Fourth Studio Album from the venerable New York emcee and producer. Includes features from Ka and production from Knxwledge, Arch Druids and Roc Marci himself. Time waits for no man, but venerable New York emcee and producer Roc Marci remains a rare exception to the rule. Enchanting listeners with his dexterous lyricism, methodically soulful beats, and steely persona on releases like 2010's critically-acclaimed Marcberg, and his revered 2012 effort, Reloaded, the pride of Hempstead, Long Island emerges from the shadows after a three-year hiatus with the equally spellbinding Rosebudd's Revenge. This is the rapper's fourth studio album. Aside from appearances on landmark releases, including De La Soul's Grammy-nominated And the Anonymous Nobody, and Ka's Days With Dr. Yen Lo, Roc Marci's presence has been scarce, making Rosebudd's Revenge one of the more anticipated hip-hop releases of 2017. Enlisting his band of collaborators to join him on every song on his last release, Roc Marci flips the script on his latest offering. Rosebudd’s Revenge’s lone features are frequent collaborators: Brownsville emcee Ka on the epic sparring session "Marksmen," and Knowledge The Pirate on "No Smoke." This uncluttered lineup gives Roc Marci ample space to deliver his tales from the strip. Key selections from Rosebudd's Revenge include the suave, keyboard-laden affair "Better Know," "Killing Time," "Pig Knuckles," and the hard-boiled title-track, and boasts musings that rank among the best of Roc Marci's tenured run. Spilling his fluid flow over production from the likes of Grammy-nominated producer Knxwledge, as well as George Paulin, Animoss, Don C, Modus Op, and himself, Roc Marci reaffirms his placement on the musical avant garde and standing as one of hip-hop's preeminent lyricists on Rosebudd's Revenge, a defining effort that will leave fans salivating for more.
After seemingly coming out of nowhere, Your Old set the internet aflame in 2014 with his self-titled debut EP, catching the attention of bloggers all over the web from New York Magazine’s Vulture to NahRight.com. Before long, conspiracy theories started and people began to posit that Droog was another older, legendary New York rapper in disguise. Profiled in The New Yorker, Droog (meaning “friend”in Russian) set the record straight about who he was: a twenty-something Ukrainian immigrant who fell in love with hip-hop when he arrived in South Brooklyn as a small child. The timbre of his voice resembled that of a hip-hop legend but Droog’s content had more to it than street dreams or observations from a project window. His music reflected his own unique life experience as he referenced everything from sports, to crime, to Seinfeld and C-Span in his rhymes. He was an intelligent hoodlum with a stand-up comedian’s sense of humor—unafraid to be as self-deprecating as he was self-aggrandizing. On his critically-acclaimed debut, the Your Old Droog LP, he vowed to “bring back storytelling” and now on his sophomore album, PACKS, Droog delivers on that promise. In addition to the raw rhyme displays on songs like the Alchemist-produced, “Winston Red” Droog flexes his narrative muscles both comically (“My Girl Is A Boy”) and dramatically (“G.K.A.C”) on this new album. For instance, the single “You Can Do It (Give Up)” is an ode to practicality over fantasy told in three vignettes. Co-produced by Edan, and Y.O.D. himself “You Can Do It (Give Up)” is almost the bizarro version of Biz Markie’s “Vapors.” The reclusive Edan also produces and appears on the raucous posse cut “Help” with Ratking frontman Wiki.The three MC’s trade bars over an explosive beat that is as inspired psychedelic rock as it is hip-hop. Droog also shares mic duties with fellow rap iconoclasts Danny Brown (“Grandma Hips”) and Heems (“Bangladesh”) and, for good measure, comedian Anthony Jeselnik lends his dark humor to skits between songs. Besides the return of Droog’s go-to production partner El RTNC, PACKS also features production from platinum producers ID Labs (Wiz Khalifa, Mac Miller) and 88 Keys (Watch The Throne, Action Bronson, Mos Def). The sum of it all is an album that stands out from the predictable offerings of mainstream rappers today. PACKS is a project for fans of hip-hop’s fundamentals and those who are interested in the progress of the art form. Finally, an album from a new artist that rap fans can truly believe in.
