In 1978, famed Latin Jazz percussionist Willie Bobo released a promo-only 12” single featuring a “Special Disco Version” of “Always There”, a cut from his most recent album Hell of An Act To Follow. Pressed in extremely limited quantities and never available commercially, this 12” quickly became a highly sought-after rarity for DJs and collectors. Now, this lost treasure is back in print while supplies last, complete with an exclusive a new multitrack edit of “Always There” from DJ / crate-digger extraordinaire Kon (BBE / Soul Clap) on the B-side. Released in partnership with the Bobo family, this official pressing revisits a dancefloor-ready masterpiece.
Pias present a reissue of Black Earth by the German doom jazz cult band, Bohren & der Club of Gore, originally released in 2002. Black Earth is a masterpiece and the perfect soundtrack for an imaginary movie experiencing the nights in a dangerous city. For fans of SunnO, OM, Max Richter, Fennesz. "The substance we are seeking here lies beyond the bare bones of fact, the when and the where (founded in 1988, Mülheim an der Ruhr) or personnel and instruments. Mysteries may very well lurk here or there along the way. What keeps the final two founder members going after all this time? Do Morten Gass and Robin Rodenberg have skeletons locked in their closets? How dearly we would we love to know the answer to that one, alas the most beautiful puzzles tend to remain unsolved. Including their debut Gore Motel (1994), Bohren & der Club of Gore have amassed an impressive eight long players... Strange as it may seem, there is a uniform consistency to their reception. Whatever the band does, critiques are unfailingly positive, yet repetitious. Consider the arrival of Christoph Clöser in 1997, by way of illustration. When he joined the group, his saxophone replaced the departing Reiner Henseleit's guitar as one of the defining instruments in the band. This was arguably the sharpest break in their sound to this day and a significant marker in terms of the band's reverence for Dutch instrumentalists Gore (the clue is in the name), whose repetitive riffs paved the way for how the guitar would be deployed in a post-everything future... Similarly conspicuous by their absence in the Bohren chronicles are the numerous instruments which they added to the mix. The introduction of choirs at least had a clear visual impact. Since Thorsten Benning left at the end of 2015, the band has continued as a trio, sharing shifts on the drums. A decrease in personnel was conversely accompanied by quantum leaps forward in the group's musical development - or more precisely, minor adjustments triggered major effects. The music of Bohren & der Club of Gore opens up remarkable rooms of association, from a warm burrow to a pristine secret lodge, from a dusky woodland tavern to a smoky quayside dive... These sinister crackling songs are invitations to secrete oneself in darkness." -Lars Brinkman.
Pias present a reissue of the 2005 album from Germany's doom jazz cult band Bohren & der Club of Gore, Geisterfaust. Geisterfaust, featuring the slowest band on earth in an even more reduced and slow motion style, is back in full glory, with 58 minutes of playtime over five astonishing tracks. "Geisterfaust" might be translated as "the fist of a ghost" and the individual tracks are "trigger finger", "ring finger", "middle finger", "thumb" and "little finger". The group, who are much loved by musicians like Mike Patton (of Faith No More and who releases their albums on the Ipecac label) or Stephen O'Malley (SunnO), deliver outstanding music. For fans of SunnO, OM, Max Richter, Fennesz and David Lynch/Angelo Badalamenti. This is instrumental music of the highest caliber.
Mondo are proud to present the soundtrack to Fight Club on vinyl for the first time in over 15 Years. The Dust Brothers only film score to date, Fight Club is arguably one of the most enjoyable soundtrack albums to come out of the 90’s and part of that has to do with the fact that it is one of the best sequenced scores of all time. Weaving all of the films cues from the film into 16 songs, the album winds up feeling like the best instrumental Trip-Hop album you’ve never heard. Buy it, or you will be incomplete. But be warned, this album is not beautiful, clean or perfect. It is not Mint, or even VG+. It is Fair at best. Just like you. You are not your record collection.
In the summer of 2002, Tim Rutili and the rest of Califone had just come out of a busy year that included touring with Yankee Hotel Foxtrot-era Wilco and collaborating with Issac Brock's alter-ego project, Ugly Casanova. With new creative energy unlocked, the band began work on the follow-up to their breakout full-length debut, Roomsound. The result, the much celebrated Quicksand / Cradlesnakes, brims with earned confidence. Here, Califone began to master the mix of blues, country and technical glitchery so oft-referenced today, all the while creating something timeless. Quicksand / Cradlesnakes is rugged and elegant, dark and optimistic, familiar and entirely new. In a word it is beautiful.
