Record Label: Cascade Records
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“In this day and age distance, time and space no longer present the barriers that they previously did. ‘Collision’ the brand new future beats and jnstrumental Hip-Hop EP from Amin Payne (AUS) and Ben bada boom (GER) is testament to this. Having never met in person yet sharing similar and different views of music have collaborated on a musical journey encompassing sound bytes swapped over the digital landscape into a product. This journey showcases the strengths of both of these producers and aims to deliver a unique style.”
BEN BADA BOOM is a 26 year old beatmaker and design artist who is based in Hamburg, Germany. 3B ́s sounds come from various influences such as Electronic, Funk and Soul. He takes those influences and then turns them into something new. With a result clearly linked to hip-hop and broken beat. Current, but difficult to classify genre wise. His compositions are characterized by an occasional glimpse of 8-Bit, some 80’s synth work and Celtic tunes. With something of a stray jazz trumpet defends dirty points. Ben has focused on bringing a new, yet fresh, unheard sound using many unique techniques.
Amin Payne is... Raised in Auckland but currently based in Melbourne, Amin PaYnE’s sound is deeply rooted in both smooth and luscious sample based hip-hop, as well as the modernity and creativity of the current beat scene. Amin Payne is a consistent crate digger with influences in both taste and production style as varied and complimentary as J-Dilla, Pete Rock, Kashiff, Isley Brothers, and Marvin Gaye. A mix of both vintage and fresh sounds clearly reflect the dusty and crunchy, yet soulful music. Amin was a recent member of the Sold out Red Bull beat suite which was a performance with a 15 piece orchestra, 3 beatmakers, 2 turtablists and Aloe Blacc & ladi 6. Amin has shared stages with Flying Lotus, Gaslamp Killer, Peanut Butter Wolf, Eric Lau, Kev Brown, Ras G, Kaytranada, Oddisee ..
A2 Uturn Meon
A3 Moon To Mars
A4 Coast 2 Coast
B2 A Long Time Feat Hannah [Alta] B3 Laylow Feat Silent Jay
B4 Sunset on Staturn
B5 Lucid Dreams
L.A. producer, Mndsgn’s most recent project, Breatharian, gets the official re-issue treatment via the newly formed Fresh Selects label. The rising instrumentalist - best known for his work with the likes of Danny Brown, Jonwayne, Sonnymoon, Blu, Knxwledge, and more - sees his first retail release in over 4 years and has pulled out all the stops for the occasion. A diverse, conceptual beat tape that takes a varied approach into exploring the strange phenomenon known as “breatharianism” - the project made waves when it first dropped last summer and has now been professionally mixed, mastered, and pressed to vinyl for the first time. Along with it are two new bonus beats, “Hiking” and “Bweyy” (featuring co-producer, Swarvy); the album also marks Mnd’s first ever official music video - in the form of two-fer, “Hiking” / “Fif Dim.
Donuts began simply enough as an idea to turn a particularly good demo beat tape into a full-length release, and has since became a classic hip-hop album, one of the defining works of the artist’s life. Completed during a year in which J Dilla spent mostly in a hospital bed at Cedars-Sinai Medical Center in Los Angeles, Donuts would gain particular poignancy when, only three days after it’s release, February 10, 2006, the artist passed away, losing his battle with a rare blood disease. Back late 2005 when Stones Throw was getting ready to release J Dilla’s Donuts, they made a casual decision to use a drawing for the cover of the 2LP vinyl release, rather than the standard cover photo of Dilla used for the other releases. But now here it is, better late than never: J Dilla’s classic album Donuts now released on vinyl with the smile on the cover. Cover & illustrations by Jeff Jank; photo of Dilla by Andrew Gura. Just a few months ago Stones Throw published a short back-story on the cover photo.
Madvillainy is a collaboration between rapper MF Doom and producer Madlib under the group name Madvillain. MF DOOM and Madlib were off the radar to many in 2003, but the announcement of a collaboration and the first track, “America's Most Blunted”, brought all the quiet fans out of the woodwork, and let to a controversial and highly acclaimed album release in early 2004 that helped expose the two artists to a large audience for the first time. While the producer and MC both did was what completely natural to them at the time, they turned the formula of popular rap at the time on its head, creating an album that is both unique and true to it's hip-hop influences.
As one of the most-celebrated auteurs of his generation of hip hop artists, Black Milk has conditioned fans and critics to always expect the unexpected each time he releases new music. Few producers have earned the notoriety and respect he has as a musician, and when that is coupled with commanding talent as an emcee, it’s no surprise that his solo releases are met with exalted anticipation. The new full-length album “No Poison No Paradise” continues Black Milk’s trend of releasing material that maintains his signature sound while pushing it into new territory. Musically, each of Black Milk’s releases have kept one foot dipped in classical boom-bap and the other stomping with a fierce originality and willingness to expand his listeners’ sonic palate. “No Poison No Paradise” leaves behind the density and heavily- layered sounds of his 2010 release “Album of the Year” in favor of a more stripped-down approach. Some tracks showcase the raw sample-driven styles that helped make him one of Detroit’s hottest young talents nearly a decade ago. Others flex some of the sophistication and musicality that have helped to make his live show among the most-acclaimed in hip hop. Whichever direction he decides to take it, all of the trademark characteristics of Black’s music are fully apparent throughout the album: hard drums, melodic synths, and nimble flows. Perhaps the most noteworthy aspect of “No Poison No Paradise” is the evolution of Black Milk’s lyrical style. While he’s never been shy to get personal on the mic, Black introduces a refined ability as a storyteller on the new release, mostly told through the dreams of a character named Sonny. The album’s songs are steeped in autobiographical themes and construct rich visceral imagery of everything from the experience of growing up in a rough working-class neighborhood of Detroit to the struggles of maintaining one’s inspiration and success as an artist. Even with his lyrical progression, Black’s rap styles are unquestionably sharper and more varied than ever. “No Poison No Paradise” is another accomplished full-length solo release for Black Milk, and a return to form for one of hip hop’s most versatile talents. The album features guest appearances by Grammy-Award winners Black Thought (The Roots), Robert Glasper, and Dwele, as well as long-time collaborators Will Sessions, Mel, and Ab.