Coils is the latest offering from Santa Ana, CA native Evan Geesman. Fresh from the success of his previous digital-only release Lengua, with co-signs from Bandcamp’s Head Curator Andrew Jervis and Osunlade, his new work finds him delving deeper into his production palette interspersed with his songwriter‘s aesthetic, resulting in a decidedly denser sonic soundscape than its predecessor. Born and raised in Santa Ana, CA Evan Geesman has been writing and recording songs since his early teens. From folk songs recorded on a 4 track in his parents’ garage to recent collaborations with local electronic beat collective GRN+GLD, Evan’s unique and prolific musical output have established him as both a singer songwriter and electronic/new beat producer. While Evan’s previous material crossed several genres and had more of an experimental bent with influences varying from Aphex Twin, Wu-Tang, Mahavishnu Orchestra and world folk music, Coils represents a natural synthesis of his beat heavy electronic compositions and strong songwriting sensibilities. Many of the songs recorded over the last year began as guitar compositions, which were then painstakingly recreated electronically, building layers of arrangements consisting of electronic instruments, field recordings and his own vocals over an acoustic foundation. When asked to describe the album’s underlying theme, he cites how suffocating life in the modern world can be with the internet, TV, technology and the increasingly overwhelming speed of communication. Using music as a medium to convey this accurate yet unfortunate depiction of living in modernity, Coils doesn’t succumb to the dourness, it finds a way to remind those who listen that life can be softer.
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Issued in a deluxe triple-gatefold double LP package complete with photos and extensive liner notes. Includes digital download code. Amidst much anticipation from collectors, record stores, DJ's and producers alike Gloria Ann Taylor's musical output on Selector Sound have been compiled and will be presented in a deluxe triple-gatefold double LP package complete with photos and extensive liner notes. Soul singer Gloria Ann Taylor has no rags to riches tale to tell. Her story is one of personal sacrifice, failed relationships, and missed opportunity. She was leading a hard knock life before being swept-up by the flash and promise of a marriage and business partnership with a successful record producer. She would be nominated for a Grammy, rub shoulders with James Brown and Bootsy Collins, and turn heads from Motown. But in the end she rejected professional singing, the music business, and the lifestyle that came with it. Thankfully for music lovers, before Gloria closed the doors on her singing career, she left us with some amazing soul songs. Deeply shaded by gospel roots, her haunting sound clearly comes from the gut. Gloria did not fake the funk. Gloria was a partial owner of the Selector Sounds label, along with her husband/producer Walter Whisenhunt (previously a right-hand man to James Brown), and her brother Leonard. They released five Gloria Taylor singles between 1971 and 1977. They also released the three-song Deep Inside You EP, under the name Gloria Ann Taylor and Walter Whisenhunt's Orchestra. In the studio Whisenhunt would work up a unique musical brew that mixed northern soul with exotic percussion and fuzzy psychedelic guitars. He moved Gloria through a range of tempos and stylings from ballads to disco. Her gritty vocal performance was set to orchestral arrangements creating a juxtaposition of grandeur and solace. The pinnacle of their collaborations has to be the jaw-droppingly epic EP version of "Love Is a Hurting Thing"; a chugging, string-laden disco track, that sounds like proto-Theo Parrish and anchors this fantastic 12-track collection of the same name!
Lavashark’s debut offering comes with their reinvisioning of two Rock classics; Bruce Springsteen’s “State Trooper” and “Susie Q” made famous by Creedence Clearwater Revival. Anchored by their use of vintage analogue synths, and drum machines the pulsating electronic soundscape they create is tempered by Theo De Gunzburg’s moody haunting vocals. Brighton UK producer Antenna Happy lends his hand to a more driving and dance-floor friendly remix and dub version of “State Trooper”. Channeling a live analogue sound that borrows from the Illinois blues of Muddy Waters, as much as it does to the maverick electronica of Aphex Twin. At the heart of the group lies their live performance, a place where raw synth lines and brooding vocals form a safe haven away from the digital age. An LA based trio comprised of Theo De Gunzburg, Matthew O’Malley and John Barnes, the group were drawn together by a shared affection for David Attenborough. Working out of a converted garage in Venice, Lavashark craft a nomadic sound that when played live, forcefully raises you to your feet and questions whether this is old or very new.
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Staying true to their M.O. The Soul Surfers present another heavy 45 soul treat featuring Myron & E on the lead-off single from their much anticipated full-length album. Make some more room in your 45 collection as the boys from Nizhny Novgorod, Russia have created another highly collectable 7in single, adding to their seemingly ever-expanding canon of sure-fire, raw soul and funk. This time around they brought along their good friends and fellow heavyweights Myron & E to lend their vocal talents. Inspired by classic 45’s from the People catalog amongst many others, the tune is split into a part 1 and 2 because one side simply isn’t enough to contain this much heat! Look for the debut full-length Soul Surfers album to drop later in 2015 with a possible tour in the US.
