Mndsgn (born Ringgo Ancheta) grew up in south New Jersey, raised with Gospel music at church, and B-Boy culture at home. Experimenting with beat-making, he befriended fellow producer Knxwledge and the two formed the influential Klipmode collective (along with Devonwho and Suzi Analogue). Mndsgn's music flourished when he moved to Los Angeles, catching the attention of Stones Throw who released Yawn Zen (2014), an LP of introspective and mostly instrumental beat creations, punctuated by vocal cuts. Body Wash is his second album for Stones Throw, a full set of realized songs that were only hinted at on Yawn Zen. Influences here include the likes of early SOLAR records material, Leon Sylvers III, Kashif, and Dave Grusin. These artists, Mndsgn says, "embodied that potent feeling in the early 80s boogie/funk/soul/jazz/fusion wave." He adds, "I was also digging back into some early 90s R&B sounds and started really imagining what it would be like if I had mashed the two eras together." He explains Body Wash as "a soul record that plays with nostalgic elements in a very dynamic & positive way. Think about it as a box of crayons for you to draw emotions with." The album was built around a backstory, a loose narrative thread through which he could filter his unformed ideas. In the narrative, a homeless man encounters a mysterious woman who gives him shelter. She instructs him to bathe with a very peculiar body wash. As he soaks and sinks deeper in a thick lather of this unknown solution, the man finds himself transported to an alternate dimension. Mndsgn describes the story as a vessel "that would allow me to speak on topics that were universally relatable … The story actually became a true outlet for me to address worldly issues with Self." The resulting album also represents a dynamic step forward in songwriting. Without explicitly relating its plot or characters, the album as a whole turns on the story's key theme, the psychedelic, transformative power of love.
A.I.M. will be M.I.A.’s 5th studio album. A.I.M. follows the #1 electronic debut of Matangi which spawned the dancefloor/sync hit “Yala”. M.I.A. released the poignant and much talked about “Borders” song and video from A.I.M. late last year that documented the current refugee struggle.
Blue Lines is the debut album by Bristol trio, Massive Attack. A critically acclaimed masterpiece that takes American Hip Hop and filters it through British club culture. It’s a slow burner of an album that encompasses elements of house, dub, and hip hop to form what years later the UK press coined “Trip Hop”. Featuring legendary vocalists such as Horace Andy, Neneh Cherry, Shara Nelson, and a young Tricky who would go on to have huge success within the genre. Pressed on 180G vinyl.
Ricky Eat Acid is the main project of musician/producer Sam Ray. Active under the name since 2009, Ray has released countless albums & singles, gleefully refusing to work along genre lines and instead crafting a tableau made up of everything from ambient/drone to candy colored, EDM-adjacent beats. His new record, Talk To You Soon, is his first since Three Love Songs and debut for Terrible Records.
XL Recordings presents A Moon Shaped Pool, the highly anticipated ninth studio album from the radical and revered British act Radiohead and follow-up to 2011's The King of Limbs. The melodically rich and meditatively mid-tempo eleven-track set was five years in the making and has already been hailed as one of the band's most accessible efforts in years. The album comes preceded by the evocative videos for the Paul Thomas Anderson-directed "Daydreaming" and Chris Hopewell-directed "Burn the Witch" while further shimmering tracks like "Identikit," "Ful Stop," "Present Tense," "Desert Island Disk" and "True Love Waits" have been previously performed live, the latter even dating all the way back to 1995 and an appearance on the 2001 EP I Might Be Wrong.
Fulgeance's new album "homecooking" is back on Cascade Records after releasing his latest Ep The Phoenix at ED BANGER. homecooking is a singular concept-album of 33 original tracks build up as a personal tape. With it, Fulgeance is stating a raw and fundamental musical vision, closer to the "machines" and going sideways of the current digital perfection. homecooking is a trip at the core of one of the French beatmaking pioneers' universe, in which you dive into his multiple inspiration – from careful sampling to analog synths.
Magic (LP) is Hairy Hands' first full-length release and it picks up where last year's 'Battlecat' EP left off. Multi-instrumentalist, producer and singer James Alexander Bright (Hairy Hands) sits in the front seat alongside fellow label mate Peter Lyons. The album weaves its way from spaceship bathroom romp past wonky breathless samples chopped in a way only Hands makes work. A true journey lies within Magic. Get it on cassette via New Los now and enjoy this incredible music. Don't sleep on this one.
