LuckyMe proudly present the debut album from Jacques Greene - “Feel Infinite” Includes a fold out poster with new & exclusive artwork by Hassan Rahim “The essence of the record is to draw emotions and moments that above all, feel human within the context of dance music,” says Jacques Greene of his highly anticipated debut album, ‘Feel Infinite’. “I want it to be celebratory of all that we feel and do and experience - the beautiful, the good, and the bad.” Jacques Greene is the enigmatic, young artist who broke out of a generation of independent electronic labels Uno, 3024, Night Slugs and LuckyMe as a genre-defining producer and DJ (via 2011’s ’Another Girl’ – one of Pitchfork’s Songs of the Decade, 2013’s underground favorite ’On Your Side’ ft. How To Dress Well and 2016’s undeniable summer anthem ’You Can’t Deny’). Jacques Greene crafted a musical blueprint that inspired a generation who were raised on, and looked to bring together the intersection of contemporary music growing up in the 90s: hip hop, RnB, house and techno. At its heart, ‘Feel Infinite’ is a world of music connected to the utopian idea of club culture - music about the club, rather than specifically club music in and of itself. Written over the course of two years, this debut album is the purest, most personal expression of the Jacques Greene sound and emotion created by the born and raised Montreal artist, renowned for collaborating and remixing Tinashe, Radiohead, Sampha and Shlohmo. In 2016, Jacques Greene released the surprise single ‘You Can’t Deny’ to acclaim and adulation, a beautifully undeniable, soulful techno record, followed up with ‘Afterglow’, a euphoric club record - both of which are included on the album alongside a further nine stunning tracks.
Mondo are proud to present the soundtrack to Fight Club on vinyl for the first time in over 15 Years. The Dust Brothers only film score to date, Fight Club is arguably one of the most enjoyable soundtrack albums to come out of the 90’s and part of that has to do with the fact that it is one of the best sequenced scores of all time. Weaving all of the films cues from the film into 16 songs, the album winds up feeling like the best instrumental Trip-Hop album you’ve never heard. Buy it, or you will be incomplete. But be warned, this album is not beautiful, clean or perfect. It is not Mint, or even VG+. It is Fair at best. Just like you. You are not your record collection.
Turns out the very sound of falling in love is just as abstract, subjective and loopy as the concept itself. Yoko Ono and John Lennon are two of history's greatest lovers, and Two Virgins is the document of the pair falling in love in real time. The album is a curious and amazing suite recorded over one weekend in Spring 1968 at Lennon's Kenwood home: Distant conversations; comedic role playing and footsteps; laughter, birdcalls and plunking piano lines; silly songs and space; tape delay stretching shrieks, bass rumbles and moans to the moon and back again.The now-iconic cover (featuring Ono and Lennon standing nude together) notwithstanding, nothing about Two Virgins is safe. It would be a risky move today for artists in the larger, pop-culture conversation just as it was a risky move in 1969. But this is an uncomfortably private, two-person dialogue about - and celebration of - experimentation, inspiration and play. And these two souls bravely let us look through the keyhole.
Life with the Lions is the sound of Ono and Lennon validating their love as something impenetrable and timeless. It's when we, the listener, begin to fully understand that the scope of their recording efforts was much more than a recording collaboration, and something closer to a performative documentary, a declaration of "Our life and our love is our art - every nitty, gritty part of it."
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Joseph Abajian (DJ Jab) founded Fat Beats in 1994 with nothing more than a shoestring budget and an earnest obsession with the music, the culture, and the brotherhood of New York’s burgeoning rap scene. What began as a simple vinyl shop in Manhattan’s Lower East Side quickly became an integral hub for artists, both aspiring and established, to convene and collaborate on new projects. Joseph’s timing couldn’t have been more impeccable. When the 90’s cultural zeitgeist – and, in turn, the music industry establishment – chose hip-hop as its new arbiter of cool.
International tourists and touring artists alike flocked to Fat Beats for rare vinyl, kindred spirits, and exclusive in-store performances from Jay Z, Eminem, Gang Starr, Outkast, Slum Village, Mos Def, and more. One thing was clear: the Fat Beats phenomenon could no longer be contained in a single basement shop.
In the late nineties, Abajian proceeded to open new stores in Amsterdam, Tokyo, Los Angeles, and Atlanta. He further expanded the company’s profile to include global distribution and record label branches. Distribution has since proven to be the company’s strongest and most enduring enterprise. Today Fat Beats Distribution stands poised as one of the country’s pre-eminent distributors of vinyl & specialty item records: a proud survivor in an industry now famous for its mortality rate. Despite market fluctuations, technology innovations, and stylistic revolutions, Fat Beats has remained steadfast in its commitment to the timeless vinyl format and to the loyal community who keeps it spinning.
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