The Beatles work was always impeccable. Those four young men, John, Paul, George and Ringo, broke so many records and so many barriers and they will be remembered for being the most significant music creators of the twentieth century. This collection of number ones is taken from the most widely circulated charts in the UK (Record Retailer) and the USA (Billboard).
Released on 10th July, 1964, the Beatles third album in less than eighteen months was timed to coincide with the cinema opening of their first movie. Of the album's 13 tracks seven were featured in the soundtrack of the film. One single had been released ahead of the album that being "Can't Buy Me Love"/"You Can't Do That" which had been issued on 20thMarch. It was also quite remarkable that for the first time on a Beatles album that all of the titles had been composed by John and Paul. Since the release of With The Beatles, the previous November, their UK success had started to spread around the world. Their first US single via Capitol Records - "I Want To Hold Your Hand"/"I Saw Her Standing There" had topped the US charts for seven weeks, leading to their former US distributor reissuing 'She Loves You' and 'Love Me Do' both of which also reached the # 1 spot. In fact such was the group's popularity that in the first week of April, 1964 they held all top five positions in the Billboard chart with a further seven titles it's Hot Hundred. Despite their success, their workload did not ease up, in fact within hours of returning from a triumphant visit to the US, which had included concert performances and three appearances on the Ed Sullivan TV show, the guys were in a TV studio in London rehearsing and recording another guest appearance. The Spring and early Summer of 1964 saw The Beatles filming and recording new material both for the movie and their next album. They also filmed a TV special, and played a few UK dates prior to jetting off on a 27 day tour that visited Denmark, The Netherlands, Hong Kong, Australia and New Zealand. They eventually returned to Britain on 2nd July and four days later attended the world premiere of "A Hard Day's Night" at the London Pavilion. The album reached no.1 in the UK charts towards the end of July and occupied the top spot for 21 of the 38 weeks that it spent in the Top Twenty
First issued on 26th September, 1969 Abbey Road was the final Beatles album to be recorded but not their last to be released. Let It Be, though mainly recorded in January, 1969 was finally released in May, 1970 alongside the film of the same name. Following the 'live' nature of the "Let It Be" recordings, for Abbey Road, The Beatles returned to the North London studios to create carefully crafted recordings with ambitious musical arrangements. Interestingly, 12 of the songs that appeared on the finished album were played during the filmed rehearsals and sessions for "Let It Be" back in January. For the first time on a Beatles album, the front cover contained neither the group's name nor the album title just that iconic photograph taken on the zebra crossing near the entrance to the studios in London NW8 in August 1969. Abbey Road entered the British album chart at no.1 in October and stayed there for a total of seventeen of its 81 weeks in the chart. In the US, it spent eleven weeks at #1 during its initial chart stay of 83 weeks.
Released on 1st June, 1967, Sgt. Pepper's Lonely Hearts Club Band, the band's eighth album became the soundtrack to the "summer of love" but its appeal is timeless.
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Joseph Abajian (DJ Jab) founded Fat Beats in 1994 with nothing more than a shoestring budget and an earnest obsession with the music, the culture, and the brotherhood of New York’s burgeoning rap scene. What began as a simple vinyl shop in Manhattan’s Lower East Side quickly became an integral hub for artists, both aspiring and established, to convene and collaborate on new projects. Joseph’s timing couldn’t have been more impeccable. When the 90’s cultural zeitgeist – and, in turn, the music industry establishment – chose hip-hop as its new arbiter of cool.
International tourists and touring artists alike flocked to Fat Beats for rare vinyl, kindred spirits, and exclusive in-store performances from Jay Z, Eminem, Gang Starr, Outkast, Slum Village, Mos Def, and more. One thing was clear: the Fat Beats phenomenon could no longer be contained in a single basement shop.
In the late nineties, Abajian proceeded to open new stores in Amsterdam, Tokyo, Los Angeles, and Atlanta. He further expanded the company’s profile to include global distribution and record label branches. Distribution has since proven to be the company’s strongest and most enduring enterprise. Today Fat Beats Distribution stands poised as one of the country’s pre-eminent distributors of vinyl & specialty item records: a proud survivor in an industry now famous for its mortality rate. Despite market fluctuations, technology innovations, and stylistic revolutions, Fat Beats has remained steadfast in its commitment to the timeless vinyl format and to the loyal community who keeps it spinning.
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