Sold Out - $29.99
When you find your musical soulmate, the universe will allow great things to happen. Producer/multi-instrumentalist Alex Kaye and vocalist/lyricist Lianna Vanicelli are Valley Hush and have found that in each other. At the end of 2015, PopMatters named Detroits experimental pop group Valley Hush one of the best emerging artists. The duo makes music that is a flirtatious mixture of reality and fantasy that transcends traditional genres. Their debut self-titled album broadly connects the dots between acts such as Tame Impala, Grimes, Gorillaz, and Lana Del Rey, while still sounding wholly unique. Since their inception, Valley Hush has built a reputation on creating music that swells with energy and speaks to our shared existence that we are all in this beautiful mess together. What does a sunset taste like? If you touched the Milky Way would you draw back a wet hand? These are examples of wild and organic abstractions of thought are the very brush Valley Hush paints with. The duo finds themselves exploring personal trials of struggle, survival and surrender through Vanicellis lyrics. While the lyrics are personal they are just as applicable to the masses. Vanicelli gives a voice to the cosmic forces that shift within us. Her words read more like poetry or a lucid dream, rich in vivid detail while evoking the sensation of an impending spring and never a dormant winter. The lyrics are an invitation to the internal and eternal struggle, and the way in which they are delivered is not entirely dissimilar to a mirage; a delicate and thirst quenching range of highs and lows. Kaye's instrumentals take the lyrics to a new horizon, combining elements of many different musical genres into seamless journeys of sound. Taking cues from producers and artists such as Damon Albarn (Gorillaz), Dan Auerbach (The Black Keys), Danger Mouse, and Hot Sugar, he adds his own touches picked up from years of working as a freelance writer, producer, and engineer in the city of Detroit. He records their songs in several different studios in the Detroit area, including a massive hundred-year-old church converted into a recording space. If you listen closely you can pick up on extremely small production details throughout the course of a Valley Hush song. His goal is to make their music sound like a detailed painting, with waves pushing through space to the listener's ear, rather than brushstrokes to their eyes. When performing live, the duo expands to a four-piece band to help fill out their sound and allows for their seamless production to take on a new skin. The inclusion of a full band pushes Valley Hush into raw and ferocious territory while still remaining tethered to their signature spacey, dreamscape vibe. They define success by their commitment of authenticity to their vision in hopes of inspiring many with their thoughtfully crafted aural landscape. After performing at the 2016 Middle of the Map Fest in Kansas City they signed to festival curators own label The Record Machine. Valley Hush has released 2 previous independent EPs and is currently putting the final touches on their mesmerizing self-titled debut full-length album to be released late 2016.
RP Boo returns with 'The Ultimate RP Boo', showing off six brand new cuts that mix a range of styles with his vivid use of samples and improvised drum programming. 'The Ultimate' kicks things off with a sliding synth riff that wouldn't sound out of place on a 91 Prodigy track with cut up rave vocal interjections over Bus trademark pulsing bass. 'Bang with the Funk' crushes the 1-2-3-4-5 Sesame Street song, chopping its samples into hard shapes. Things turn dark and minimal with 'The King' which features a sample from Fresh, with strange atonal tones playing off against spooky chords and a tactile bass. On the flipside 'What Am I? pairs syncopated snares and 4/4 bass pulses while percussion bangs and shimmers over clipped diva refrains and anxious piano. 'Bu'Moon' meshes together some pumping horn blurts and some old fashioned steamy synth wooshes that wouldn't feel out of place on a 50's sci-fi film into a relentless battle track. 'Electric Energy' finishes the EP, sampling an unusual pop source and chopping them over pulsing half time subs that pitch up and down around slipping and sliding drum hits.
RECURSION is the collaborative project of the minds behind Berlin's WERK nights at ://aboutblank. Magic Power is proudly inaugurated with the talents of J.Manuel & Rifts, who deliver Creator / Bound. While Creator hints at classic electro breakbeat with futuristic sound design and thrilling synth-breaks, Bound hammers out the 4/4 beat, combining hyperactive grooves with uplifting pads.
