St. Louis, Missouri is the genesis for Coultrain, Black Spade and the group Hawthorne Headhunters. ‘Train was introduced to music via the church and by his teens was immersed in poetry. Spade had a record-enthusiast for a father who took the youth record shopping with him around town often. By the time the two were teenagers, they were well on their musical path, experimenting and refining their sounds. They met in 1999 and instantly formed a connection. The following decade saw each individual bounce around the country with different musical endeavors, both in groups and as solo artists.
In search of something new, Black Spade migrated out west to soak up the vibrant Southern California vibes and promptly met producer Proh Mic at the famed Do-Over. The two hit it off and began toying with music, soon bringing I,Ced, another St. Louis expat in LA, into the fold. The collective was taking shape and drew their moniker from ‘Ced’s residence in Hawthorne, California. The St. Louis natives reached out to their old comrade Coultrain and he eventually moved out to LA as well. A jam session at the HVW8 gallery solidified the group’s identity and the creative relationship with it’s owner resulted in an eponymous EP in 2009. Consisting of songs that originally had no intention of release, the EP was the first physical manifestation of Hawthorne Headhunters on HVW8 Records.
The creative process of the newly formed group was very natural. Members of the group liken the approach to that of old Jazz musicians; organic and instinctual, drawing from whatever influences they were feeling and writing about whatever was on their mind. They began plotting a full length record, but Proh Mic and ‘Ced decided to pursue solo endeavors instead of focusing on the group and ‘Train and Spade became the official torch-bearers of Hawthorne Headhunters. The duo went in the studio and Myriad of Now was recorded, a 14-track collection of Funk, Electro, R&B and more that speaks on spirituality, sexuality and everything in between. Carrying on the lineage of Black music dating back to the Blues and the inception of Jazz, Hawthorne Headhunters melt influences together to break new ground.
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With over 8 years in and appearing on over 30 vinyl releases, Damu the Fudgemunk has built a modest following and a collectible catalog. With his latest release, Public Assembly (cover photo shot at the legendary Fat Beats record store in NYC), his label Redefinition Records decided to empower fans with a role in the selection process. Is this a greatest hits? Not quite, but a highlight reel of sorts influenced by carefully analyzed comments in Redef's social networking community, hence the LP title. Many consider, "The Greatest Hits Album" overdue, but for a man who considers "his best work has yet to be released", Public Assembly is the Fudgemunk's artist statement that brings things to date full circle. 10 full length instrumentals from various projects are consolidated into one album. Over half the featured tracks were either never released on vinyl (Hole Up and Streamline instrumentals) or released in limited quantities (Supply Intro). For newcomers, Public Assembly is the full course introduction into Damu the Fudgemunk's vast catalog. For those who have been on board over the years the record connects the dots in one sitting. Either way, with the growing expansions of Damu and Redefinition records, it's safe to assume this won't be last of their projects rallied by the people.
This 12-inch was released leading up to the full-length Further Adventures of Lord Quas. Cover by Jeff Jank showing the night view of Quasimoto's building where who-the-hell-knows-what goes on at all hours of the night.
Lord Quas, Madlib and Melvin Van Peebles on some fantastic, nightmarish planet, tripping hard. As hallucinatory a hip hop experience as you can possibly hope to experience without mushrooms. For some reason, the remix was featured first, and, as a result was the version featured on The Unseen album. So peep the original version – available only on this 12".
Lord Quas’ first solo 12” on Stones Throw Records! Features three songs also available on Quas’s The Unseen, but get ‘em here with artwork by DJ Design. Instrumentals too.