Record Label: Junkadelic Music
An original member of New York's new-school pioneers the Ultramagnetic MCs, Keith Thornton is best known as a solo rapper. His signature styles stream-of-consciousness lyrical flow and complex vocals, two skills that earn him a perennial nod from the underground hip-hop community. The average Kool Keith album is peppered with bizarre, disjointed, even delusional or disassociated themes, concepts, and references. Nearly all of his albums incorporate a satirical dislike for more commercialized strains of hip-hop, as well as major record label scams.
After single-handedly redefining "warped" as the mind and mouth behind the Bronx-based Ultramagnetic MC's, "Kool" Keith Thornton -- aka Rhythm X, aka Dr. Octagon, aka Dr. Dooom, aka Mr. Gerbik -- headed for the outer reaches of the stratosphere with a variety of solo projects. A onetime psychiatric patient at Bellevue, Keith's lyrical thematics remained as free-flowing here as they ever were with the N.Y. trio, connecting up complex meters with fierce, layers-deep metaphors and veiled criticisms of those who "water down the sound that comes from the ghetto." His own debut single, "Earth People" by Dr. Octagon, was quietly released in late 1995 on the San Francisco-based Bulk Recordings, and the track spread like wildfire through the hip-hop underground, as did the subsequent self-titled full-length released the following year.
Featuring internationally renowned DJ Q-Bert (of Invisibl Skratch Piklz) on turntables, as well as the Automator and DJ Shadow behind the boards, Dr. Octagon's left-field fusion of sound collage, fierce turntable work, and bizarre, impressionistic rapping found audiences in the most unlikely of places, from hardcore hip-hop heads to jaded rock critics. Although a somewhat sophomoric preoccupation with body parts and scatology tended to dominate the album, Keith's complex weave of associations and shifting references is quite often amazing in its intricacy. The record found its way to the U.K.-based abstract hip-hop imprint Mo'Wax (for whom Shadow also recorded) in mid-1996, and was licensed by the label for European release (Mo'Wax also released a DJ-friendly instrumental version of the album titled, appropriately, The Instrumentalyst [Octagon Beats]).
The widespread popularity of the album eventually landed Keith at DreamWorks in 1997; the label gave Dr. Octagon (retitled Dr. Octagonecologyst) its third release mid-year, adding a number of bonus cuts. In early 1999, however, Keith's alter ego Dr. Dooom unfortunately "killed off" Dr. Octagon on the opening track of First Come, First Served (released on Thornton's own Funky Ass label). Kool Keith signed to Ruffhouse/MCA for his second album under that alias, 1999's Black Elvis/Lost in Space. Records released as Kool Keith followed in 2000 (Matthew) and 2001 (Spankmaster), while the 2002 collaboration Gene appeared as KHM (Kool Keith plus H-Bomb and Marc Live). His next project was a four-rapper group named Thee Undatakerz with Keith taking on a new persona, Reverand Tom. Kool Keith Presents Thee Undatakerz hit the streets in May 2004. Keeping busy, Keith released Diesel Truckers in August of the same year with old friend/producer KutMasta Kurt.
As if 2004 hadn't been filled with enough Kool Keith releases, some truly oddball ones started to appear that year. The Official Space Tape borrowed from previous releases to create the ultimate Keith mixtape, the R&B-leaning Personal Album was released in a limited edition of 500 and with a high price tag, plus the Real Talk label issued Dr. Octagon, Pt. 2, an unauthorized release that had little to do with the original and was quickly pulled from the shelves by court order. The next year was much calmer with the Global Enlightenment, Pt. 1 DVD being released at the beginning of the year, followed by Lost Masters, Vol. 2 in the summer. Nogatco Rd. from 2006 introduced a new character, Mr. Nogatco ("Octagon" backward). The UFO-obsessed album was a collaboration with producer Iz-Real. The two-CD Collabs Tape compilation and The Return of Dr. Octagon followed soon after. In early 2007, Keith was part of a Ultramagnetic MC's reunion that yielded Best Kept Secret.
Tashan Dorrsett, another concept- driven release from Keith, was released in 2009. Following early 2011 is the "Legend Of Tashan Dorrsett" remix album including remixes and exclusives by Hip-Hop legends Marley Marl, Domingo, Ultrmagnetic's TR Love, Agallah Don Bishop to name a few. Early 2012, Keith released the single "Anorexic" (labeled as a Ultramagnetic track) and flooded the internet with the hit records New York and The Game Is Free
Keith's main event for 2012 will be the release of his highly anticipated new solo album Love & Danger produced by Dj Junkaz Lou and starring Def''s Shad brainiac MC Keith Murray, and NYC's groundbreaking combo Megabone .
Issued in a deluxe triple-gatefold double LP package complete with photos and extensive liner notes. Includes digital download code. Amidst much anticipation from collectors, record stores, DJ's and producers alike Gloria Ann Taylor's musical output on Selector Sound have been compiled and will be presented in a deluxe triple-gatefold double LP package complete with photos and extensive liner notes. Soul singer Gloria Ann Taylor has no rags to riches tale to tell. Her story is one of personal sacrifice, failed relationships, and missed opportunity. She was leading a hard knock life before being swept-up by the flash and promise of a marriage and business partnership with a successful record producer. She would be nominated for a Grammy, rub shoulders with James Brown and Bootsy Collins, and turn heads from Motown. But in the end she rejected professional singing, the music business, and the lifestyle that came with it. Thankfully for music lovers, before Gloria closed the doors on her singing career, she left us with some amazing soul songs. Deeply shaded by gospel roots, her haunting sound clearly comes from the gut. Gloria did not fake the funk. Gloria was a partial owner of the Selector Sounds label, along with her husband/producer Walter Whisenhunt (previously a right-hand man to James Brown), and her brother Leonard. They released five Gloria Taylor singles between 1971 and 1977. They also released the three-song Deep Inside You EP, under the name Gloria Ann Taylor and Walter Whisenhunt's Orchestra. In the studio Whisenhunt would work up a unique musical brew that mixed northern soul with exotic percussion and fuzzy psychedelic guitars. He moved Gloria through a range of tempos and stylings from ballads to disco. Her gritty vocal performance was set to orchestral arrangements creating a juxtaposition of grandeur and solace. The pinnacle of their collaborations has to be the jaw-droppingly epic EP version of "Love Is a Hurting Thing"; a chugging, string-laden disco track, that sounds like proto-Theo Parrish and anchors this fantastic 12-track collection of the same name!
Three years in the making, this sixth album from M83 (aka Anthony Gonzalez) is one of 2011’s most highly anticipated releases. Grandiose in scale, Hurry Up, We're Dreaming is inspired by Smashing Pumpkins' revered double disc Mellon Collie and the Infinite Sadness. Produced by Justin Meldal-Johnsen (Beck, NIN, The Mars Volta, Goldfrapp) and including contributions from Brad Laner (Medicine) on guitar, Saturdays=Youth vocalist Morgan Kibby, and guest vocalist Zola Jesus, Hurry Up, We're Dreaming is a double-album journey that takes us to the horizon and introduces us to new landscapes. About awakening, craving, and conquering, Hurry Up, We're Dreaming pushes into new vocal territory for M83. Here we see Anthony Gonzalez test out different ways of singing, ranging from a spectral breathy whisper to a howling scream. Soaring and scraping up against the sky while sharing each uncharted frontier with new collaborators is what M83 does best.
This Instrumental Collection of Necro features heavy Beat Classics of Necro Albums like “I Need Drugs” as well as various productions for other artists including Non-Phixion, Ill Bill, Cage, & Missing Linx!