George Evelyn was born and raised in inner city Leeds - a far cry from the Ibizan farmhouse where he currently resides. Heavily influenced by everything from Jazz and soul to dub and reggae, he first came to widespread attention in the late '80s / early '90s with bleep anthems 'Aftermath' and 'Dextrous'. It was the tripped out, hip-hop deconstructing Smokers Delight album - released in 1995 - that truly cemented his reputation though. This was followed up by the equally compelling Carboot Soul album released in 1999. Meanwhile, his most recent full-length Feelin' Good, released in 2013, is an album of sun-soaked jams that oozes summery euphoria. This year has seen N.O.W undertake a heavy world DJ tour and hes just played out at the seventh and most successful Ibiza Wax Da Jam residency. Aside from travelling the world, George Evelyn has become increasingly inspired by a newer breed of artist including Soulection, Kaytranada, Loyle Carner as well as peers such as Moodyman, Andres and Karizma. This new found inspiration has led George to venture back into the studio and get back to the very foundations of Nightmares on Wax, creating the sounds that have made him an influential figure across the production community. This new EP is back to back dance floor jams, though somewhat a departure from his recent work. With this EP and more work back in the studio we're looking towards and exciting year for N.O.W and fans!
Dominick Fernow laces up his Vatican Shadow boots for the project’s first set of drills since 2014 and one of its finest ever transmissions, trampling in the wake of his fierce new Prurient record Unknown Rains, for Hospital Productions. Reflecting on a world much unchanged, even intensified since his last dispatch, Media In The Service of Terror works classic VS signatures measured with increased momentum and propulsive energy, divided into seven parts and imbued with that dramatic melodic arrangements that works beyond the club. Stepping farther away from the ‘floor, he’s in scowling, contemplative form with Ziad Jarrah Studied Mathematics and at his best when working between spheres, as with the industrial reggaeton roil of Take Vows in both its versions, and particularly the pensile atmosphere of Interrogation Mosaic.
Depeche Mode Violator on 180g LP! Initially rooted in the U.K.’s New Romantic movement, modern rock icons Depeche Mode first formed in 1980 with founding partners Dave Gahan, Martin Gore, Vince Clarke, and Andrew Fletcher. Their pioneering, synthesizer-based sound became a global phenomenon that made them wildly successful electro-pop superstars who loomed as large as cult heroes as they did as commercial heavies. With an originality of vision that’s only grown over time, the band’s wealth of singles and signature tracks ranges from bold dance grooves to atmospheric alt-pop to dramatic, industrial flavored masterpieces. Depeche Mode truly hit their artistic and commercial peak with the release of their sexually charged 1990 alt-classic Violator which confirmed the quartet’s status as international superstars once and for all. Co-produced by Alan Wilder and Flood, the concise and expertly crafted 9-song effort is home to such landmark singles as “Personal Jesus,” “Enjoy the Silence,” “Policy of Truth” and “World In My Eyes.” Gatefold 180 gram vinyl with inserts and liner notes. "For many Depeche Mode fans, Violator is the crowning glory of the boys' black-leather period. In "Sweetest Perfection," "Halo" and "World in My Eyes," they turn teen angst and sexual obsession into grand synth-pop melodrama, and their attempt at guitar rock resulted in a hit with "Personal Jesus." - #342 on Rolling Stone's 500 Greatest Albums of All Time.
Depeche Mode Music For The Masses on 180g LP Initially rooted in the U.K.’s New Romantic movement, modern rock icons Depeche Mode first formed in 1980 with founding partners Dave Gahan, Martin Gore, Vince Clarke, and Andrew Fletcher. Their pioneering, synthesizer-based sound became a global phenomenon that made them wildly successful electro-pop superstars who loomed as large as cult heroes as they did as commercial heavies. With an originality of vision that’s only grown over time, the band’s wealth of singles and signature tracks ranges from bold dance grooves to atmospheric alt-pop to dramatic, industrial flavored masterpieces. 1987's Music For The Masses lived up to its title and then some, underscoring the power and songcraft of Depeche Mode as its popularity exploded and leading to a massive world tour. Produced by David Bascombe fresh off his engineering work on Peter Gabriel's immensely successful album So, the 10-song set was the band's first to break into the Top 40 on the Billboard 200 chart and it was home to more hit singles on the Billboard Hot 100 than any of their prior releases with "Strangelove," "Behind The Wheel," and "Never Let Me Down Again."