With numerous 2016 releases, some including his Craft Singles series and The Carrollton Heist with rapper Curren$y, Alchemist hits 2017 with a new chapter in the Rapper’s Best Friend instrumental series. The fourth in its series, Rapper’s Best Friend 4, is comprised of instrumentals of tracks produced by the Alchemist for artists such as Sean Price, ScHoolboy Q, Action Bronson, Migos, Danny Brown and more.
This Extensive Collection From The Group’s Dilla-helmed Era Is A Comprehensive Overview Of Fan-Tas-Tic V.1 and V.2. The contributions of the late Detroit producer James DeWitt Yancey -better known to the world as J Dilla- to the world of hip-hop can't be overstated, and nowhere is his legacy more apparent than his work as a member of Slum Village. A founding member of the trio, (Alongside rappers T3 and Baatin) Dilla provided the group's distinctly esoteric, free-wheeling sound, built around winding basslines, quirky drumbeats, subtle low-end frequencies, and classic jazz & soul samples. Against the backdrop of Dilla's rich production, T3 and Baatin's free-flowing style of rhyming would also earn wide critical praise, leading to comparisons as the successors to A Tribe Called Quest. (A label they themselves have rejected.) Dilla himself went on to earn his own legend of brilliance, inspiring a slew of classic artists like Nas and The Pharcyde, to newcomers like Kanye West and Kendrick Lamar. It would be a gratuitous task to encapsulate the full magnificence of the material Dilla produced with Slum Village, but Ne'Astra Media Group have accomplished such a feat, with the arrival of the Fan-Tas-Tic Collection! A comprehensive overview of the underground group's Dilla-produced tracks across four compact discs. The CD includes the entirety of the namesake albums Fan-Tas-Tic Volumes 1 & 2, instrumental versions, and a bonus fourth collection of remixes and obscurities, featuring collaborations with Madlib & Pete Rock, and select cuts from Best Kept Secret, the group's rare release under the name J-88. The Fan-Tas-Tic Box is a veritable crown jewel for any fan of J Dilla or Slum Village, as well as an outstanding entry-point into the legacy of an underground hip-hop production hero.
Los Angeles based label Cold Busted readies the second volume of a ten part series. This series covers the best Funk and Jazz inspired tracks found only on Cold Busted. Each release is hand-picked with many of the songs available on CD for the first time including cuts by Akshin Alizadeh, Mister T, Singularis, and Bloody Tadi. If you haven’t heard of Cold Busted then this is the compilation series you should start with.
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Joseph Abajian (DJ Jab) founded Fat Beats in 1994 with nothing more than a shoestring budget and an earnest obsession with the music, the culture, and the brotherhood of New York’s burgeoning rap scene. What began as a simple vinyl shop in Manhattan’s Lower East Side quickly became an integral hub for artists, both aspiring and established, to convene and collaborate on new projects. Joseph’s timing couldn’t have been more impeccable. When the 90’s cultural zeitgeist – and, in turn, the music industry establishment – chose hip-hop as its new arbiter of cool.
International tourists and touring artists alike flocked to Fat Beats for rare vinyl, kindred spirits, and exclusive in-store performances from Jay Z, Eminem, Gang Starr, Outkast, Slum Village, Mos Def, and more. One thing was clear: the Fat Beats phenomenon could no longer be contained in a single basement shop.
In the late nineties, Abajian proceeded to open new stores in Amsterdam, Tokyo, Los Angeles, and Atlanta. He further expanded the company’s profile to include global distribution and record label branches. Distribution has since proven to be the company’s strongest and most enduring enterprise. Today Fat Beats Distribution stands poised as one of the country’s pre-eminent distributors of vinyl & specialty item records: a proud survivor in an industry now famous for its mortality rate. Despite market fluctuations, technology innovations, and stylistic revolutions, Fat Beats has remained steadfast in its commitment to the timeless vinyl format and to the loyal community who keeps it spinning.
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