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"If, in the mid '90s, when I first heard real “new” funk and soul music made by the likes of Poets of Rhythm and the Desco crew – that in 2015 some of the realest funk left to be recorded would come from Russia, I would have said you were out of your mind. But The Soul Surfers are sincere, and their geographic location matters little when it comes to chicken scratch guitar, syncopated drums, throbbing bass lines and overall attitude: this is funk for the universal get down." -Eothen Alapatt aka Egon (Now-Again Records) After releasing countless collectable and in-demand 7in singles and making a name for themselves in the contemporary “raw funk and soul” scene, The Soul Surfers drop their debut album “Soul Rock!”; a magnum opus of raw, gritty soul and greasy funk featuring eminent guests from the aforementioned scene that birthed their sound. Soul crooners Myron & E break out of their “smooth” vocal personas and deliver a decidedly more stripped down and visceral performance in the lead-off single “You Can Run (But You Can’t Hide) From My Love that also promises to be a dance floor filler. Co-collaborators JJ Whitefield from The Poets of Rhythm and Malcom Catto of the Heliocentrics add their signature touch on two of the album’s ”heavier” cuts “Raw” and “Stop Fooling Around.” Label-mate, multi-instrumentalist and studio genius Shawn Lee lends his vocal, guitar and mixing board talents to “Time Is A Gun” while noted producer Didier from the Soul Investigators gets in on the mix, vibes, and percussion on the heavy slow-burner “Astra”. Smoove & Turrell round out the album with the blue-eyed soul stomper “Straight Up”. Formed while still in highschool and eventually releasing 20+ singles on Detroit’s “Funk Night Records” starting in 2011, The Soul Surfers are just getting started, led by Igor Zhukovsky who has this to say about their debut album, “we had a chance to collaborate and make this international album with so many cool guests from the best groups in the game all over the world. And there is no barriers with people worldwide - everybody can do what they love together, don't believe the shitty words of politicians!”
Music with a message and for community. Various writers and reviewers have tried their best to categorize the sound of London's United Vibrations using terms like Spiritual Jazz, Afropunk, and Afrobeat. However, this unique group may be best described by the feelings their music instills instead of through a genre classification. Call it spiritual, or call it vibrations, for that matter. Vibrations for the sound waves produced by their instruments and voices as well as for the emotions that it stirs, the culmination of which is realized in The Myth Of The Golden Ratio. Comprised of three brothers - Ahmad, Kareem, and Yussef Dayes - alongside close friend Wayne Francis II, the group prescribes to the mantra, "Out of many must come one." Over the course of two EPs and a full-length album previously released independently, they have worked tirelessly to channel their ideas into soundscapes enriched with beauty and meaning. While their early material was developed by busking and each song created separately, on The Myth Of The Golden Ratio they fused the process for writing and recording and with access to more instruments in the studio, the band has felt even more creative freedom to enhance their sound. Already admired by festival audiences throughout Europe for their live performances, United Vibrations has also garnered recognition from tastemakers such as BBC 3 jazz stalwart Jez Nelson and legendary producer Theo Parrish. While many acts perform for or to their audiences, United Vibrations relishes in their ability to perform amongst and with theirs. In fact, they consider the crowd the most integral part of the experience, with the energy becoming cyclical - the crowd feeding the musicians feeding the crowd. Oftentimes they utilize call-and-response to elicit participation that helps to create and maintain a musical and divine space. People from different life experiences and demographics have become a united force through this creative space at festivals and concerts across the UK and Europe.
The latest installment from the highly acclaimed and sought after Rewind! series features covers of classics such as “Dreams” by Fleetwood Mac done by none other than Shawn Lee and Adrian Quesada’s Electric Peanut Butter Company, a rousing reggae funk take by The Lions and Noelle Scaggs of Lynn Collin’s “Think (About It)” and Monophonics’ hit single “Bang Bang”. It also includes previously unreleased covers of “Spill The Wine” and “Daytripper” by jazz-funk master Johnny Frigo that were not included on his Luv N‘Haight “Collected Works” release. Brownout Presents Brown Sabbath’s well-received cover of “Planet Caravan” and post-punk anti-hero Black Randy’s manic interpretation of James Brown’s “Give It Up Or Turn It Loose” rounds out the eclectic vibe of the compilation.
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Joseph Abajian (DJ Jab) founded Fat Beats in 1994 with nothing more than a shoestring budget and an earnest obsession with the music, the culture, and the brotherhood of New York’s burgeoning rap scene. What began as a simple vinyl shop in Manhattan’s Lower East Side quickly became an integral hub for artists, both aspiring and established, to convene and collaborate on new projects. Joseph’s timing couldn’t have been more impeccable. When the 90’s cultural zeitgeist – and, in turn, the music industry establishment – chose hip-hop as its new arbiter of cool.
International tourists and touring artists alike flocked to Fat Beats for rare vinyl, kindred spirits, and exclusive in-store performances from Jay Z, Eminem, Gang Starr, Outkast, Slum Village, Mos Def, and more. One thing was clear: the Fat Beats phenomenon could no longer be contained in a single basement shop.
In the late nineties, Abajian proceeded to open new stores in Amsterdam, Tokyo, Los Angeles, and Atlanta. He further expanded the company’s profile to include global distribution and record label branches. Distribution has since proven to be the company’s strongest and most enduring enterprise. Today Fat Beats Distribution stands poised as one of the country’s pre-eminent distributors of vinyl & specialty item records: a proud survivor in an industry now famous for its mortality rate. Despite market fluctuations, technology innovations, and stylistic revolutions, Fat Beats has remained steadfast in its commitment to the timeless vinyl format and to the loyal community who keeps it spinning.
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