Private Energy is the fifth album from Roberto Carlos Lange a.k.a. Helado Negro. Written and produced by Lange, the album is an interpersonal communication of sounds about his surroundings past, present, and future. Private Energy, which follows 2013’ s Invisible Life and 2014’ s tour de force Double Youth, continues the work Lange has done as an artist, culminating in the most captivating artistic statement of his career. The music draws from his expansive knowledge of sampling, sound synthesis, recording and history of references, and the album was created as a performance piece in tandem with his Tinsel Mammal dancers. Present at each Helado Negro show, the Tinsel Mammal dancers, costumed head-to-toe in silver strands, are a visual representation of sound and a sensual gateway to profoundly personal lyrics. The Tinsel Mammals are not representative of any human form. They work as a shimmering objects that represent the ideas of genderless and raceless beings and Private Energy’ s themes of self-love, pride, and the embrace of constant change.
The first glimpse of Nickodemus' forthcoming album in Spring 2017 is a new collaboration with singer & songwriter Alsarah (Alsarah and the Nubatones). "The Crow" moves deep into 122 BPM stacking synth house that lyrically tells a story of ones identity in the metaphor of a Crow's who looses his/ her feathers & tries to replace them with others. Saagan (the new project by super house producer Andreas Saag) turned in a beautiful melodic remix that turns deep Detroit with the sounds ofCrows & Arabic strings. "Alkoan Kulu Bidoor" is a cover song featuring the lyrics of AbdelRahim Mansoor. The 1st known version of the song gained much success inthe 80's in & around Egypt. The new version takes the song to the new millenium with a classic Nickodemus hip hop meets dub beat & live Oud by the Spy from Cairo. iZEM (Soundway Records) delivers a heavy hitting footwork version bound to rock any global bass party Worldwide.
Letherette will release their second album for Ninja Tune Last Night On The Planet on 25th November 2016. Ten tracks deep and running the gamut from hip-hop (featuring raps from Rejjie Snow and Stones Throws Pyramid Vritra), to straight-up four-to-the- floor house trax, uptempo 80s R&B-inspired dancefloor heaters, and deeper, introspective downtempo moments (blessed by Jed & Lucia of Ubiquity Records). New album Last Night On The Planet feels more instant and direct than their self-titled debut but the duos signature warmth and distinctive swing is present and correct. Opener Momma featuring Irish rapper (transplanted to Los Angeles) Rejjie Snow is a classic throwback rap jam, recalling Pete Rock at his finest: unfussy, direct and utterly irresistible. Its up there with the fastest tracks Ive ever written, says Andy. I made it the day before I was in the studio with Rejjie and knew hed like it. Elsewhere, first single Shanel (downsampled and processed through an old rack sampler for that CRUNCH) nods to Andy and Richs love of 80s R&B productions by the late great Kashif (RIP), Rene & Angela and Glenn Jones; Rich & Dan harks back to timeless early ette chops; widescreen epic Rubu utilises minutely detailed sample reconstruction techniques and subtly nods to footwork and rave euphoria; and uptempo heaters Frugaloo and Dog Brush were the joyful product of late night one-take jam sessions: Me and Rich listened to Dog Brush about 40 times on repeat after we made it it always feels more instant and natural when tracks come together quickly.
We welcome DJ Taye back to Hyperdub for his second EP on the label after last years popular Break It Down EP and a North American tour with Jessy Lanza. The Move Out EP is a masterclass in a distinctly soulful, dusky footwork sound with a melancholic undercurrent thats crossed with a precise eye for detail. Burnin Ya Boa ft DJ Manny opens the EP with a crisp, micro-edited arrangement of tumbling piano, dubbed out chants and a heart-tugging woodwind melody playing hide and seek with racing, ever-changing footwork drum and bass patterns. Go 2 Sleep ft DJ Earl rolls with a narcoleptic woody percussion loop, and a vocal urging Please go to sleep, a request which is challenged with drill sounds, rave stabs, energetic footwork drums, and soft bass tones. The super minimal I Need I Want ft DJ Manny & DJ Spinn takes a house acapella and spins it into something more urgent and compulsive, the vocalists insistent, addicted pleas met with a downcast, tumbling melody. Move Out ends the EP on a brighter note, with big Detroit techno chords and a warm Moog-like solo-cum-melody. The Move Out EP is just a taster for the avalanche of new DJ Taye material forthcoming in 2017.
