The Estate of James Yancey revived J Dilla’s PayJay Productions as a functioning imprint and announced its release of Dilla's long lost vocal album, The Diary. Thus far, two limited edition EPs - "Anthem" b/w “Trucks” and “Diamonds” b/w “Ice” – have seen release. “Give Them What They Want” is the last EP that will be released before The Diary is unleashed in full. “Give Them What They Want” is a special treat – an unheard J Dilla-produced vocal track that has never before been released. It is paired on this release with the Super Dave West version, entitled “The Doe,” and a second West-produced track, “No One’s Home.” “Give Them What They Want” was mixed by Dilla himself, and its component instrumental was mixed down to match Dilla’s vocal version by Dave Cooley, from Dilla’s original multi-track sessions. The first press of this 12” features clear vinyl atop a Jeff Jank-altered photograph by James T. & Karla L. Murray from their lauded book Store Front – The Disappearing Face of New York (Gingko Press) and an original label illustration by Denise Nestor. Subsequent runs will not have the clear vinyl or the fold-over plastic sleeve.X
Grab this to pick up some quality nightmarish hip hop not available on Quasimoto’s The Unseen album. And don’t forget about the Dino-Brain Beat on Side B, also only available on this 12".
First release for MF DOOM & Madlib's Madvillain.
A vinyl exclusive mega mix of 70s/80s Afrika Bambaataa/Zulu Nation dub plates and acetates. HOUSED IN A HAND SILK-SCREENED JACKET FROM ANTIDESIGNS. Compiled by DJ Shadow and Cut Chemist in commemoration of their Renegades Of Rhythm tour, this exclusive mega-mix is culled from previously unheard Afrika Bambaataa acetates and celebrates the legendary group's artistry.
Following up Freddie Gibbs & Madlib’s Pinata – this EP contains exclusive tracks not available on the album. “Knicks,” in remixed form, now features a new verse by Gibbs alongside Action Bronson, Joey Bada$$ and Ransom. The b-side, “Home,” features BJ The Chicago Kid – the velvet voiced vocalist from the duo’s earlier “Shame” – and Madlib’s two-part soul-flip carries Gibb’s narrative about a traveling man’s disregard for his woman at home. Both sides are completed by previously unheard Madlib instrumentals.