Remastered for vinyl and reissued for the first time in over a decade, Black Tar Prophecies Vols. 1, 2, & 3 is a massive evolutionary step in the established Grails sound and is shrouded in change and pain. The somewhat clinical studio sound and recording style with which they had established a tremendous following has been replaced with a much more free and conceptual recording style. This method liberated the group in the studio and these recordings feel much more open, heavy, and psychedelic. This sound has always existed within Grails, but it was here that it became their identity.
Sleep’s legendary second studio album became a blueprint for ‘stoner rock’, and was originally released in 1992. Widely considered as one of the most seminal albums in the evolution of stoner rock alongside the likes of Kyuss and Fu Manchu. Sleep reformed in 2009 playing selected festival dates, and recently released their first new music in over a decade in 2014, issuing the single ‘Clarity’. The song ‘Dragonaut’ was used in the 1997 Harmony Korine film, Gummo. After the original release of ‘Holy Mountain’, the band signed to London Records and released the one song, 52 minute ‘Dopesmoker’ which the label refused to release. Guitarist and vocalist Matt Pike has found success with High on Fire, while Al Cisneros and Chris Hakius.
Sold Out - $24.99
The debut Peacefrog album from Kenny Dixon Jr. aka Moodymann originally released in 1998 is an album of truly epic proportions, a must have for any and all collectors and lovers of house music. Utilising soul, funk, gospel, and even hip-hop production techniques and alternating from mellowed-out disco dubs like “Mahogany Brown” and “Stoneodenjoe” to more raw and dirty tech-house tracks like “Me and My People’s Eyes.” Mahogany Brown delivers a slice of Black American music that affirms Kenny’s reputation as a major influence on house music today.
Paul Johnsons debut album originally released in 1995 is a classy mixture of deep soulful house and harder, more techno style house beats. Born and raised in the birthplace of House Music, Paul Johnson has released a vast amount of music for some of the most consistently underground dance labels before hooking up with Peacefrog. 12” releases on the likes of Cajual / Relief and Dance Mania led to his debut album release “Bump Talkin” in 1996. This and the follow up “Feel The Music” became two of the most talked about releases of their time. His remix work for Stacy Kidd, Joey Beltram, Green Velvet, Armando, CC Penniston, Ron Trent, K-Alexi, and Steve Poindexter amongst many others have made their way into all the big DJ’s boxes, many of which remain there to this day. Paul’s breakthrough moment arrived in 1999 with his International hit “Get Down” which is still heard in clubs and on the radio to this day.
Remastered for vinyl and reissued for the first time in nearly a decade, Take Refuge In Clean Living sees Grails pulling back their already wide lens on multiple sonic horizons. Opening with a nod to Syd Barret's Pink Floyd (Piper at the Gates of Dawn) Take Refuge In Clean Living begins with morse code and drops into one of the heaviest slowburn grooves in the Grails canon. Sounding something like Hawkwind and Ravi Shankar scoring Blade Runner, it's lysergic and earthy for Grails in a new way. The rest of the record moves from blissful Eno-inspired ambience, to epic Morricone rock hymns, to an unexpected take on a Ventures tune that returns the listener to the very beginnings of instrumental rock music. The touring incarnation of Grails in 2006 and 2007 included good friend and drummer Ben Nugent, allowing Emil Amos to switch to 3rd guitar for the band's live instrumentation. The DNA of this guitar-heavy line-up allowed for new kinds of arrangements and bigger melodies. In early 2007, the then-5-pieceentered Steven Lobdell's (Faust) Audible Alchemy studio to document the new songs written with this augmented ensemble. The band is defined by exploration and they've created a template for themselves where any style or method can be ingested to reap legitimate rewards. Take Refuge In Clean Living rightly suggested that Grails wouldn't run out of ideas.
Sold Out - $27.99
Sold Out - $69.99
This is the studio work of London's prodigious dub godfather, Mad Professor, who takes Massive Attack's Protection album as raw material to create a completely new experience. Bits are added, dropped out, accentuated, run through sonic effects, drenched in reverb, turned inside out until the songs disappear and in their place emerge reborn textural soundscapes. No Protection gives a sort of discursive aural commentary on Protection's original songs, pointing out all the obscured details-the minutest percussive rings and beeps, the most mesmerizing bass loops.