Ninja Tune will release Jay Daniels debut album via their Technicolour imprint on 25th November 2016. Jay, now 25 years old, has become one of the leading artists in the latest generation of Detroit electronic music-makers. In the five years that he has been on the scene, he has released the Scorpio Rising EP on Theo Parrish's Sound Signature Records, Karmatic Equations on Kyle Hall's Wild Oats Music, and featured on Funkinevens Abyss, all the while gig- hopping from New York to London, Japan to Australia and all points in between. In 2015, Jay took it to the next level with the foundation of his own record label Watusi High, releasing the inaugural EP: School Dance. "Broken Knowz" signals a departure from Jays previous output. Disillusioned with the constraints of drum programming and the associated deficiencies translating human feeling or emotion; he retreated to his mothers basement, picked up his drumsticks and started recording into a multitrack mixer for the first time. This was key for Jay, as he knew he wanted the album to sound more live, more natural, and more human. Consequently, Paradise Valley, Boolin, Yemaya and lead track Knowledge Of Selfie are founded on loose-knit, shuffling breaks with Jays signature keyboard runs marauding over the top. Refreshingly exposed and overtly reliant on the sheer weight of the grooves, its a mighty debut from a young man seemingly oblivious to the weight of expectation associated with the pantheon of music-makers hailing from his hometown. Broken Knowz is only the third longplayer on Ninja Tunes Technicolour imprint which has delivered a string of exceptional leftfield club music EPs from Florian Kupfer, Legowelt, Nathan Melja, NY*AK, U and superb albums from Levantis and Hieroglyphic Being.
Debut album from piano technician turned producer and multi-instrumentalist Barnaby Carter for Berlin's fine Project Mooncircle label. It is a fundamental part of life that in order for something new to emerge, something old has to pass and give up its space and resources. This circulation between life and death is the source of everything beautiful. It is omnipresent in the whole of nature and all cycles of reproduction we know. “Life is finite yet cyclical. It’s beautiful. I am inspired by nature, and of the growth within it, albeit temporary. But for me, as I said before, the finiteness of life is part of its beauty. So enjoy the moment.” – Barnaby Carter The positive melancholy of “While It Still Blooms” is his testament to acceptance, creativity and simplicity. “While It Still Blooms” comes out worldwide on limited splattered vinyl (including download code). It is a fundamental part of life that in order for something new to emerge, something old has to pass and give up its space and resources. This circulation between life and death is the source of everything beautiful. It is omnipresent in the whole of nature and all cycles of reproduction we know. “Life is finite yet cyclical. It’s beautiful. I am inspired by nature, and of the growth within it, albeit temporary. But for me, as I said before, the finiteness of life is part of its beauty. So enjoy the moment.” – Barnaby Carter The positive melancholy of “While It Still Blooms” is his testament to acceptance, creativity and simplicity. “While It Still Blooms” comes out worldwide on limited splattered vinyl (including download code). “What an incredible musician! Love that!!” (Sam Bonham | BBC Introducing, UK) “Very calming sounds but also very open sounding and very live at the same time and just another great track from the excellent label Project Mooncircle. (Nick Luscombe | BBC Radio 3, UK) “Barnaby Carter set about nailing down his own, totally distinct, universe.” (Robin Murray | CLASH, UK)"
"In The Thick Of It is the brainchild of Spencer Kenney under the moniker SPK, marking the 2nd release from JT Donaldson’s New Math Records. Hailing from Dallas’ famed Booker T Washington High School (read Erykah Badu, Norah Jones, Edie Brickell & Roy Hargrove), Spencer has been fine tuning his craft in several bands since graduating and is now releasing his debut EP for New Math Records. In The Thick Of It is parts psychdelia, electronica and indie pop, mixing Surf’s Up-era Beach Boys, Mac Demarco and Flying Lotus on a sonic journey spanning 7 songs."
Justice’s new album “Woman” is a journey that catapults you from the elastic R&B pop of “Pleasure” straight into the rush of “Alakazam!”. Twirls through a dazzling bout of thumping electronic piano and clavinet sparring during “Fire”’s dancefloor peacocking, barely pausing for breath before it lands at “Stop” - a sparkling, bittersweet slice of disco pop that boasts one of the best chorus the pair have ever had on a track. “Randy” has a melody Michael McDonald would have killed a fellow Doobie Brother for (if Michael McDonald was into gut-shuddering electro that is). “Love S.O.S”, meanwhile, sounds like the greatest disco anthem you’ve never heard.
If you have questions regarding your order please visit our Order Status page before contacting us.
If it's urgent don't hesitate to give us a ring.
