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Mondo is excited to unveil the soundtrack for Marvel’s Luke Cage, the Netflix original series, with collectible artwork of the bulletproof hero by Matthew Woodson. Composers Adrian Younge (Something About April) and Ali Shaheed Muhammad (A Tribe Called Quest) have combined forces to produce one of the best scores of 2016 featuring an inspired, genre-bending blend of orchestral score and 90s hip-hop beats, filtered through the sonic lens of the works of Ennio Morricone. It’s no surprise that the score hovers in the same terrain of the Spaghetti Westerns soundtracks of Morricone – the narrative of Luke Cage plays out like a modern Western, only set in Harlem. Muhammad and Younge have meticulously crafted one of the most unique sonic landscapes in the history of television. “We sought to create a score that reflects the world of Luke Cage. We see this world as a place where classic cinema meets classic Hip Hop,” said composers Ali Shaheed Muhammad and Adrian Younge.
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A longtime collaborator with filmmaker Darren Aronofsky, Clint Mansell has produced some of the century’s most iconic scores for movies like Aronfsky’s Requiem for a Dream, Black Swan, The Wrestler and Duncan Jones’ Moon. “The score for The Fountain is an absolute modern day masterpiece. The score is the result of a composer firing on all cylinders, collaborating with both the Kronos Quartet and Scottish post rock band Mogwai. It’s assured, mournful, desolate, yet strikingly beautiful and offers a real warmth and depth not many composers can achieve. The penultimate track “Death Is The Road To Awe” displays just how well The Kronos Quartet and Mogwai work together under the watchful eye of Mansell. It’s a staggering piece of chamber music ramped up due to the power of Mogwai that is as intense as it is spectacular. When it finally dissipates after its 9-minute runtime, there is no doubt that Mansell has earned his right to sit next to masters such as Ennio Morricone, Bernard Herrmann & Phillip Glass.
Limited edition of 1000 copies on transparent red vinyl comes with 11.7" x 11.7" insert which features liner notes from director Edgar Wright and composers Daniel Mudford and Pete Woodhead. Edgar Wright’s Rom-Com-Zom turned 10 Years old in September, and we are proud to celebrate this important milestone with a milestone of our own: we have pressed the complete score for SHAUN OF THE DEAD – never before released in ANY format – on gorgeous, transparent 180 Gram Vinyl. Featuring liner notes by director Edgar Wright, and composers Daniel Mudford & Pete Woodhead.
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The Academy Award-nominated score for Aliens is an appropriate musical companion to this wildly successful sequel. Much like the film, the soundtrack is a departure from the original, but equally beloved. Composer James Horner took the reigns from Jerry Goldsmith and made something his own: blending the suspense and horror that the franchise is known for, with an element of fun that is unique to this entry. This deluxe edition soundtrack features over a dozen cues that have never before been released on vinyl, including 5 bonus tracks. Commenting on the design, artist Killian Eng said, “I wanted the alien to play a big role but at the same time incorporate its shape into the materials of the space station, almost like it becomes the station itself, keeping the marines in a steady merciless grip.”
Mondo is excited to unveil the soundtrack for Marvel’s Daredevil – Season One, the Netflix original series, with collectible artwork by Matthew Woodson. John Paesano’s score for Marvel’s Daredevil Season One had the unenviable task of setting the tone for the new Netflix television series. Right from the opening credits Paesano creates a powerful sense of urgency and an undercurrent of darkness, crafting some of the most kinetic musical sequences in the Marvel Universe including the bombastic tracks “Hallway Fight” and “Stick.”
Pressed on 180 Gram Black Vinyl. Comes with a surprise of 9 cutout Mini Evil Ash's. Just in time for the next chapter in the Evil Dead saga (TV series Ash Vs. The Evil Dead) Mondo is proud to release the soundtrack Sam Raimi's Army Of Darkness. Returning along side star Bruce Campbell, is masterful composer Joe LoDuca who also crafted the terrifying scores to the first and second Evil Dead. Like the film, LoDuca's score to Army Of Darkness is an ambitious blending of genre that was ahead of its time. Part swashbuckling adventure, part horror, part comedy, Army Of Darkness saw LoDuca reaching new heights with his composing which would later become his forte, as he bounced back and forth between composing Horror films and adventure televisions series such as Hercules and Spartacus. Performed by The Seattle Symphony Orchestra & Chorus.
Mondo is excited to unveil the soundtrack for Marvel’s Jessica Jones – Season One, the Netflix original series, with collectible artwork by Matthew Woodson. Sean Callery’s (Homeland, Bones, 24) score for Marvel’s Jessica Jones Season One took the tonal shift from gritty ground level action to noir. Everything you need to know can be found in “Jessica Jones Main Title” (2016 Emmy® Award winner for Outstanding Original Main Title Theme Music) with its mix of late night, street corner Jazz consumed by pulsating rhythms and a wailing guitar that creates a musical dichotomy thematically appropriate to the narrative of our titular hero.
Mondo are proud to present the soundtrack to Fight Club on vinyl for the first time in over 15 Years. The Dust Brothers only film score to date, Fight Club is arguably one of the most enjoyable soundtrack albums to come out of the 90’s and part of that has to do with the fact that it is one of the best sequenced scores of all time. Weaving all of the films cues from the film into 16 songs, the album winds up feeling like the best instrumental Trip-Hop album you’ve never heard. Buy it, or you will be incomplete. But be warned, this album is not beautiful, clean or perfect. It is not Mint, or even VG+. It is Fair at best. Just like you. You are not your record collection.
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Joseph Abajian (DJ Jab) founded Fat Beats in 1994 with nothing more than a shoestring budget and an earnest obsession with the music, the culture, and the brotherhood of New York’s burgeoning rap scene. What began as a simple vinyl shop in Manhattan’s Lower East Side quickly became an integral hub for artists, both aspiring and established, to convene and collaborate on new projects. Joseph’s timing couldn’t have been more impeccable. When the 90’s cultural zeitgeist – and, in turn, the music industry establishment – chose hip-hop as its new arbiter of cool.
International tourists and touring artists alike flocked to Fat Beats for rare vinyl, kindred spirits, and exclusive in-store performances from Jay Z, Eminem, Gang Starr, Outkast, Slum Village, Mos Def, and more. One thing was clear: the Fat Beats phenomenon could no longer be contained in a single basement shop.
In the late nineties, Abajian proceeded to open new stores in Amsterdam, Tokyo, Los Angeles, and Atlanta. He further expanded the company’s profile to include global distribution and record label branches. Distribution has since proven to be the company’s strongest and most enduring enterprise. Today Fat Beats Distribution stands poised as one of the country’s pre-eminent distributors of vinyl & specialty item records: a proud survivor in an industry now famous for its mortality rate. Despite market fluctuations, technology innovations, and stylistic revolutions, Fat Beats has remained steadfast in its commitment to the timeless vinyl format and to the loyal community who keeps it spinning.
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