Bristol's Massive Attack released a classic with their first album, Blue Lines, but only those who were paying careful attention noticed; soon, they were overshadowed by the likes of Tricky and Portishead, who were colleagues. But not so after the release of Protection, which sported a massive hit and was just as critically acclaimed as their first album. (The hit was the title track, for which Everything but the Girl's Tracy Thorn lent her divine pipes-a move that made the act's name, and also presaged EBTG's move to the dance floor.) Eschewing the showmanship of their scene mates, Massive prefer subtler soundscapes and using a diverse range of vocalists (including Horace Andy, Nicolette, and Tricky) who give them a number of flavors and moods with which to work. Protection is an understated album with a rich palette; it reveals more of itself on repeated listens, growing better-and deeper-each time.
The package features Braille inscriptions originally available only on the album's rare first pressing. Talking Book is the fifteenth album by Stevie Wonder. 'You Are the Sunshine of My Life', hit #1 on Billboard's Hot 100 and earned Stevie his first Grammy Award. The album's first single, 'Superstition', also hit #1 on Billboard's Hot 100 and Hot Soul Singles charts. This reissue is newly remastered from original analog.
The Beatles work was always impeccable. Those four young men, John, Paul, George and Ringo, broke so many records and so many barriers and they will be remembered for being the most significant music creators of the twentieth century. This collection of number ones is taken from the most widely circulated charts in the UK (Record Retailer) and the USA (Billboard).
Released on 10th July, 1964, the Beatles third album in less than eighteen months was timed to coincide with the cinema opening of their first movie. Of the album's 13 tracks seven were featured in the soundtrack of the film. One single had been released ahead of the album that being "Can't Buy Me Love"/"You Can't Do That" which had been issued on 20thMarch. It was also quite remarkable that for the first time on a Beatles album that all of the titles had been composed by John and Paul. Since the release of With The Beatles, the previous November, their UK success had started to spread around the world. Their first US single via Capitol Records - "I Want To Hold Your Hand"/"I Saw Her Standing There" had topped the US charts for seven weeks, leading to their former US distributor reissuing 'She Loves You' and 'Love Me Do' both of which also reached the # 1 spot. In fact such was the group's popularity that in the first week of April, 1964 they held all top five positions in the Billboard chart with a further seven titles it's Hot Hundred. Despite their success, their workload did not ease up, in fact within hours of returning from a triumphant visit to the US, which had included concert performances and three appearances on the Ed Sullivan TV show, the guys were in a TV studio in London rehearsing and recording another guest appearance. The Spring and early Summer of 1964 saw The Beatles filming and recording new material both for the movie and their next album. They also filmed a TV special, and played a few UK dates prior to jetting off on a 27 day tour that visited Denmark, The Netherlands, Hong Kong, Australia and New Zealand. They eventually returned to Britain on 2nd July and four days later attended the world premiere of "A Hard Day's Night" at the London Pavilion. The album reached no.1 in the UK charts towards the end of July and occupied the top spot for 21 of the 38 weeks that it spent in the Top Twenty
First issued on 26th September, 1969 Abbey Road was the final Beatles album to be recorded but not their last to be released. Let It Be, though mainly recorded in January, 1969 was finally released in May, 1970 alongside the film of the same name. Following the 'live' nature of the "Let It Be" recordings, for Abbey Road, The Beatles returned to the North London studios to create carefully crafted recordings with ambitious musical arrangements. Interestingly, 12 of the songs that appeared on the finished album were played during the filmed rehearsals and sessions for "Let It Be" back in January. For the first time on a Beatles album, the front cover contained neither the group's name nor the album title just that iconic photograph taken on the zebra crossing near the entrance to the studios in London NW8 in August 1969. Abbey Road entered the British album chart at no.1 in October and stayed there for a total of seventeen of its 81 weeks in the chart. In the US, it spent eleven weeks at #1 during its initial chart stay of 83 weeks.
Released on 1st June, 1967, Sgt. Pepper's Lonely Hearts Club Band, the band's eighth album became the soundtrack to the "summer of love" but its appeal is timeless.
If you have questions regarding your order please visit our Order Status page before contacting us.
If it's urgent don't hesitate to give us a ring.
Business hours are Monday - Friday 9AM-5PM PST.