Business hours are Monday - Friday 9AM-5PM PST.
Call Us Toll Free: (888) 377-3175
To reach us by email use the form below:
Joseph Abajian (DJ Jab) founded Fat Beats in 1994 with nothing more than a shoestring budget and an earnest obsession with the music, the culture, and the brotherhood of New York’s burgeoning rap scene. What began as a simple vinyl shop in Manhattan’s Lower East Side quickly became an integral hub for artists, both aspiring and established, to convene and collaborate on new projects. Joseph’s timing couldn’t have been more impeccable. When the 90’s cultural zeitgeist – and, in turn, the music industry establishment – chose hip-hop as its new arbiter of cool.
International tourists and touring artists alike flocked to Fat Beats for rare vinyl, kindred spirits, and exclusive in-store performances from Jay Z, Eminem, Gang Starr, Outkast, Slum Village, Mos Def, and more. One thing was clear: the Fat Beats phenomenon could no longer be contained in a single basement shop.
In the late nineties, Abajian proceeded to open new stores in Amsterdam, Tokyo, Los Angeles, and Atlanta. He further expanded the company’s profile to include global distribution and record label branches. Distribution has since proven to be the company’s strongest and most enduring enterprise. Today Fat Beats Distribution stands poised as one of the country’s pre-eminent distributors of vinyl & specialty item records: a proud survivor in an industry now famous for its mortality rate. Despite market fluctuations, technology innovations, and stylistic revolutions, Fat Beats has remained steadfast in its commitment to the timeless vinyl format and to the loyal community who keeps it spinning.
Important information when ordering with Fatbeats.com...
• Online orders are processed within 1-2 business days.
• If you are confused or need to know about an order placed on the site you can contact us
• Order processing time is separate from shipping time requested.
• International orders and orders that require additional credit verification can take longer to process. Please be available at the provided number or email submitted to speed up verification time.
•We try and offer as many upcoming projects available for pre-order when the releases have moved into production. However, due to the nature of manufacturing and production, pre-order dates may change. If your pre-ordered items are holding your package from arriving please email us with a request to ship the in-stock items and pre-orders when they become available.
•If your order contains pre-order items we will hold the package until all titles are available to ship. Please specify in the comments section of the checkout if you would like to: a) hold your entire order until it can be entirely fulfilled or, b) have the in-stock items shipped immediately and the pre-ordered items ship when available. Please note that option B may require additional shipping charges as multiple packages will be shipped.
• Our stock rapidly changes and we try and set in place a system that avoids purchasing items that become out of stock. However, if a product ordered is out of stock, we will reach out and give you the chance to change or cancel your order. If you choose to cancel, you will be refunded in full.
• IMPORTANT: If the address or phone number supplied conflicts with other information provided, i.e. billing information versus shipping information, we may need to contact you to verify your purchase. Please be available to verify or write an explanation in the notes section during checkout explaining the conflicting information.
•Please make sure you give us your correct billing address and your correct billing phone number. Again, it is highly important that you are available at the provided number or email submitted to speed up verification time enabling us to avoid fraudulent purchases.
• All sales are final. However, if the item ordered is different from the item you receive, please contact us and we can arrange to get you the desired product.
• We are committed to protecting your privacy. There is an opt-in policy to receive marketing and other e-blasts about future products available as well as deals and coupons. If you do not wish to receive these emails you can opt out by simply removing the check from the marketing box below upon check out. We will never sell your email or personal information.
• Your payment and personal information is always safe. Our SSL (secure server software) is the industry standard and among the best software available today for secure commerce transactions. It encrypts all of your personal information, including credit card number, name, and address, so that it cannot be read over the internet.
Fat Beats offers internship opportunities. You must be enrolled in college and reside in the Los Angeles area to be eligible for our programs. If you meet these requirements, please paste your cover letter below and we will contact you if there are open positions available.
We are currently offering an internship program that offers an educational experience in all facets of our distribution operation. The intern would have the ability to assist in each of the following departments:
Online Retail / Marketing
Shipping & Receiving
- Enrollment in an accredited college/university that offers an internship program for academic credit
- Knowledge and passion in independent music and culture; with a specific interest in the artists/releases that Fat Beats supports
- Familiarity with Microsoft Office applications
- Positive attitude - no task should be considered too small
- Must be located in the greater Los Angeles area
Resumes/Cover Letters should be emailed to firstname.lastname@example.org