he purchased. The tapes are like a consumerist time capsule, a vaporwave trove of eerily familiar corporate ephemera extracted from its original context and purpose. Similarly, Attention Kmart Choppers is composed of pieces from this collection chopped up, resculpted, and mosaicked together by Juicy The Emissary, forming a new, distinctly contemporary sound while inheriting a haunting nostalgia that provokes memories burrowed deep in the subconscious.
$14.99
Intercope Records will be releasing the following ''13 Reason Why (A Netflix Original Soundtrack)'' on cassette. ''After a teenage girl's perplexing suicide, a classmate receives a series of tapes that unravel the mystery of her tragic choice.'' Soundtrack features an eclectic mix of songs from Selena Gomez, Joy Division, The Japanese House, The Cure, Hamilton Leithauser + Rostam and many more.
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Joseph Abajian (DJ Jab) founded Fat Beats in 1994 with nothing more than a shoestring budget and an earnest obsession with the music, the culture, and the brotherhood of New York’s burgeoning rap scene. What began as a simple vinyl shop in Manhattan’s Lower East Side quickly became an integral hub for artists, both aspiring and established, to convene and collaborate on new projects. Joseph’s timing couldn’t have been more impeccable. When the 90’s cultural zeitgeist – and, in turn, the music industry establishment – chose hip-hop as its new arbiter of cool.
International tourists and touring artists alike flocked to Fat Beats for rare vinyl, kindred spirits, and exclusive in-store performances from Jay Z, Eminem, Gang Starr, Outkast, Slum Village, Mos Def, and more. One thing was clear: the Fat Beats phenomenon could no longer be contained in a single basement shop.
In the late nineties, Abajian proceeded to open new stores in Amsterdam, Tokyo, Los Angeles, and Atlanta. He further expanded the company’s profile to include global distribution and record label branches. Distribution has since proven to be the company’s strongest and most enduring enterprise. Today Fat Beats Distribution stands poised as one of the country’s pre-eminent distributors of vinyl & specialty item records: a proud survivor in an industry now famous for its mortality rate. Despite market fluctuations, technology innovations, and stylistic revolutions, Fat Beats has remained steadfast in its commitment to the timeless vinyl format and to the loyal community who keeps it spinning.
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Fat Beats offers internship opportunities. You must be enrolled in college and reside in the Los Angeles area to be eligible for our programs. If you meet these requirements, please paste your cover letter below and we will contact you if there are open positions available.
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