Bleep Bloop continues his foray into singing and dynamic vocalism, this time proving to make his highest leap across a record like Prime. “Lyrically speaking,” Bleep Bloop adds, “and vocally speaking, my influences just come from my favorite singers I think. Tom Waits, Howlin' Wolf, Fiona Apple, Alice Coltrane, Johnny Cash, the list goes on and on. I just tried to keep it as raw as possible, while still hopefully being fun to listen to.” Back on artwork duties is longtime visual collaborator Gary Paintin, with heavy usage of prime colors this time around. Both decided to move outside of the black and white imagery that’s dominated recent Bleep Bloop covers.
Prime is an album of abundant sound classification that relies on unique melding, never landing in one space but always retaining that singular pulse Bleep Bloop wraps around all of his releases. It's unquestionably a Bleep Bloop record even though it sounds unlike anything else in his catalog.
With a new professor role teaching synthesis and sound design, Bleep Bloop has naturally taken a step away from mainstream DJ club culture. This new path has given Bleep Bloop an entirely different scope on creating, with last year’s Revenge EP serving as one of the first statements from this new sense of trajectory. Prime is the most realized version of this new path thus far, surpassing anything he’s released prior.9.75
Coyote Howl
Curb
Poison Sweetroll
I Never Told You My Name
Courting An Ancient Machine
Chainbreaking
Hammer and Serpent
Brightlght Let Me Go
Fires
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