Record Label: Junkadelic Music
An original member of New York's new-school pioneers the Ultramagnetic MCs, Keith Thornton is best known as a solo rapper. His signature styles stream-of-consciousness lyrical flow and complex vocals, two skills that earn him a perennial nod from the underground hip-hop community. The average Kool Keith album is peppered with bizarre, disjointed, even delusional or disassociated themes, concepts, and references. Nearly all of his albums incorporate a satirical dislike for more commercialized strains of hip-hop, as well as major record label scams.
After single-handedly redefining "warped" as the mind and mouth behind the Bronx-based Ultramagnetic MC's, "Kool" Keith Thornton -- aka Rhythm X, aka Dr. Octagon, aka Dr. Dooom, aka Mr. Gerbik -- headed for the outer reaches of the stratosphere with a variety of solo projects. A onetime psychiatric patient at Bellevue, Keith's lyrical thematics remained as free-flowing here as they ever were with the N.Y. trio, connecting up complex meters with fierce, layers-deep metaphors and veiled criticisms of those who "water down the sound that comes from the ghetto." His own debut single, "Earth People" by Dr. Octagon, was quietly released in late 1995 on the San Francisco-based Bulk Recordings, and the track spread like wildfire through the hip-hop underground, as did the subsequent self-titled full-length released the following year.
Featuring internationally renowned DJ Q-Bert (of Invisibl Skratch Piklz) on turntables, as well as the Automator and DJ Shadow behind the boards, Dr. Octagon's left-field fusion of sound collage, fierce turntable work, and bizarre, impressionistic rapping found audiences in the most unlikely of places, from hardcore hip-hop heads to jaded rock critics. Although a somewhat sophomoric preoccupation with body parts and scatology tended to dominate the album, Keith's complex weave of associations and shifting references is quite often amazing in its intricacy. The record found its way to the U.K.-based abstract hip-hop imprint Mo'Wax (for whom Shadow also recorded) in mid-1996, and was licensed by the label for European release (Mo'Wax also released a DJ-friendly instrumental version of the album titled, appropriately, The Instrumentalyst [Octagon Beats]).
The widespread popularity of the album eventually landed Keith at DreamWorks in 1997; the label gave Dr. Octagon (retitled Dr. Octagonecologyst) its third release mid-year, adding a number of bonus cuts. In early 1999, however, Keith's alter ego Dr. Dooom unfortunately "killed off" Dr. Octagon on the opening track of First Come, First Served (released on Thornton's own Funky Ass label). Kool Keith signed to Ruffhouse/MCA for his second album under that alias, 1999's Black Elvis/Lost in Space. Records released as Kool Keith followed in 2000 (Matthew) and 2001 (Spankmaster), while the 2002 collaboration Gene appeared as KHM (Kool Keith plus H-Bomb and Marc Live). His next project was a four-rapper group named Thee Undatakerz with Keith taking on a new persona, Reverand Tom. Kool Keith Presents Thee Undatakerz hit the streets in May 2004. Keeping busy, Keith released Diesel Truckers in August of the same year with old friend/producer KutMasta Kurt.
As if 2004 hadn't been filled with enough Kool Keith releases, some truly oddball ones started to appear that year. The Official Space Tape borrowed from previous releases to create the ultimate Keith mixtape, the R&B-leaning Personal Album was released in a limited edition of 500 and with a high price tag, plus the Real Talk label issued Dr. Octagon, Pt. 2, an unauthorized release that had little to do with the original and was quickly pulled from the shelves by court order. The next year was much calmer with the Global Enlightenment, Pt. 1 DVD being released at the beginning of the year, followed by Lost Masters, Vol. 2 in the summer. Nogatco Rd. from 2006 introduced a new character, Mr. Nogatco ("Octagon" backward). The UFO-obsessed album was a collaboration with producer Iz-Real. The two-CD Collabs Tape compilation and The Return of Dr. Octagon followed soon after. In early 2007, Keith was part of a Ultramagnetic MC's reunion that yielded Best Kept Secret.
Tashan Dorrsett, another concept- driven release from Keith, was released in 2009. Following early 2011 is the "Legend Of Tashan Dorrsett" remix album including remixes and exclusives by Hip-Hop legends Marley Marl, Domingo, Ultrmagnetic's TR Love, Agallah Don Bishop to name a few. Early 2012, Keith released the single "Anorexic" (labeled as a Ultramagnetic track) and flooded the internet with the hit records New York and The Game Is Free
Keith's main event for 2012 will be the release of his highly anticipated new solo album Love & Danger produced by Dj Junkaz Lou and starring Def''s Shad brainiac MC Keith Murray, and NYC's groundbreaking combo Megabone .
Bizarre Ride II The Pharcyde is, simply put, one of the most perfect albums in the history of recorded music regardless of genre. From the lyrical flow of Slimkid3, Bootie Brown, Imani and Fatlip to the cover art by Fuct the project is the embodiment of excellence start to finish. Musically, the foundation of this perfection is the production work of J-Swift. His use of jazz samples, phat beats and live instrumentation had the ultimate effect of “creating their own sonic utopia”, as NME put it. As such it’s more than fitting that Pharcyde’s Bizarre Ride II The Pharcyde be released as an all instrumental outing. Swift’s adventurous use of samples from jazz, R&B, funk, classic rock and more melded with his personal additions of live instrumentation including piano, bass, and Fender Rhodes along with drum arrangements from fellow producer JMD create a lush, jazzy soundscape that works well as a stand alone recording. Though the west coast’s predominant G-Funk sound of the time or the east coast’s conscious kings De La Soul may have sold more records at the time, The Pharcyde and J-Swift’s work on Bizarre Ride has stood the text of time and continues to resonate with fans new and old in a way that few records have or ever will.
Returning after their Last Transmission collaborative album with Melvin Van Peebles, the Heliocentrics finish off their trawl through the vaults of tracks recorded at their old digs – Quatermass Studios – with psychedelic tinged funk and jazz instrumentals Rolling Stone describes as “…sprawling, with percussive patterns that suddenly morph into extraterrestrial sound blasts and opaque, detouring patterns.”
De La Soul and A Tribe Called Quest may have been more commercially successful, but the afrocentric, jazz political rap movement and unfadeable Native Tongue Massive started with the Jungle Brothers. Their debut full length “Straight Out the Jungle” opened up many doors that are walked through by today’s artists like Mos Def, Common and even Kanye West. Their taste for jazzy horn samples helped kick-start the entire jazz-rap movement, and their James Brown fixation was one of the first. Plus, the group’s groundbreaking collaboration with legendary house producer Todd Terry, “I’ll House You,” paved the way for numerous hip-house hybrids that shot up the dance and pop charts over the next few years and appeared to be a staple on every East Coast Rap Album from ‘88 until ‘92. The opening track “Straight Out the Jungle” samples the classic Bill Withers drum break as the JB’s tell you where they are coming from. “Black Is Black” (featuring a young Q-Tip) and “Sounds Of The Safari” introduces the pro-black edge, while the sexually subtle classics “Jimbrowski” and “I’m Gonna Do You” are funny, clever and timely. Hard, smart, fun, clever and brilliant, Mike G., Africa Baby Bam and Sammy G may not have realized it but they crafted a classic rap album that stands the test of time. Available here on high grade, loud pressed, double vinyl for the first time ever!