Call Us Toll Free: (888) 377-3175
To reach us by email use the form below:
Joseph Abajian (DJ Jab) founded Fat Beats in 1994 with nothing more than a shoestring budget and an earnest obsession with the music, the culture, and the brotherhood of New York’s burgeoning rap scene. What began as a simple vinyl shop in Manhattan’s Lower East Side quickly became an integral hub for artists, both aspiring and established, to convene and collaborate on new projects. Joseph’s timing couldn’t have been more impeccable. When the 90’s cultural zeitgeist – and, in turn, the music industry establishment – chose hip-hop as its new arbiter of cool.
International tourists and touring artists alike flocked to Fat Beats for rare vinyl, kindred spirits, and exclusive in-store performances from Jay Z, Eminem, Gang Starr, Outkast, Slum Village, Mos Def, and more. One thing was clear: the Fat Beats phenomenon could no longer be contained in a single basement shop.
In the late nineties, Abajian proceeded to open new stores in Amsterdam, Tokyo, Los Angeles, and Atlanta. He further expanded the company’s profile to include global distribution and record label branches. Distribution has since proven to be the company’s strongest and most enduring enterprise. Today Fat Beats Distribution stands poised as one of the country’s pre-eminent distributors of vinyl & specialty item records: a proud survivor in an industry now famous for its mortality rate. Despite market fluctuations, technology innovations, and stylistic revolutions, Fat Beats has remained steadfast in its commitment to the timeless vinyl format and to the loyal community who keeps it spinning.
Important information when ordering with Fatbeats.com...
• Online orders are processed within 1-2 business days.
• If you are confused or need to know about an order placed on the site you can contact us
• Order processing time is separate from shipping time requested.
• International orders and orders that require additional credit verification can take longer to process. Please be available at the provided number or email submitted to speed up verification time.
•We try and offer as many upcoming projects available for pre-order when the releases have moved into production. However, due to the nature of manufacturing and production, pre-order dates may change. If your pre-ordered items are holding your package from arriving please email us with a request to ship the in-stock items and pre-orders when they become available.
•If your order contains pre-order items we will hold the package until all titles are available to ship. Please specify in the comments section of the checkout if you would like to: a) hold your entire order until it can be entirely fulfilled or, b) have the in-stock items shipped immediately and the pre-ordered items ship when available. Please note that option B may require additional shipping charges as multiple packages will be shipped.
• Our stock rapidly changes and we try and set in place a system that avoids purchasing items that become out of stock. However, if a product ordered is out of stock, we will reach out and give you the chance to change or cancel your order. If you choose to cancel, you will be refunded in full.
• IMPORTANT: If the address or phone number supplied conflicts with other information provided, i.e. billing information versus shipping information, we may need to contact you to verify your purchase. Please be available to verify or write an explanation in the notes section during checkout explaining the conflicting information.
•Please make sure you give us your correct billing address and your correct billing phone number. Again, it is highly important that you are available at the provided number or email submitted to speed up verification time enabling us to avoid fraudulent purchases.
• All sales are final. However, if the item ordered is different from the item you receive, please contact us and we can arrange to get you the desired product.
• We are committed to protecting your privacy. There is an opt-in policy to receive marketing and other e-blasts about future products available as well as deals and coupons. If you do not wish to receive these emails you can opt out by simply removing the check from the marketing box below upon check out. We will never sell your email or personal information.
• Your payment and personal information is always safe. Our SSL (secure server software) is the industry standard and among the best software available today for secure commerce transactions. It encrypts all of your personal information, including credit card number, name, and address, so that it cannot be read over the internet.
Fat Beats offers internship opportunities. You must be enrolled in college and reside in the Los Angeles area to be eligible for our programs. If you meet these requirements, please paste your cover letter below and we will contact you if there are open positions available.
We are currently offering an internship program that offers an educational experience in all facets of our distribution operation. The intern would have the ability to assist in each of the following departments:
Online Retail / Marketing
Shipping & Receiving
- Enrollment in an accredited college/university that offers an internship program for academic credit
- Knowledge and passion in independent music and culture; with a specific interest in the artists/releases that Fat Beats supports
- Familiarity with Microsoft Office applications
- Positive attitude - no task should be considered too small
- Must be located in the greater Los Angeles area
Resumes/Cover Letters should be emailed to firstname.lastname@example.org