We're Only in It for the Money is the third studio album by The Mothers of Invention. Released on March 4, 1968 on Verve Records, it was subsequently remixed and re-recorded by Frank Zappa and reissued independently by Rykodisc Records in 1986. As with the band's previous two albums, We're Only in It for the Money is a concept album, and satirizes left and right-wing politics, particularly the hippie subculture, as well as The Beatles' album Sgt. Pepper's Lonely Hearts Club Band. It was conceived as part of a project called No Commercial Potential, which produced three other albums: Lumpy Gravy, Cruising with Ruben & the Jets and Uncle Meat. We're Only in It for the Money encompasses rock, orchestral and experimental music, with its orchestral segments deriving from the recording sessions for Lumpy Gravy, which was previously issued as a solo instrumental album by Capitol Records and was subsequently reedited by Zappa and released by Verve; the reedited Lumpy Gravy was produced simultaneously with We're Only in It for the Money and is the first part of a conceptual continuity, continued with the reedited Lumpy Gravy and concluded with Zappa's final album, Civilization Phaze III (1994).
Hot Rats is the second solo album by Frank Zappa released in October of 1969. Five of the six songs are instrumental ("Willie the Pimp" features a short vocal by Captain Beefheart). It was Zappa's first recording project after the dissolution of the original Mothers of Invention. In his original sleeve notes Zappa described the album as "a movie for your ears."
Lumpy Gravy is the debut solo album by Frank Zappa, an album of orchestral, electric and concrete sound written by Zappa and performed by a group of session players he dubbed the Abnuceals Emuukha Electric Symphony Orchestra. Zappa conducted the orchestra but did not perform on the album. It is his third album overall: his previous releases had been under the name of his group, the Mothers of Invention.
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